A true record of an era, this unabridged facsimile of the retail giant's 1895 catalogue showcases some 25,000 items, from the necessities of life to products whose time has passed. Illustrated.

Tea gowns, bleached damask, and yards of flannel and pillow-case lace, stereoscopes, books of gospel hymns and ballroom gems, the New Improved Singer Sewing Machine, side saddles, anti-freezing well pumps, Windsor Stoves, milk skimmers, straight-edged razors, high-button shoes, woven cane carpet beaters, spittoons, the Studebaker Road Cart, commodes and washstands, the "Fire Fly" single wheel hoe, cultivator, and plow combined, flat irons, and ice cream freezers. What man, woman, or child of the 1890s could resist these offerings of the Montgomery Ward catalogue, the one book that was read avidly, year after year, by millions of Americans on farms and in small towns across the nation? The Montgomery Ward catalogue provides one of the few irrefutably accurate pictures of what life was "really like" in the gay nineties, for it described and illustrated almost anything that anybody could possibly need or want in the way of "store-bought" goods. In fact, in that pre-department store era, it was usually the only source for such goods. Imagine if Montgomery Ward had issued an illustrated catalogue in the days of Louis XIV, or Elizabeth I, or Charlemagne: what insights would we have into the daily life of the "common folk," the farmers and shopkeeper, housewives and schoolchildren . . . what sources of information for historians and scholars, collectors and dealers, what models for artists and designers. In 1895, Montgomery Ward was the oldest, largest, and most representative mail-order house in the country. The brainchild of a former traveling salesman, it issued its first catalogue in 1872, a one-page listing of items. By 1895, the catalogue, reprinted here, had grown to 624 pages and listed some 25,000 items, almost all of them illustrated with live drawings. Montgomery Ward was by then a multi-million dollar business that profoundly affected the American economy; and since it reached the most isolated farms and backwoods cabins, its effect on American culture was almost as great. Now once again available, it is our truest, most unbiased record of the spirit of the 1890s. An introduction on the history of the Montgomery Ward Company and its catalogue has been prepared especially for this edition by Boris Emmet, Ph.D. (Johns Hopkins), a foremost expert on retail merchandising. His monumental work Catalogues and Counters has long been recognized as a landmark in the study of American economic history.

An overview of the state of manufacturing in America—both past and present—and how this sector and the jobs it creates are essential to the American economy “There's no author whose books I look forward to more than Vaclav Smil.” —Bill Gates In Made in the USA, Vaclav Smil powerfully rebuts the notion that manufacturing is a relic of predigital history and that the loss of American manufacturing is a desirable evolutionary step toward a pure service economy. Smil argues that no advanced economy can prosper without a strong, innovative manufacturing sector and the jobs it creates. Smil explains how manufacturing became a fundamental force behind America’s economic, strategic, and social dominance. He describes American manufacturing’s rapid rise at the end of the nineteenth century, its consolidation and modernization between the two world wars, its role as an enabler of mass consumption after 1945, and its recent decline. Some economists argue that shipping low-value jobs overseas matters little because the high-value work remains in the United States. But, asks Smil, do we want a society that consists of a small population of workers doing high-value-added work and masses of unemployed? Smil assesses various suggestions for solving America’s manufacturing crisis, including lowering corporate tax rates, promoting research and development, and improving public education. Will America act to preserve and reinvigorate its manufacturing? It is crucial to our social and economic well-being; but, Smil warns, the odds are no better than even.

Dressing Global Bodies addresses the complex politics of dress and fashion from a global perspective spanning four centuries, tying the early global to more contemporary times, to reveal clothing practice as a key cultural phenomenon and mechanism of defining one’s identity. This collection of essays explores how garments reflect the hierarchies of value, collective and personal inclinations, religious norms and conversions. Apparel is now recognized for its seminal role in global, colonial and post-colonial engagements and for its role in personal and collective expression. Patterns of exchange and commerce are discussed by contributing authors to analyse powerful and diverse colonial and postcolonial practices. This volume rejects assumptions surrounding a purportedly all-powerful Western metropolitan fashion system and instead aims to emphasize how diverse populations seized agency through the fashioning of dress. Dressing Global Bodies contributes to a growing scholarship considering gender and race, place and politics through the close critical analysis of dress and fashion; it is an indispensable volume for students of history and especially those interested in fashion, textiles, material culture and the body across a wide time frame.

When visitors to the nation's capital embark on a day of museum visits at the National Mall, the most striking building in their midst is undoubtedly the Smithsonian Castle. Its iconic architecture has come to symbolize the Smithsonian. Today the Castle is both central administration building for the entire Smithsonian Insititution and the public doorway to all of its museums and galleries. But in years past it housed the families of the head of the Smithsonian at the same time that it served as research offices for far-flung explorations and as space for collections exhibition and restoration. The newly designed second edition of The Castle explores the architectural details of turrets and tomb, and layers that with the stories of the people who have served inside this beloved, nineteenth-century medieval revival landmark.

