Louis MacNeice and the Irish Poetry of his Time draws on new archival research to suggest ways in which MacNeice's poetry is closely linked to contemporaneous developments in Irish literature and culture.

A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.

The Oxford Handbook of Modern Irish Poetry consists of 40 essays by leading scholars and new researchers in the field. Beginning with W.B.Yeats, the figure who towers over the century's poetry, it includes chapters on the major poets to have emerged in Ireland over the last 100 years.

Since his death in 1963, Louis MacNeice's critical standing has risen steadily. This new study addresses the contexts of his writing that are of greatest relevance to his place in modern poetry: his problematic relation to Ireland and his place in the largely English "thirties generation" with which he is often identified. The influence of these aspects on MacNeice's poetic development is studied in detail, addressing his relation to Yeats and Modernism and his conception of parable as a key imaginative response to these influences. Included also is the first study of the poet's revealing and little-known early writings. Arguing that MacNeice is a central figure in modern Irish and British poetry, this work sheds new light on the poems.

A journal of Irish studies.

This book combines twelve essays derived from the proceedings of the New Voices in Irish Criticism Conference of 2005, which took place at Mary Immaculate College, Limerick, all of which concentrate on the intersection between text and theory in the field of Irish Studies. All of the contributors to this volume have an interest in developing novel ways of reading both traditional and conventional Irish texts through various theoretical contexts, which include postcolonialism, feminism, psychoanalysis and deconstruction.