Becca Whitla uses liberationist, postcolonial, and decolonial methods to analyze hymns, congregational singing, and song-leading practices. By way of this analysis, Whitla shows how congregational singing can embody liberating liturgy and theology. Through a series of interwoven theoretical lenses and methodological tools—including coloniality, mimicry, epistemic disobedience, hybridity, border thinking, and ethnomusicology—the author examines and interrogates a range of factors in the musical sphere. From beloved Victorian hymns to infectious Latin American coritos; congregational singing to radical union choirs; Christian complicity in coloniality to Indigenous ways of knowing, the dynamic praxis-based stance of the book is rooted in the author’s lived experiences and commitments and engages with detailed examples from sacred music and both liturgical and practical theology. Drawing on what she calls a syncopated liberating praxis, the author affirms the intercultural promise of communities of faith as a locus theologicus and a place for the in-breaking of the Holy Spirit.

Settler churches across North America have committed to the work of conciliation and reconciliation with Indigenous Peoples. Worship is a space in which these commitments are expressed and nurtured. As we are embraced by God’s reconciling love in worship, we are equipped to carry that reconciling love into our relationships beyond the worship space. Worship equips us for the work of conciliation, but the liturgy itself needs to be decolonized if it is to truly honor Christian commitments to God and neighbor. This book explores the reformed liturgy in its pattern of Gathering, Word, Table, and Sending, searching it both for colonial vestiges, and spaces of new possibility. Unsettling Worship invites the reader into a conversation about reformed worship in a setting of ongoing colonization. Worship should both unsettle us, and equip us for the essential work of making things right with Indigenous neighbors.

Hymns and Constructions of Race: Mobility, Agency, De/Coloniality examines how the hymn, historically and today, has reinforced, negotiated, and resisted constructions of race. It brings together diverse perspectives from musicology, ethnomusicology, theology, anthropology, performance studies, history, and postcolonial scholarship to show how the hymn has perpetuated, generated, and challenged racial identities. The global range of contributors cover a variety of historical and geographical contexts, with case studies from China and Brazil to Suriname and South Africa. They explore the hymn as a product of imperialism and settler colonialism and as a vehicle for sonic oppression and/or resistance, within and beyond congregational settings. The volume contends that the lived tradition of hymn-singing, with its connections to centuries of global Christian mission, is a particularly apt lens for examining both local and global negotiations of race, power, and identity. It will be relevant for scholars interested in religion, music, race, and postcolonialism.

Feminist practical theology has emerged in the gap between wider feminist and wider practical theology. It celebrates distinctive concerns, arguments, emphases, and questions – unafraid to re-form practical theology in shape and substance, and to guide feminist theology towards the silences and stories of human lives that some professional theologies (including those shaped by feminist commitments) sometimes overlooks. Feminist practical theology is bold in exploration of doctrinal themes in poetic and prayerful modes, characteristically collaborative and in search of alliances with other advocacy perspectives. In the UK, such commitments have been exemplified by Nicola Slee, whom this volume honours. Chapters invite readers into wide ranging conversations that flow from young women’s experiences at university, poetic practice as theology, queer priesthood, theologies of critical masculinities, women presiding in worship, Black and decolonial theologies adjacent to feminist convictions, confrontations with sexual violence, rest and rewilding, and a post-menopausal Mary. Contributors are: Al Barrett, Gavin D’Costa, Deborah Kahn-Harris, Michael N. Jagessar, Sharon Jagger, Rachel Mann, Jenny Morgans, Eleanor Nesbitt, Karen O’Donnell, Mark Pryce, Anthony G. Reddie, Ruth Shelton and Alison Wooley.

Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.

This book considers the situation of intersex people who have faced erasure in the areas of science, law, culture, and theology due to the assumption that all humans are either ‘female’ or ‘male.’ Centered in interviews conducted with German intersex Christians, this book argues that moving from a paradigm of sexual dimorphism to sexual polymorphism will help promote the full humanity and flourishing of intersex people by creating a world where intersex individuals are no longer coerced and/or forced to undergo non-consensual, medically unnecessary treatment, no longer experience human rights violations because of their lack of legal protection, no longer feel inhuman and Other due to epistemic injustice that stems from socio-cultural norms and stereotypes, are no longer told they are not made in God’s image as a result of a sexually dimorphic understanding of Genesis 1:27, and no longer feel excluded and invisible in worship services that do not recognize them. This combination of the practical and the spiritual allows for a reconsideration of the medical treatment and pastoral care that should be available to intersex people. This book will be helpful to those in the disciplines of science, law, culture, and theology, particularly those in gender and theological studies and those already in and studying for lay and ordained ministry.

This book reexamines what we often take for granted: how Scripture is presented to worshipers; how it is heard, especially by those with little experience of the life of the church; Scripture’s role in mediating the great narratives of incarnation and redemption at the high points of the year; where Scripture meets people in ritual transition; how the Bible itself provides the language of much public prayer. Contributors also consider how the relationship between Scripture and liturgy is tested by new priorities—the climate crisis, the inclusion and protection of children, the recognition and honoring of those who find themselves on the margins of the church, and the significance of gender and identity in all areas of the church’s life. This book does not offer definitive statements. It is an invitation to a wide audience to engage in new conversations with their practice of worship.

Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.

Pentecostalism, one of the fastest growing global religious movements, counts Latine people among its earliest adopters. Drawing on US-based and migrant traditions, Latine Pentecostals today continue to reinvent themselves in creative and adaptive ways. While Pentecostalism initially drew attention for its ecstatic practices, participants maintain a spirituality of deep interiority that has sustained Latine Pentecostals in the borderlands for generations. When the Spirit Is Your Inheritance explores Latino Pentecostalism from an intergenerational, insider perspective. As a sociologist born and raised in Latino Pentecostalism, Jonathan Calvillo curates an autoethnographic journey through the converging sociocultural streams shaping his Latino Pentecostal lifeworlds. Focusing on lived religious practices, sociological perspectives, and grounded theological reflection, Calvillo paints a critical and caring picture of Latino Pentecostalism. Through snapshots of Pentecostal belonging in social and geographic borderlands, the book addresses issues of migration, Latinidad, race, and social justice. Ultimately, Calvillo considers what the empathetic Spirit-centric practices he has observed within Pentecostalism might teach others.

Introducing readers to the contemporary field of sacramental theology, this volume covers the biblical and historical foundations, a survey of the state of the discipline, and a collection of constructive essays representing major themes, practices and approaches to sacraments and sacramentality in the contemporary world. The volume starts with a set of foundational essays that offer broad introduction to the field of sacramental theology from contemporary scholars, analysing a number of historical figures in order to illumine and inform contemporary sacramental theology. The second part of the volume is dedicated to a series of essays on sacramentality, and includes attention to elements of space, time, ritual action, music, and word, all as aspects of what Christians have termed “sacramental” reality. The third set of essays includes attention to each of the seven practices that have most commonly been termed “sacraments” in Christian traditions: baptism; eucharist/Lord's Supper; confirmation; confession, forgiveness and reconciliation; marriage; ordination; and anointing. The final part of this volume features scholars who are working on sacraments in conversation with contemporary academic disciplines: critical race theory, queer theory, comparative theology, and disability studies.