The Gilded Age—the time between Reconstruction and the Spanish-American War—marked the beginnings of modern America. The advertising industry became an important part of selling the American Dream. Americans dined out more than ever before, and began to take leisure activities more seriously. Women's fashion gradually grew less restrictive, and architecture experienced an American Renaissance. Twelve narrative chapters chronicle how American culture changed and grew near the end of the 20th century. Included are chapter bibliographies, a timeline, a cost comparison, and a suggested reading list for students. This latest addition to Greenwood's American Popular Culture Through History series is an invaluable contribution to the study of American popular culture. American Popular Culture Through History is the only reference series that presents a detailed, narrative discussion of U.S. popular culture. This volume is one of 17 in the series, each of which presents essays on Everyday America, The World of Youth, Advertising, Architecture, Fashion, Food, Leisure Activities, Literature, Music, Performing Arts, Travel, and Visual Arts

A collection of classic and contemporary articles demonstrating the development of historical archaeology over the past 20 years, both in North America and throughout the world. Contains sections on recent perspectives, people and places, historic artifacts, interdisciplinary studies, landscape studies, and international historical archaeology. For use in historical archaeology classes. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Der weltbekannte Wissenschaftler Vaclav Smil analysiert das kritische Thema der nachhaltigen Ressourcennutzung, das für Forschung und Politik von großem Interesse ist Im Laufe der Zeit ist die moderne Welt von Materialströmen in ungeahntem Ausmaß abhängig geworden. Selbst die effizientesten Produktionsverfahren und ein größtmöglicher Recyclinganteil reichen möglicherweise nicht aus, um die Dematerialisierung so weit voranzutreiben, dass sie die zunehmende Nachfrage nach Materialien ausgleichen könnte, die aus dem anhaltenden Bevölkerungswachstum und steigenden Lebensstandards entsteht. In Materials and Dematerialization werden die wichtigsten Materialien der Geschichte betrachtet, von Holz und Stein über Metalle und Legierungen bis zu Kunststoffen und Silizium, mit einer Beschreibung ihrer Gewinnung bzw. Herstellung und der wichtigsten Anwendungen. In einer detaillierten Analyse werden die steigende Produktivität bei der Gewinnung und Verarbeitung, Synthese, Veredelung und Verteilung von Materialien sowie die Energiekosten und die Umweltauswirkungen des zunehmenden Materialverbrauchs untersucht. Gleichzeitig wird die Beziehung zwischen sozioökonomischer Entwicklung und Ressourcennutzung insbesondere in Bezug auf die wichtigsten Technologien und Innovationen betrachtet. Das Buch endet mit einem Ausblick auf die Zukunft. Erörtert werden dabei die Möglichkeiten der Dematerialisierung, eine mögliche Beschränkung von Materialien und eine aktualisierte Einschätzung des Materialbedarfs sowie die Prognosen für die nächsten Jahrzehnte. Nach dem großen Erfolg seiner Veröffentlichung von 2013 hat Vaclav Smil sein wegweisendes Werk nun gründlich überarbeitet. In der neuen Ausgabe werden die Fortschritte der letzten zehn Jahren herausgestellt, und auch die Statistiken und Literaturhinweise wurden auf den Stand von 2022 gebracht. Zudem enthält die aktualisierte Ausgabe neue Inhalte, die sich ausdrücklich damit befassen, welche Materialien für die globale Energiewende und die Lebensmittelsicherheit einer weiterhin wachsenden Weltbevölkerung erforderlich sind.

In this era of tweets and blogs, it is easy to assume that the self-obsessive recording of daily minutiae is a recent phenomenon. But Americans have been navel-gazing since nearly the beginning of the republic. The daily planner—variously called the daily diary, commercial diary, and portable account book—first emerged in colonial times as a means of telling time, tracking finances, locating the nearest inn, and even planning for the coming winter. They were carried by everyone from George Washington to the soldiers who fought the Civil War. And by the twentieth century, this document had become ubiquitous in the American home as a way of recording a great deal more than simple accounts. In this appealing history of the daily act of self-reckoning, Molly McCarthy explores just how vital these unassuming and easily overlooked stationery staples are to those who use them. From their origins in almanacs and blank books through the nineteenth century and on to the enduring legacy of written introspection, McCarthy has penned an exquisite biography of an almost ubiquitous document that has borne witness to American lives in all of their complexity and mundanity.

How much further should the affluent world push its material consumption? Does relative dematerialization lead to absolute decline in demand for materials? These and many other questions are discussed and answered in Making the Modern World: Materials and Dematerialization. Over the course of time, the modern world has become dependent on unprecedented flows of materials. Now even the most efficient production processes and the highest practical rates of recycling may not be enough to result in dematerialization rates that would be high enough to negate the rising demand for materials generated by continuing population growth and rising standards of living. This book explores the costs of this dependence and the potential for substantial dematerialization of modern economies. Making the Modern World: Materials and Dematerialization considers the principal materials used throughout history, from wood and stone, through to metals, alloys, plastics and silicon, describing their extraction and production as well as their dominant applications. The evolving productivities of material extraction, processing, synthesis, finishing and distribution, and the energy costs and environmental impact of rising material consumption are examined in detail. The book concludes with an outlook for the future, discussing the prospects for dematerialization and potential constrains on materials. This interdisciplinary text provides useful perspectives for readers with backgrounds including resource economics, environmental studies, energy analysis, mineral geology, industrial organization, manufacturing and material science.