Ryder seeks out Death in the city of Cypress, but quickly realizes that Death is on the hunt for her as well. SheÕs a wanted woman and every bullet in this dark place is looking to put her in a grave.

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.

The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.

In Solidarity: Friendship, Family, and Activism Beyond Gay and Straight shows what being an ally (in this case to LGBTQ+ persons and communities) requires, means, and does. Through prose, poetry, performance text, and film, the work takes readers inside relationships across sexual orientation and serves as an exemplar of activist scholarship. In Solidarity makes a unique and compelling contribution to courses on LGBTQ+ studies, sexualities, gender, identity, relationships, or the family.

Contributors to this collection of 15 essays are academics in English, theater, and African American studies. They focus on the second half of Wilson's century cycle of plays, examining each play within the larger context of the cycle and highlighting themes within and across particular plays. Some topics discussed include business in the street in Jitney and Gem of the Ocean, contesting black male responsibilities in Jitney, the holyistic blues of Seven Guitars, violence as history lesson in Seven Guitars and King Hedley II, and ritual death and Wilson's female Christ. The book offers an index of plays, critics, and theorists, but not a subject index. Nadel is chair of American literature and culture at the University of Kentucky.

This collection contains an astounding 100 old and new cherished gospel favorites. The arrangements are written in 4-part harmony, "hymn style," with chord symbols. Titles included are: Holy Ground *I Bowed My Knees and Cried Holy *I Must Tell Jesus *It Is No Secret * Jesus Saves *Love Can Build a Bridge *Satisfied *Victory in Jesus *When They Ring the Golden Bells * Written in Red and many, many more! Published by Landmark Entertainment.

How cultivating a healthy fear of God liberates us from our fear of others, our fear of the future, and even our fear of death itself. At times the world feels like it's losing its mind. From politics to the pandemic, we live with an ever-increasing uncertainty, and many of us have grown to fear the rapid disintegration of our society and our own lives. Recovering Our Sanity is not another self-help book about how to beat your daily fears for a better life. It's a book that will show you the gravity and glory of a God who's worthy of our fear. It’s a book that will reveal how these two biblical phrases—Fear God and Do Not Be Afraid—are not contradictory but actually one coherent message. Michael Horton—Professor of Theology and Apologetics at Westminster Seminary—shows us that we cannot fight our fears by seeking the absence of fear altogether, but by living with a fear of God that drives out the fear of everything else. Horton will walk you through the case for the fear of God by: Developing what it means to fear God, biblically and theologically, and what this kind of fear looks like in practice. Categorizing different types of fears—from cultural anxiety to pain and hardship—and what they stem from. Focusing on how to confront our earthly fears with our hope in Christ, rooted in the gospel. Reminding us that God does not exist for us; we exist for God. Humbling, thought-provoking, and hope-igniting, Recovering Our Sanity delivers a timely message that will help you shift your focus from a human-centered obsession with self-preservation to a fixation on Christ and his salvation. Rather than clinging to false securities and promises of immediate gratification, you can gain the lasting joy of knowing the One who has given himself to save us and who says to us, "Do not be afraid."