Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.

This study focuses on Louis MacNeice's creative and critical engagement with other Irish poets during his lifetime. It draws on extensive archival research to uncover the previously unrecognised extent of the poet's contact with Irish literary mores and networks. Poetic dialogues with contemporaries including F.R. Higgins, John Hewitt, W.R. Rodgers, Austin Clarke, Patrick Kavanagh, John Montague, and Richard Murphy are traced against the persistent rhetoric of cultural and geographical attachment at large in Irish poetry and criticism during the period. These comparative readings are framed by accounts of MacNeice's complex relationship with the oeuvre of W.B. Yeats, which forms a meta-narrative to MacNeice's broader engagement with Irish poetry. Yeats is shown to have been MacNeice's contemporary in the 1930s, reading and reacting to the younger poet's work, just as MacNeice read and reacted to the older poet's work. But the ongoing challenge of the intellectual and formal complexity of Yeats's poetry also provided a means through which MacNeice, across his whole career, dialectically developed various modes through which to confront modernity's cultural, political and philosophical challenges. This book offers new and revisionary perspectives on MacNeice's work and its relationship to Ireland's literary traditions, as well as making an innovative contribution to the history of Irish literature and anglophone poetry in the twentieth century.

"Fundamentally alters the received wisdom that tends to award Paris a far more central place in the making of Joyce the modernist."--John McCourt, author of The Years of Bloom: James Joyce in Trieste 1904-1920 "In readings equally attentive to text, avant-text, and context, this book shows us how many roads in Joyce's life and work led to London. Yet the first city of the British Empire is also decentered here, enmeshed by Joyce with Dublin through the place names, cartographies, and imperial history the two cities shared. Loukopoulou has written the atlas of their entanglement, a Londub A to Z."--Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form The effect of Dublin--and other cities such as Trieste, Zurich, and Paris--on James Joyce and his works has been studied extensively, but few Joyceans have explored the impact of London on the trajectory of his literary career. In Up to Maughty London, Eleni Loukopoulou offers the first sustained account of Joyce's engagement with the imperial metropolis. She considers both London's status as a matrix for political and cultural formations and how the city is reimagined in Joyce’s work. Loukopoulou examines newly discovered or largely neglected material, including newspaper and magazine articles, anthology contributions, radio broadcasts, sound recordings, and other writings published and unpublished. She also assesses the promotion of Joyce's work in London’s literary marketplace. London emerges not just as a setting for his writings but as a key cultural and publishing vector for the composition and dissemination of his work. Eleni Loukopoulou is an independent scholar living in London. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.

The first synoptic history of how the Royal Society faced up to the challenges of continued relevance from 1960 onwards.

"Yes, Minister! No, Minister! If you wish it, Minister!" - Richard Crossman, "Diaries Vol. 1". As a politician and personality, Richard Crossman was anything but the deferential public servant he mocked so concisely. This revealing biography of the dedicated radical Labour politician offers the most complete picture of his colourful life and demonstrates many fascinating connections between his political thinking and the formation of New Labour. Richard Crosssman served as an MP from 1945 until shortly before his death in 1974 and is remembered as a fiery speaker, dedicated leftist and author of the controversial three-volume "Diaries of a Cabinet Minister" - published in the face of strong legal opposition from the government.This comprehensive new biography explores the connections between his personal history and his political convictions. His life not only highlights a formative period in British politics but also gives insights into contemporary British politics. Crossman's life not only highlights a formative period in British politics, but also gives insights into contemporary British politics. Weaving together the private and public, Honeyman unveils a politician who fought with dedication for his political beliefs while persistently trying to shake up the organisation of the Labour party. Over the course of his twenty-five years in Parliament, Crossman held various position, including Leader of the House of Commons, Chairman of the Labour Party, and Secretary of State for Social Services.In this new biography, Victoria Honeyman places Crossman in the context of his party and his times while also examining his impact on the development of the Labour party. Often dismissed as fickle, this portrait of Crossman reveals an intellectual politician who worked with conviction for the improvment of his party and country. His life not only highlights a formative period in British politics, but also gives insights into contemporary British politics. Crossman's chief interests included social democracy, international relations and constitutional reform. This biography details his tireless work on these issues and assesses his impact. Rather than the Crossman of popular myth, Honeyman has uncovered a dedicated politician who made serious intellectual contributions to his party's policy and whose influence is still felt today. This biography is essential reading for anyone interested in British contemporary political history.

This major new reference work provides an authoritative and wide-ranging guide to archive sources now becoming available for British political history since 1945. With a user-friendly layout, the book presents a comprehensive range of 1,500 personal papers from leading statesmen, backbench politicians, writers, campaigners, diplomats and generals which cover the key aspects of British history since of the end of the Second World War. Compiled by an experienced archivist, this comprehensive, easy-to-use and authoritative guide is an invaluable resource for researchers of modern British history.