A Social History of Women in Ireland is an important and overdue book that explores the role and status of women in Ireland from 1870 until 1970, looking at politics, sociology, marriage patterns, religion, education and work among other topics. It provides a vital missing piece in the jigsaw of modern Irish history. Using a combination of primary research and published works, A Social History of Women in Ireland explores the role and status of women in Ireland. It examines lifestyle options available to women during this period as well as providing an overview of the forces working for change within Irish society. In bringing together a wide-ranging portfolio of material, A Social History of Women in Ireland 1870–1970 fills an important gap in the literature of the period by focusing on the experiences of Irish women, a group so often overlooked in histories of revolutionary men and prominent politicians. Crucial to a determination of the status of women throughout this period is an examination of the choices available regarding work, marriage and emigration. Rosemary Cullen Owens stresses at all times the importance of class and land ownership as key determinants for women's lives. A decrease in home industries allied to increasing mechanisation on the farm resulted in a contraction of labour opportunities for rural women. With the establishment of an independent farming class, the distinguishing criteria for status in rural Ireland became ownership of land, in which single-minded patriarchal figures dominated. In this context, the position of women declined, and a society evolved with a high pattern of late-age marriages, large numbers of unwed sons and daughters, and an accepted pattern of emigration. In the cities and towns, the condition of lower-working-class women was especially distressing for most of the period, with particular problems regarding housing, health and sanitation. Through the work of campaigning activists, equal educational and political rights were eventually attained. From the early 1900s there was some expansion in female employment in shops, offices and industry, but domestic service remained a high source of employment. For middle-class women, employment opportunities were limited and usually disappeared on marriage. The civil service — a major employer in an economy that was generally un-dynamic and stagnant — operated a bar on married women for much of the period. Rosemary Cullen Owens not merely traces these injustices but also the campaigns fought to right them. She locates these struggles in the wider social context in which they took place. This important book restores balance to the narrative of modern Irish history, changing the focus from key male political figures to society at large by unveiling the often forgotten story of the country's women over a tumultuous century of change. In doing so, Rosemary Cullen Owens enriches our understanding of Irish history from 1870 to 1970. A Social History of Women in Ireland: Table of Contents Introduction Part 1. Irishwomen in the Nineteenth Century - 'A progressively widening set of objectives'—The Early Women's Movement - Developments in Female Education - Faith and Philanthropy—Women and Religion Part 2. A New Century—Action and Reaction - Radical Suffrage Campaign - Feminism and Nationalism - Pacifism, Militarism and Republicanism Part 3. Marriage, Motherhood and Work - The Social and Economic Role of Women in Post-Famine Ireland - Trade Unions and Irish Women - Women and Work Part 4. Women in the New Irish State - The Quest for Equal Citizenship 1922–1938 - The Politicisation of Women Mid-Twentieth Century Epilogue: A Woman's World?

This collection offers a multi-faceted investigation of the critical issue of the creation and place of the “Other” in Ireland. The extraordinarily rapid recent economic development of Ireland has effected a profound transformation in the island’s social and cultural life. In the process, old verities and assumptions concerning the nature of Irish society and culture have been called into question, with a whole variety of new challenges coming to light. The developments of the last two decades have transformed questions of what and who constitutes the “Other” within Irish society, but in the process older societal faultlines based on gender, disability and religious difference have not disappeared and historical processes of “Othering” continue to play a critical role in influencing and moulding the social contours of the new Ireland of the twenty-first century. Drawing on a number of different disciplinary perspectives, this collection presents a number of key analyses of social and cultural practices and policies that reflect anxieties about and negotiations of these changes, examining historical and contemporary representation of fears about the porousness of national borders; the increasing racialization of the Irish state through social and juridical proscriptions, and the popular and official narrative of ‘progress’.

Building on the success of previous editions, Politics in the Republic of Ireland continues to provide an authoritative introduction to all aspects of government and politics in this seventh edition. Written by some of the foremost experts on Irish politics, it explains, analyses and interprets the background to Irish government and contemporary political processes. It devotes chapters to every aspect of contemporary Irish government and politics, including the political parties and elections, the constitution, deliberative democracy, referendums, the Taoiseach and the governmental system, women and politics, the position of the Dáil, and Ireland’s place within the European Union. Bringing readers up to date with the very latest developments, especially with the upheaval in the Irish party system and the implications of recent liberalising referendums, the seventh edition combines substance with a highly readable style, providing an accessible book that meets the needs of all those who are interested in knowing how politics and government operate in Ireland.

The delineation and emergence of the Irish border radically reshaped political and social realities across the entire island of Ireland. For those who lived in close quarters with the border, partition was also an intimate and personal occurrence, profoundly implicated in everyday lives. Otherwise mundane activities such as shopping, visiting family, or travelling to church were often complicated by customs restrictions, security policies, and even questions of nationhood and identity. The border became an interface, not just of two jurisdictions, but also between the public, political space of state territory, and the private, familiar spaces of daily life. The effects of political disunity were combined and intertwined with a degree of unity of everyday social life that persisted and in some ways even flourished across, if not always within, the boundaries of both states. On the border, the state was visible to an uncommon degree -- as uniformed agents, road blocks, and built environment -- at precisely the same point as its limitations were uniquely exposed. For those whose worlds continued to transcend the border, the power and hegemony of either of those states, and the social structures they conditioned, could only ever be incomplete. As a consequence, border residents lived in circumstances that were burdened by inconvenience and imposition, but also endowed with certain choices. Influenced by microhistorical approaches, Unapproved Routes uses a series of discrete 'histories' -- of the Irish Boundary Commission, the Foyle Fisheries dispute, cockfighting tournaments regularly held on the border, smuggling, and local conflicts over cross-border roads -- to explore how the border was experienced and incorporated into people's lives; emerging, at times, as a powerfully revealing site of popular agency and action.

