In 1905 President Teddy Roosevelt dispatched Secretary of War William Howard Taft on the largest U.S. diplomatic mission in history to Hawaii, Japan, the Philippines, China, and Korea. Roosevelt's glamorous twenty-one year old daughter Alice served as mistress of the cruise, which included senators and congressmen. On this trip, Taft concluded secret agreements in Roosevelt's name. In 2005, a century later, James Bradley traveled in the wake of Roosevelt's mission and discovered what had transpired in Honolulu, Tokyo, Manila, Beijing and Seoul. In 1905, Roosevelt was bully-confident and made secret agreements that he though would secure America's westward push into the Pacific. Instead, he lit the long fuse on the Asian firecrackers that would singe America's hands for a century.

An ancient artifact from a previously unknown archeological site threatens to contradict a basic tenet of Japanese history. When the artifact falls into the hands of American journalist, Matt Davis, Takeo Kimura, a successful industrialist, sets in motion a series of deadly events in an attempt to keep the artifact's secret from ever being revealed.

The earliest Japanese history, like that of all other nations, is a mass of myths and legends. But out of this one solid fact has been evolved: the Japanese were a race who invaded the island kingdom by way of Korea, much as the Saxons and other Teutonic tribes invaded Britain. They therefore used the sea at a very early period of their history. They found aboriginal tribes when they came, and of these the Ainu still exist in the north, a race as distinct as our Celts in the north of Scotland. The immigrant race are always spoken of and accepted as Mongolians, though in Japanese legend the invaders had, as in similar Western myths, a divine origin. Incidentally, it is interesting to note that a Japanese, with kindred tastes to those Western savants who have found the cradle of the human race in Lapland or in Central Africa, has built a theory by which ancient Egypt was the early home of the Japanese. To support this theory numerous small similarities were brought forward; but it does not seem to have made headway in Japan, or to be known in the Western world. It is, as regards plausibility, about on a par with the Anglo-Israelite theory that had once quite a vogue in this country, and is by no means without disciples to-day. Whence they came, however, is a matter of no moment here. Japanese national history begins with the expedition led by the Emperor Jimmu, at a date which a loose chronology fixes at 660 b.c. This is the earliest over-sea operation unconnected with deities and myths. Jimmu, who, according to the legends, was the grandson of the Sea Deity’s daughter, led an expedition eastward from Mount Takachiho, and eventually found himself on the shores of the Inland Sea, and here built a fleet, by means of which he reached Naniwa (Osaka), and consolidated the empire. For the next seven or eight centuries the nation was forming; but beyond a legend, suggestive of the story of Jonah, nothing is heard of ships or boats till 202 a.d., when the Empress Jingo equipped a great fleet for the invasion of Korea. As an early instance of the use of “sea-power,” this expedition has laid great hold on Japanese imagination; but since the transportation of the flagship by legions of fishes, with which the Empress has made an alliance, is the central point of the story, its nautical details can hardly be seriously considered. What is of more moment is the undoubted fact that the expedition took place, that it was a complete success for Japan, and laid the foundations of that Japanese interest in Korea which is to-day so potent a factor in the Far Eastern problem.

Linda Dryden places Almayer's Folly, An Outcast of the Islands , 'Karain', and Lord Jim in the context of the nineteenth-century imperial romance. Through the thwarted dreams and aspirations of his central characters she argues that Conrad exposes the empty promises of such fiction and challenges assumptions about the superiority of European imperialists and the imperial venture itself. Using illustrations from and references to many well-known novels of Empire, Dryden demonstrates how Conrad's Malay fiction alludes to the conventions and stereotypes of popular imperial fiction.