Saints are currently undergoing a resurrection in middle grade and young adult fiction, as recent prominent novels by Socorro Acioli, Julie Berry, Adam Gidwitz, Rachel Hartman, Merrie Haskell, Gene Luen Yang, and others demonstrate. Cyborg Saints: Religion and Posthumanism in Middle Grade and Young Adult Fiction makes the radical claim that these holy medieval figures are actually the new cyborgs in that they dethrone the autonomous subject of humanist modernity. While young people navigate political and personal forces, as well as technologies, that threaten to fragment and thingify them, saints show that agency is still possible outside of the humanist construct of subjectivity. The saints of these neomedievalist novels, through living a life vulnerable to the other, attain a distributed agency that accomplishes miracles through bodies and places and things (relics, icons, pilgrimage sites, and ultimately the hagiographic text and its reader) spread across time. Cyborg Saints analyzes MG and YA fiction through the triple lens of posthumanism, neomedievalism, and postsecularism. Cyborg Saints charts new ground in joining religion and posthumanism to represent the creativity and diversity of young people’s fiction.

An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.

Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition. Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries—Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.

Letters to the Cyborgs describes a frightening future about to land on our doorsteps, based on inventions, science and technology we have today. Each story details the political, social, and environmental destruction of our world as Artificial Intelligence takes over the planet. With intelligence, insight and humor, Baker examines what it means to be human in a world where Cyborgs and robots rule. Ranging from chilling visions of Armageddon to haunting stories of the power of human love, with some comic relief thrown in to make the truth easier to handle, this groundbreaking collection of short stories faces the questions scientists, politicians and corporations are ignoring: when Artificial Intelligence becomes "self-aware" and is a thousand times more intelligent than any human being, what happens next? Scientists tell us that this "Singularity" will occur by 2030. "What is human?" will become the most important question in history as humans become 51% or more machine.

Mankind’s dependence on artificial intelligence and robotics is increasing rapidly as technology becomes more advanced. Finding a way to seamlessly intertwine these two worlds will help boost productivity in society and aid in a variety of ways in modern civilization. Androids, Cyborgs, and Robots in Contemporary Culture and Society is an essential scholarly resource that delves into the current issues, methodologies, and trends relating to advanced robotic technology in the modern world. Featuring relevant topics that include STEM technologies, brain-controlled androids, biped robots, and media perception, this publication is ideal for engineers, academicians, students, and researchers that would like to stay current with the latest developments in the world of evolving robotics.

After a hearty, poetic rap in the sublime direction of President Obama, this modern piece of extended poetry spins the yarn about an adolescent boy and a truly traumatic accident that leaves him terribly deformed. Subsequently, the boy's existing form of health care denies payment, them viewing the needed surgey as something purely cosmetic; hence, the boy's disenchanted, conservative father finds favor in Mr. Obama's majestic concept for new health care. Too, this epic ode touches upon the theological spine of the United States, giving the Bible Belt two legends locked in a religious debate about the combative differences of the Catholic and Protestant Churches; also, the Drug War is sung about, especially how it is nothing more than a declaration of unjust war by the government upon its own people, violating our American standard of True Liberty. May God bless Obama, granting him life and health! And of course, Sarah Palin's spirit does haunt this story, reminding us to: DRILL BABY,DRILL!

Black Bodies and Transhuman Realities: Scientifically Modifying the Black Body in Posthuman Literature and Culture makes a series of valuable contributions to ongoing dialogues surrounding posthuman blackness and Afro-transhumanism. The collection explores the Black body (self) in the context of transhuman realities from a variety of literary and artistic perspectives. These points of view convey the cultural, political, social, and historical implications that frame the space of Black embodiment, functioning as sites of potentiality and pointing toward the possibility of a transcendental Black subjectivity. In this book, many questions concerning the transformation of the Black body are presented as parallels to philosophical and religious inquiries that have traditionally been addressed from a hegemonic viewpoint. The chapters demonstrate how literature, based on its historical and social contexts, contributes to broader thought about Black transcendence of subjectivity in a posthuman framework, exploring interpretations of the “old” and visions of the “new” human.

The future of the Outworlds now lies in uncertain hands. The war for the Outworlds is on. The Imperials may have lost the first round, but they're back—and this time, a ragtag flotilla isn't going to stop them. When Aaron recieves a captain's commission in the new Outworld Confederacy, Mara is his natural choice for second in command. But Mara never expected to live past the first few battles. She only joined the resistance to avenge her father, and fears the monster she's starting to become. The only thing she has left to live for now is her friends. The Imperials aren't the only enemy in this war, though. The friends must face a threat from within in SONS OF THE STARFARERS BOOK IV: FRIENDS IN COMMAND

Modern feminism increasingly benefits only a small class of professional women. There is no reason to sacrifice everyone else's happiness for their sake. Mary Harrington shows that women's liberation was less the result of moral progress than an effect of the material consequences of the Industrial Revolution. We've now left the industrial era for the digital age, in which technology is liberating us from natural limits and embodied sex differences. This shift may benefit the elites, but it also makes it easier to commodify women's bodies, human intimacy, and female reproductive abilities. "Feminism" has been captured by well-off white-collar women, who use it to advance their own economic and political interests under the pretense that these are the interests of all women—all the while wielding the term like a club against anyone, male or female, who dissents. Feminism against Progress is a stark warning against a dystopian future in which poor women become little more than convenient sources of body parts to be harvested and wombs to be rented by the rich. "Progress" no longer benefits the majority of women, and only a feminism that is skeptical of it can truly defend their interests in the twenty-first century.

In this biological thriller of the near future, postinsurrection Mexico has undermined the superpower of the United States. But while the rivals battle over borders, a pestilence beyond politics threatens to explode into a worldwide epidemic. . . . Since the rise of the Holy Renaissance, Ascension—once known as Mexico City—has become the most populous city in the world, its citizens linked to a central government net through wetware implanted in their brains. But while their dictator grows fat with success, the masses are captivated by Sister Domenica, an insurgent nun whose weekly pirate broadcasts prophesy a wave of death. All too soon, Domenica’s nightmarish prediction proves true, and Ascension’s hospitals are overrun with victims of a deadly fever. As the rampant plague kills too quickly to be contained, Mexico smuggles its last hope over the violently contested border. . . . Henry David Stark is a crack virus hunter for the American Center for Disease Control and a veteran of global humanitarian efforts. But this disease is unlike any he’s seen before—and there seems to be no way to cure or control it. Racing against time, Stark battles corruption to uncover a horrifying truth: this is no ordinary outbreak but a deliberately unleashed man-made virus . . . and the killer is someone Stark knows.