This is the first extended study to specifically focus on character in dystopia. Through the lens of the "last man" figure, Character and Dystopia: The Last Men examines character development in Yevgeny Zamyatin’s We, Anthony Burgess’s A Clockwork Orange, Kazuo Ishiguro’s Never Let Me Go, Fyodor Dostoevsky’s Notes from Underground, George Orwell’s Nineteen Eighty-Four, Nathanael West’s A Cool Million, David Mamet’s Glengarry Glen Ross, Octavia Butler’s Parable of the Sower, Lois Lowry’s The Giver, Michel Houellebecq’s Submission, Chan Koonchung’s The Fat Years, and Maggie Shen King’s An Excess Male, showing how in the 20th and 21st centuries dystopian nostalgia shades into reactionary humanism, a last stand mounted in defense of forms of subjectivity no longer supported by modernity. Unlike most work on dystopia that emphasizes dystopia’s politics, this book’s approach grows out of questions of poetics: What are the formal structures by which dystopian character is constructed? How do dystopian characters operate differently than other characters, within texts and upon the reader? What is the relation between this character and other forms of literary character, such as are found in romantic and modernist texts? By reading character as crucial to the dystopian project, the book makes a case for dystopia as a sensitive register of modern anxieties about subjectivity and its portrayal in literary works.

The volume is divided into two parts, separated by an Intermezzo. The first part, “Dystopia Matters”, benefits from the contribution of reputed scholars of the field of Utopian Studies, who were asked to make a statement explaining why dystopia is important. The Intermezzo completes this part and offers the reader an informed discussion of the concepts of utopia, dystopia and anti-utopia whilst providing ground for the case studies presented in the second part, in the sections devoted to literature, film, and theatre. In one way or another, despite the variety of approaches, all contributors argue for the idea that, if dystopia has invaded most forms of contemporary discourse, its sibling, utopia, has not been eradicated from the scene. Furthermore, the studies show that the tension between the two concepts is instrumental to our cautious, conscious, and tentative construction of the future.

Social media is shaping our lives, churches, communities, and culture in both positive and negative ways. How can we take the positive and leave the negative? This book aims to give you a practical understanding of the culture social media developed in, the culture it creates, and practical ways to engage with social media to keep the good and reduce the impact of the negative.

Social media, shopping experiences, and mapping programs might not seem like they have much in common, but they are all built on neurodigital media. What is neurodigital media? It lives at the intersection of the Californian Ideology, the digital computing revolution, network ecosystems, the nudge, and a naturalistic view of the person. The Californian Ideology holds individuals should be reshaped, naturalism says individuals may be reshaped, and digital computing provides the tools, through network ecosystems theory and the nudge, that can reshape individuals. This book explores the history and impact of neurodigital media in the lives of everyday users.

“Dystopia of AI,” is the result of a unique collaboration between human creativity and artificial intelligence. While the narrative and storyline were crafted with the help of AI technology, Daniel served as the guiding hand behind the scenes, providing input, inspiration, and direction. This book proves the incredible possibilities that emerge when human ingenuity and AI capabilities merge. It’s a fusion of Daniel’s ideas and the innovative writing assistance of ChatGPT, resulting in a story that pushes the boundaries of imagination and storytelling. “Dystopia of AI,” is the result of a unique collaboration between human creativity and artificial intelligence. While the narrative and storyline were crafted with the help of AI technology, Daniel served as the guiding hand behind the scenes, providing input, inspiration, and direction. This book proves the incredible possibilities that emerge when human ingenuity and AI capabilities merge. It’s a fusion of Daniel’s ideas and the innovative writing assistance of ChatGPT, resulting in a story that pushes the boundaries of imagination and storytelling.

This book is about the presence of utopian and dystopian elements in the Italian literary landscape. It focuses on four authors that are representatives of the various positions in the Italian cultural debate: Pasolini, Calvino, Sanguineti, and Volponi. What did concepts like utopia and dystopia mean for these authors? Is it possible to separate utopia from dystopia? What is the role of science fiction in this debate? This book answers these questions, proposing an original interpretation of utopia and of the social role of literature. The book also takes into consideration four of the most influential literary journals in Italy: Officina, il menabò, il verri, and Nuovi Argomenti, that played a central role in the cultural and political debate on utopia in Italy.

Essays which aim to create a world of agency and justice How can we build a future with better health and homes, respecting people and the environment? The 2020 edition of the Socialist Register, Beyond Market Dystopia, contains a wealth of incisive essays that entice readers to do just that: to wake up to the cynical, implicitly market-driven concept of human society we have come to accept as everyday reality. Intellectuals and activists such as Michelle Chin, Nancy Fraser, Arun Gupta, and Jeremy Brecher connect with and go beyond classical socialist themes, to combine an analysis of how we are living now with visions and plans for new strategic, programmatic, manifesto-oriented alternative ways of living.

In 'Sci-Fi Classics of Fritz Leiber - 21 Time Travel & Dystopia Stories', Fritz Reuter Leiber showcases his mastery of science fiction through a collection of thought-provoking tales that delve into complex themes of time travel and dystopian societies. Leiber's literary style is both imaginative and reflective, drawing readers into futuristic worlds filled with technological wonders and moral dilemmas. Each story offers a unique perspective on the consequences of society's advancements and the human condition, making this collection a must-read for fans of speculative fiction. These stories are not just entertaining escapades, but also serve as a commentary on the potential pitfalls of unchecked progress and the existential questions that arise from manipulating time and reality. Leiber's keen insight into human nature and his skillful storytelling make this compilation a standout in the science fiction genre, showcasing why he is regarded as a pioneer in speculative fiction. Fans of classic science fiction and those interested in exploring the ethical implications of scientific advancements will find 'Sci-Fi Classics of Fritz Leiber' a captivating and enlightening read.

The central concern of this book is to find answers to fundamental questions about the British asylum system and how it operates. Based on ethnographic research over a two-year period, the work follows and analyses numerous asylum appeals through the British courts. It draws on myriad interviews with individuals and a thorough examination of many state and non-state organizations to understand how the system works. While the organization of the book reflects the formal asylum process, a focus on specific legal appeals reveals the ‘political’ factors at play as different institutions and actors seek to influence judicial decision-making and overturn/uphold official asylum policy. The final chapter draws on the author’s ethnographic findings of the UK’s ‘asylum field’ to re-examine research on the Refugee Determination System in the US, Canada and Australia which has narrowly focused on judicial decision-making. It argues that analysis of Refugee Determination Systems must be situated and studied as part of a wider, political, semi-autonomous ‘asylum field’ which needs to be better understood. Providing an in-depth ethnographic study of a national asylum system and of immigration law and practice, the book will be an invaluable resource for academics, researchers and policy-makers in the UK and beyond working in this highly topical area.

Imagine living in a world where everything you do is controlled. In the distant future the United States has been split into two regions separated by a barren wasteland; this is the country of Dystopia. Here the individual is discouraged, freedom is an illusion, food is rationed, and everything you do is tracked by a chip implanted in your arm. This is Dana Ginary's world. At age seventeen, people receive their career assignments chosen for them by a government body. Forced to work at the Waste Management Plant because she was declared too individualistic, Dana finds herself surrounded by death and brutality. Knowing her days are numbered, she looks for a way to leave the plant before she, too, becomes one of its causalities. It is then she meets a man named George and soon finds herself caught up in a cat and mouse game between the resistance and the Dystopian government. Dana finds herself faced with an agonizing choice of whom she will betray and whom she will save: her friend George, her parents, or herself.