The play Adelphoe provides an introduction to the world of Roman comedy from one of its best practitioners, Terence. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.

An edition of the Latin comedy, "The Brothers", with introduction and detailed commentary.

In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.

Micio is an aging, easygoing Athenian bachelor whose strict and hardworking brother Demea permits him to adopt and rear Aeschinus, one of Demea’s two sons. Unlike his brother, Micio is a permissive parent, choosing to let pass many of Aeschinus’s small extravagances on the assumption that children are more likely to remain bound to their duty by ties of kindness than by those of fear. Micio comes to wonder if his policy raising his son Ctesipho is better.