Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.

Early years -- In the studio and out -- Photographing African Americans and roll, Jordan, roll -- The Southern highlands -- Checklist of the exhibition.

Photography, Architecture, and the Modern Italian Landscape explores the impact of photography at a pivotal moment in Italian architecture and culture, focusing on the period between 1910 and the mid-1970s. The book analyzes architectural photographs taken by Italian cultural figures who helped transform the Italian landscape into what we know today. This study charts the oscillation of Italians’ ideas about what progress signified. For example, the book demonstrates that for writers and artists familiar with ancient ideas about civilization in 1910, the Roman countryside exemplified the contradictions inherent in primitivism. On the one hand, their photographs praised the region’s primordial beauty, yet their images condemned the crudeness of local living conditions. More broadly, it traces the history of primitivism and photography in Italy to show how cultural leaders’ alarm at the nation’s pre-modern living conditions, their aspiration to modernize them, and their grasp of photography to catalyze the process helped forge the modern Italian landscape—its monuments, housing, infrastructure, and natural environments. At the same time, it explores a vibrant period in photographic history when the advent of photographic reproduction as a commercial process developed into a medium with its own visual style capable of shaping ideas about modernity. This new image-making and reproduction technology empowered Italy’s cultural leaders not simply to represent the Italian landscape through photography but to determine how it developed. Of interest to researchers and students from a range of disciplines, modern architecture, photography, and Italian studies, this book demonstrates the power of art to transform society and to reformulate our ideas of progress.

Brilliant and controversial, art critic Sadakichi Hartmann wrote copiously about American and European art and the shaping of American culture during the decades from 1890 to 1910. Jane Weaver has recovered and assembled over fifty of Hartmann's critical writings from influential, though often obscure, turn-of-the-century journals. These reviews and theoretical essays not only provide some of the earliest known criticism of important artists and photographers of the period, but also make Hartmann's fundamental—and uniquely American—definition of modernism available to students of art and cultural history. A most useful adjunct to the text is a complete bibliography of Hartmann's writings on art, as well as an annotated checklist of all the artists treated by Hartmann in this book. Sadakichi Hartmann (1867-1944), half German, half Japanese, learned the American cast of mind and heart as a beloved young disciple of the aged Walt Whitman. Reflecting the poet's zealous vision, Hartmann's piercing commentaries on the art centers of Boston and New York offer unparalleled documentation of the years before and after 1900.

"Clara Sipprell (1885-1975) was one of America's foremost pictorial photographers. From her early years as a portraitist in Buffalo to the end of her seventy-year career, Sipprell remained faithful to pictorialist principles, creating beautiful, softly focused photographs of naturally lit subjects... Whether she was photographing leading figures in the arts and government, scenes near her summer studio in Vermont, the landscape and people in exotic locales, or serenely beautiful still lifes, Clara Sipprell maintained the highest standards of photographic artistry."--book jacket.

Licking County is located at the geographic center of Ohio. The history of the county began over 2,000 years ago when an ancient people known as the Hopewells occupied the area. While they disappeared for no apparent reason, the large earthen mounds left behind give modern man clues to their type of culture. Licking County is home to a countless number of these mounds with the Great Circle Earthworks being the largest. In 1808, Licking County was established with Newark as its county seat. The construction of the Ohio Canal began in 1825 and finished in 1833. The canal brought a new era to Licking County, and Newark became a beehive of activity. The railroads came and the canal gradually began to lose its value. In 1908, the great Ohio Canal was filled in. For the past 200 years, many people have had a connection to Licking County, and their names continue to keep the history of the county alive.

This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.