Edward Said is perhaps best known as the author of Orientalism, this volume explains Said's key ideas, their contexts and impact, with reference to both his scholarship and journalism.

John Randolph LeBlanc examines the political oeuvre of critic and activist Edward Said and finds that Said preferred "reconciliation" to segregation in Palestine/Israel. LeBlanc argues that Said's criticism speaks to the importance of negotiating the troubling, proximate, and unsettling presence of our most perplexing others.

For at least two decades the career of Edward Said has defined what it means to be a public intellectual today. Although attacked as a terrorist and derided as a fraud for his work on behalf of his fellow Palestinians, Said’s importance extends far beyond his political activism. In this volume a distinguished group of scholars assesses nearly every aspect of Said’s work—his contributions to postcolonial theory, his work on racism and ethnicity, his aesthetics and his resistance to the aestheticization of politics, his concepts of figuration, his assessment of the role of the exile in a metropolitan culture, and his work on music and the visual arts. In two separate interviews, Said himself comments on a variety of topics, among them the response of the American Jewish community to his political efforts in the Middle East. Yet even as the Palestinian struggle finds a central place in his work, it is essential—as the contributors demonstrate—to see that this struggle rests on and gives power to his general "critique of colonizers" and is not simply the outgrowth of a local nationalism. Perhaps more than any other person in the United States, Said has changed how the U.S. media and American intellectuals must think about and represent Palestinians, Islam, and the Middle East. Most importantly, this change arises not as a result of political action but out of a potent humanism—a breadth of knowledge and insight that has nourished many fields of inquiry. Originally a special issue of boundary 2, the book includes new articles on minority culture and on orientalism in music, as well as an interview with Said by Jacqueline Rose. Supporting the claim that the last third of the twentieth century can be called the "Age of Said," this collection will enlighten and engage students in virtually any field of humanistic study. Contributors. Jonathan Arac, Paul A. Bové, Terry Cochran, Barbara Harlow, Kojin Karatani, Rashid I. Khalidi, Sabu Kohsu, Ralph Locke, Mustapha Marrouchi, Jim Merod, W. J. T. Mitchell, Aamir R. Mufti, Jacqueline Rose, Edward W. Said, Gayatri Chakravorty Spivak, Lindsay Waters

The Routledge Companion to Humanism and Literature provides readers with a comprehensive reassessment of the value of humanism in an intellectual landscape. Offering contributions by leading international scholars, this volume seeks to define literature as a core expressive form and an essential constitutive element of newly reformulated understandings of humanism. While the value of humanism has recently been dominated by anti-humanist and post-humanist perspectives which focused on the flaws and exclusions of previous definitions of humanism, this volume examines the human problems, dilemmas, fears, and aspirations expressed in literature, as a fundamentally humanist art form and activity. Divided into three overarching categories, this companion will explore the histories, developments, debates, and contestations of humanism in literature, and deliver fresh definitions of "the new humanism" for the humanities. This focus aims to transcend the boundaries of a world in which human life is all too often defined in terms of restrictions—political, economic, theological, intellectual—and lived in terms of obedience, conformity, isolation, and fear. The Routledge Companion to Humanism and Literature will provide invaluable support to humanities students and scholars alike seeking to navigate the relevance and resilience of humanism across world cultures and literatures.

Five thrilling tales of mystery, mayhem, and murder from an exceptional quintet of Edgar, CWA Dagger, and National Book Award winners. Crime and literature make strange and sinister bedfellows in this winning anthology of book-themed whodunits by five acclaimed masters of mystery and suspense. Multiple award-winning, bestselling authors provide the literary thrills and chills in this masterful collection of five ingeniously puzzling mysteries that belong in the library of every crime fiction aficionado. Dead Dames Don’t Sing by John Harvey: Looking for a big payday but finding big trouble instead, ex-London-cop-turned-private-investigator Jack Kiley attempts to uncover the true origins of a controversial, pseudonymously written pulp novel. The Travelling Companion by Ian Rankin: A young Scotsman in Paris is drawn into a shocking mystery that resides within the pages of an unpublished manuscript allegedly penned by Robert Louis Stevenson. Mystery, Inc. by Joyce Carol Oates: When an obsessive collector of bookstores discovers a charming new shop, he decides he must have it at any cost—even if he has to commit murder. Remaindered by Peter Lovesey: For some nefarious reason, the widow and former associates of a slain gangster are determined to keep the Precious Finds Bookstore open following the unfortunate demise of the shop’s owner. The Book Thing by Laura Lippman: Private investigator Tess Monaghan must help the irascible proprietor of a Baltimore children’s bookstore keep her business afloat by unmasking an elusive and utterly ingenious book thief.