During the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland's cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often still focused on the image of Ireland as bucolic rural landscape, Irish photographers-snapshotter and professional alike-were creating and curating photographs which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. Erika Hanna examines a diverse array of photographic sources, including family photograph albums, studio portraits, the work of photography clubs and community photography initiatives, alongside the output of those who took their cameras into the streets to record violence and poverty. The volume shows how Irish men and women used photography in order to explore their sense of self and society and examines how we can use these images to fill in the details of Ireland's social history. By exploring this rich array of sources, Snapshot Stories asks what it means to see-to look, to gaze, to glance-in modern Ireland, and explores how conflicts regarding vision and visuality have repeatedly been at the centre of Irish life.

The Routledge Handbook of Irish Criminology is the first edited collection of its kind to bring together the work of leading Irish criminologists in a single volume. While Irish criminology can be characterised as a nascent but dynamic discipline, it has much to offer the Irish and international reader due to the unique historical, cultural, political, social and economic arrangements that exist on the island of Ireland. The Handbook consists of 30 chapters, which offer original, comprehensive and critical reviews of theory, research, policy and practice in a wide range of subject areas. The chapters are divided into four thematic sections: Understanding crime examines specific offence types, including homicide, gangland crime and white-collar crime, and the theoretical perspectives used to explain them. Responding to crime explores criminal justice responses to crime, including crime prevention, restorative justice, approaches to policing and trial as well as post-conviction issues such as imprisonment, community sanctions and rehabilitation. Contexts of crime investigates the social, political and cultural contexts of the policymaking process, including media representations, politics, the role of the victim and the impact of gender. Emerging ideas focuses on innovative ideas that prompt a reconsideration of received wisdom on particular topics, including sexual violence and ethnicity. Charting the key contours of the criminological enterprise on the island of Ireland and placing the Irish material in the context of the wider European and international literature, this book is essential reading for those involved in the study of Irish criminology and international and comparative criminal justice.

Marking the centenary of female suffrage, this definitive history charts women's fight for the vote through the lives of those who took part, in a timely celebration of an extraordinary struggle An Observer Pick of 2018 A Telegraph Book of 2018 A New Statesman Book of 2018 Between the death of Queen Victoria and the outbreak of the First World War, while the patriarchs of the Liberal and Tory parties vied for supremacy in parliament, the campaign for women's suffrage was fought with great flair and imagination in the public arena. Led by Emmeline Pankhurst and her daughters Christabel and Sylvia, the suffragettes and their actions would come to define protest movements for generations to come. From their marches on Parliament and 10 Downing Street, to the selling of their paper, Votes for Women, through to the more militant activities of the Women's Social and Political Union, whose slogan 'Deeds Not Words!' resided over bombed pillar-boxes, acts of arson and the slashing of great works of art, the women who participated in the movement endured police brutality, assault, imprisonment and force-feeding, all in the relentless pursuit of one goal: the right to vote. A hundred years on, Diane Atkinson celebrates the lives of the women who answered the call to 'Rise Up'; a richly diverse group that spanned the divides of class and country, women of all ages who were determined to fight for what had been so long denied. Actresses to mill-workers, teachers to doctors, seamstresses to scientists, clerks, boot-makers and sweated workers, Irish, Welsh, Scottish and English; a wealth of women's lives are brought together for the first time, in this meticulously researched, vividly rendered and truly defining biography of a movement.

The Kildare IRA was heavily outnumbered by crown forces and had neither the manpower nor weaponry to seriously challenge them. With about 300 activists in County Kildare, and only about a third of them ready to take to the field at one time, they faced nearly 6,000 troops and hundreds of police and Black and Tans. However, the county was an important axis for intelligence gathering and communications to the south and west, and it is here Kildare made its greatest impact. The open flat plains of Kildare militated against ambushes, while its proximity to the capital also inhibited the Kildare Volunteers. Nevertheless there was a strong revolutionary element in the county. The book looks at the group of Volunteers who followed the railway track into Dublin to partake in the 1916 Rising and details attacks at Greenhills, Maynooth and Barrowhouse. The author also examines the Rath internment camp in the Curragh, reaction in the county to the Truce and Treaty, and the eventual split in the republican movement in the lead up to civil war. This comprehensive account will be a valuable addition to literature on this formative period in Ireland's history.

Published here for the first time, Maura Laverty’s plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation – reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty’s plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin’s Gaiety and Gate Theatres and on tour. Laverty’s trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors’ introduction contextualises Laverty’s work and considers the theatrical values of the plays.

Seán Lemass enjoys unrivalled acclaim as the 'Architect of Modern Ireland'. Yet there remain great gaps in our knowledge of this mythic figure and his golden age. Up to now Lemass, a colossus of twentieth-century Irish history, was airbrushed to fit a narrative of national progress. Today, this narrative is undergoing an agonising reappraisal. This groundbreaking study reveals the man behind the myth and asks questions previously skirted around. What emerges is an authoritarian, cunning, workaholic patriot; a shrewd political tactician whose impatience lay not just with the old Ireland, but with democracy itself. This is the untold story of a great man and his lasting impact on a nation's imagination.