Arthur Miller, best known for his works The Crucible and Death of a Salesman, is one of America's most important dramatists.

A comprehensive reader's companion to the works of one of America's greatest playwrights.

Arthur Miller is regarded as one of the most important playwrights of the twentieth century, and his work continues to be widely performed and studied around the world. This updated Companion includes Miller's work since the publication of the first edition in 1997 - the plays Mr Peters' Connections, Resurrection Blues, and Finishing the Picture - and key productions of his plays since his death in 2005. The chapter on Miller and the cinema has been completely revised to include new films, and demonstrates that Miller's work remains an important source for filmmakers. In addition to detailed analyses of plays including Death of a Salesman and The Crucible, Miller's work is also placed within the context of the social and political climate of the time. The volume closes with a bibliographic essay which reviews the key studies of Miller and also contains a detailed chronology of the work of this influential dramatist.

This Companion provides an introduction to one of the most important playwrights of the twentieth century.

Wherever There Are People There Will Be A Literature. A Literature Is The Record Of Human Experience, And People Have Always Been Impelled To Write Down Their Impressions Of Life. They Do So In Diaries And Letters, In Pamphlets And Books, And In Essays, Poems, Plays, And Fiction. In This Respect American Literature Is Like Any Other, Though It Displays Many Characteristics That Are Similar And Many That Are Dissimilar To The Literary Tradition Of Other Nations. American Literature Has Witnessed Several Trends And Movements:" Puritan/Colonial (1650 1750)" Revolutionary/Age Of Reason (1750 1800)" Romanticism (1800 1860)" American Renaissance/Transcen-Dentalism (1840 1860)" Realism (1855 1900) (Period Of Civil War And Post-War Period)" The Moderns (1900 1950)" Harlem Renaissance (Parallel To Modernism) (1920S)" Postmodernism (1950 To Present)The Present Volume Concentrates On The American Literature Of 19Th And 20Th Centuries And Includes Critical Papers On Authors Widely Prescribed In The Indian Universities. As We Are Aware, The Beauty Of Any Literary Work Is That It Leads To Fresh Interpretation Every Time When Viewed From A Different Angle. The Scholarly And Critical Analysis Presented On The Works Of Several American Literary Masters Such As Emerson, Hawthorn, Poe, Whitman, Hemingway, O Neill, Miller, Morrison, Walker, Etc., By Experts In The Field Of English Literature Would Unquestionably Enable The Readers Gain A New Insight Into The Interpretation Of Literary Works. While Serving As An Additional Resource To The Teachers Of American Literature, This Volume Is Expected To Assist The Students And Researchers In The Domain Of American Literature.

Arthur Miller was one of the major American dramatists of the twentieth century, clearly ranking with other truly great American playwrights, including Eugene O’Neill, Tennessee Williams, and Edward Albee. The centennial of Miller’s birth in New York City on October 17, 1915 was celebrated around the world with a panoply of staged productions, theatrical events, media documentaries, and academic conferences. Miller earned his reputation during a career of more than seventy years, in which he achieved critical success in the 1940s and 1950s with the dramas All My Sons, Death of a Salesman, The Crucible and A View from the Bridge. He was also notable for his refusal to “name names at his appearance before the House Un-American Activities Committee”, his marriage to the film actress Marilyn Monroe, and his spell as president of the literary organization, International P.E.N. Arthur Miller was not only a literary giant, but also one of the more significant political, cultural, and social figures of his time. He was a man of conviction and integrity who frequently took stands, popular and unpopular, on the ethical issues that engaged societies throughout the world. This collection includes eclectic essays from Miller scholars who provide detailed discussions of text and performance, of Miller as a political and cultural figure, and of his connection to other playwrights. The contributions explore the trajectory of Miller’s career, his most famous and frequently produced works, such as Death of a Salesman and The Crucible, the dramas of his later career, and his fiction. The collection appeals to a broad American and international audience and a cross-section of readers, including undergraduates, graduates, emerging scholars, drama and theatre specialists, as well as theatre-goers who flock to revivals of Miller’s plays.

Arthur Miller's Death of a Salesman, the third volume in the Dialogue series, covers six major and controversial topics dealing with Miller's classic play. The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

While it is reasonable to assume that our national literature would offer a fertile field in which to explore the interaction between the ideological and psychological dimensions of American life, critics generally have kept these two domains separate, and the dominant model has consisted of an archaic notion of the individual in society.

In this second volume, distinguished scholars and drama critics present the best of current thought on the plays of Arthur Miller. In this book, which is divided into two sections, 'Views' and 'Overviews, ' the contributors assess the relationship evident among several plays and offer analyses of single works. An international bibliography rounds out this perceptive and comprehensive illumination of Miller's work and career.