The Great Fire of 1666 was one of the greatest catastrophes to befall London in its long history. While its impact on London and its built environment has been studied and documented, its impact on Londoners has been overlooked. This book makes full and systematic use of the wealth of manuscript sources that illustrate social, economic and cultural change in seventeenth-century London to examine the impact of the Fire in terms of how individuals and communities reacted and responded to it, and to put the response to the Fire in the context of existing trends in early modern England. The book also explores the broader effects of the Fire in the rest of the country, as well as how the Great Fire continued to be an important polemical tool into the eighteenth century.

Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.

Acclaim for The Great Fire of London "Popular narrative history at its best, well researched, imaginatively and dramatically written. . . . The author marshals his story and his mass of contemporary quotations with great skill." —Times Literary Supplement "The brilliance of its narrative chapters . . . a marvelous eye for evocative detail. Hanson’s prose is animated by the ferocious energy of the fire and seems to be guided by its inexorable movement. He creates the literary equivalent of the special effects in a disaster movie. . . . A rich mixture of imagination and research." —The Daily Telegraph (London) "He writes with knowledge and verve. As if making a television documentary on a natural disaster, he includes a gripping technical chapter on the mechanism and chemistry of combustion. This works brilliantly. . . . The book gains immeasurably from the author's eye for detail and from his understanding of the beliefs and prejudices of the day. . . . Informative and lively account." —The Sunday Times (London) "The best depiction of the Great Fire seen to date. . . . He manages to describe not only the atmosphere of the event itself, but also the experience of living in seventeenth-century Britain." —Soho Independent "A riveting book for those who like their history with a bit of mystery." —The Brisbane News "A rollicking good yarn." —The Age (Melbourne) "Blends high-class original research with a narrative style that mimics fiction. . . . Horrific subjects have served this man well and he has a knack for plugging into the dark themes that run like molten rivers beneath our social veneer." —New Zealand Herald "Neil Hanson’s descriptions of the inferno are like CNN reports from Kosovo." —Camden New Journal "It's not the technical data which makes the book so riveting though. It's the flair with which Hanson invests his account with qualities usually reserved for novels–narrative drive, persuasive character sketches, vivid scene stealing." —Sunday Star Times (New Zealand)

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions--until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

The fascinating story of the eighteenth-century houses of Sion Row, Twickenham. In telling the story of these houses and their occupants, a remarkable social history is revealed.

The transatlantic world has had immense influence on the direction of world history. The six illuminating studies in Transatlantic History address cultural exchanges and intercontinental developments that contribute to our modern understanding of global communities. Transatlantic history encompasses a variety of scholarly problems and approaches from multiple disciplines, and volume editors Steven G. Reinhardt and Dennis P. Reinhartz have assembled a collection of essays that reflect the diversity within the field. Introducing the book, William McNeill provides a unifying overview of the concept and practice of transatlantic history by placing it within the larger context of world history. The chapter authors bring distinctive styles and methods to the investigation of the processes of interaction and adaptation among Africans, Native Americans, and Europeans. Their studies range from the Spanish imperial crisis in the 1600s to the urbanization of Europe and the Americas, from graphic portrayals of the Atlantic world to the settlement of Ireland, America, and South Africa and the recent diaspora of West Africans. Readers interested in world history, communication, and cultural studies will find Transatlantic History provocative and challenging as it convincingly argues for the importance of this new field.

THE GREAT FIRE OF LONDON A book that entertains, informs and suggests startling parallels to todays world. _____________________________________________________________________________ Join such historical figures as King Charles II whose far-seeing plan rebuilt a city; Samuel Pepys whose diary told the tale; and Christopher Wren whose architectural genius brought London back to life. _____________________________________________________________________________ "Succeeds in evoking all the sights, sounds and famous personages of that era in capable, interesting easy-to-read style. ---Library Journal The narrative brings the old tale to life, especially it reveals the epic mess, the tangle of antique property law which had to be cut, set aside, or unraveled, and the sudden bankruptcies, privations, courage and tenacious good will on which the new London was slowly---so slowly!---to rise again[It is] at times a racy account of that fortunate calamity. ---Christian Science Monitor . . . a straightforward account of the Great Fire of 1666 . . . fireproof correct, and the illustrations have vitality and veracity. ---The Kirkus Service