Join Hellboy and his fellow agents on globe-trotting horrifying mystery adventures from a fire ghost in a forgotten dinosaur theme park to vengeful demons in Hong Kong, Cold War weapons tests that lead to mutilated monsters in the South Pacific to a forgotten ghost in a NYC potter’s field and more, plus the true story of Hellboy’s turn on the silver screen in Mexican luchador films! This volume collects Hellboy and the B.P.R.D. across volumes 1955, 1956, and 1957, from a slew of extraordinary talents including Mike Norton, Alison Sampson, Shawn Martinbrough, and more in this new hardcover edition! Collects Hellboy and the B.P.R.D. 1955, 1956, and 1957.

Hellboy crisscrosses the globe on missions to track down demonic books, solve the sightings of mysterious creatures, and deal with restless spirits in this gripping collection of one-shots. These stories will let readers get to know some of the human members of the B.P.R.D. and the unique talents they bring to the organization. Even Hellboy needs backup from time to time! All five issues of Hellboy and the B.P.R.D.: 1957 are collected in this paperback with writing by Mike Mignola and Chris Roberson, featuring art by Hellboy Universe veteran Laurence Campbell (B.P.R.D.: The Devil You Know), Stephen Green (Lobster Johnson: Garden of Bones), Shawn Martinbrough (Thief of Thieves), Alison Sampson (Jessica Jones), and Mike Norton (Hellboy and the B.P.R.D.: 1956), plus the short “Happy New Year, Ava Galluci” by Mignola and Ben Stenbeck, featuring colors by Dave Stewart and a bonus sketchbook section. Collects Hellboy and the B.P.R.D.: 1957 one-shots: Family Ties, Forgotten Lives, Falling Sky, Fearful Symmetry, and From Below, and the short “Happy New Year, Ava Galluci” from the Hellboy Winter Special.

This volume collects Hellboy And The B.P.R.D.: 1955 - Secret Nature, Occult Intelligence 1-3, Burning Season, a 1955 story from the Hellboy Winter Special, and bonus material! iZombie co-creator Chris Roberson and Mike Mignola join Shawn Martinbrough, Brian Churilla, and Paolo Rivera to guide Hellboy to unveil a volatile new weapons project with monstrous side effects.

Tales from the Mignolaverse! Cryptozoologist Woodrow "Woody" Ferrier joined the B.P.R.D. to find exciting and previously undocumented cryptids, but unfortunately most of his cases end in disappointment. But a trip with Hellboy to small town Virginia where a huge and mysterious creature stalks the woods might provide him with just the opportunity he's been waiting for! Hellboy creator Mike Mignola and longtime collaborater Chris Roberson gives us a new tale from the world of Hellboy. Featuring art by Shawn Martinbrough, colors by Dave Stewart, and letters by Clem Robins.

Hellboy and Professor Trevor Bruttenholm team up for some quality father-son time at a New York potter's field where they try to unravel the mystery of a spectral being haunting the packed graveyard. Upon arrival, the two of them quickly realize there may be more things haunting the buried poor at the mass grave than meets the eye . . . Celebrated writer Mike Mignola and longtime collaborator Chris Roberson bring you another exciting Hellboy one-shot, with exquisite art by Stephen Green and Dave Stewart!

Join Hellboy and his fellow agents on globe-trotting horrifying mystery adventures from a fire ghost in a forgotten dinosaur theme park to vengeful demons in Hong Kong, Cold War weapons tests that lead to mutilated monsters in the South Pacific to a forgotten ghost in a NYC potter’s field and more, plus the true story of Hellboy’s turn on the silver screen in Mexican luchador films! This volume collects Hellboy and the B.P.R.D. across volumes 1955, 1956, and 1957, from a slew of extraordinary talents including Mike Norton, Alison Sampson, Shawn Martinbrough, and more in this new hardcover edition! Collects Hellboy and the B.P.R.D. 1955, 1956, and 1957.

Mignola has expanded Hellboy into the most exciting group of books since the early Marvel universe, and his style has influenced art and illustration far beyond the world of comics. Selected finished pieces are shown alongside sketches and raw scans from the last twenty years. * Never-before-seen art! * Mignola's best pieces from the last twenty years! "Nothing is better than having Mignola himself rendering Hellboy's world."—IGN "I envy the sheer variety and invention Mignola brings to Hellboy's world. [He] consistently manages to depict even the most grotesque monstrosity and make it somehow beautiful."—Peter de Sève, award-winning New Yorker cover artist and character designer for Ice Age film series, from his introduction

"Hellboy, Mike Mignola's famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy is also a highly aestheticized encounter with the medium of comics and the materiality of the book. Scott Bukatman's dynamic study explores how comics produce a heightened 'adventure of reading' in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader's imagination to inhabit. In Mignola's work, the imaginative space that exists on the page and within the book becomes a self-aware meditation upon the imaginative space of page and book. To understand the mechanics of creating a world on the page, Bukatman draws upon other media--including children's books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts. Hellboy's World delves into shared fictional universes and occult detection, the riotous colors of comics that elude rationality and control, horror and the evocation of the sublime, and the place of abstraction in Mignola's art to demonstrate the pleasurable and multiple complexities of the reader's experience. Monsters populate the world of Hellboy comics, but Hellboy's World argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans but will entice anyone interested in the medium of comics and the art of reading"--Provided by publisher.

Monsters seem inevitably linked to humans and not always as mere opposites. Maaheen Ahmed examines good monsters in comics to show how Romantic themes from the eighteenth and the nineteenth centuries persist in today’s popular culture. Comics monsters, questioning the distinction between human and monster, self and other, are valuable conduits of Romantic inclinations. Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels. She highlights the persistence of recurrent Romantic features through monstrous protagonists in English- and French-language comics and draws out their implications. Aspects covered include the dark Romantic predilection for ruins and the sordid, the solitary protagonist and his quest, nostalgia, the prominence of the spectacle as well as excessive emotions, and above all, the monster’s ambiguity and rebelliousness. Ahmed highlights each Romantic theme through close readings of well-known but often overlooked comics, including Enki Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris’s My Favorite Thing Is Monsters, as well as the iconic comics series Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring the otherness of the monster, these protagonists retain the exaggeration and uncontrollability of all monsters while incorporating Romantic characteristics.