Arthur Schopenhauer (1788-1860) is now recognised as a figure of canonical importance to the history of philosophy. Schopenhauer founded his system on a highly original interpretation of Kant’s philosophy, developing an entirely novel and controversial worldview guided centrally by his striking conception of the human will and of art and beauty. His influence extends to figures as diverse as Fredrich Nietzsche, Ludwig Wittgenstein and Iris Murdoch within philosophy, and Richard Wagner, Thomas Hardy, Sigmund Freud, Thomas Mann, Samuel Beckett and Jorge Luis Borges outside it. The Schopenhauerian Mind is an outstanding, wide-ranging collection that explores the rich nature of Schopenhauer's ideas, texts, influences, and legacy. Comprising 38 original chapters by an international team of contributors, the volume is organised into five clear parts: Knowledge and Reality Aesthetics and the Arts Ethics, Politics, and Salvation Before Schopenhauer After Schopenhauer The Schopenhauerian Mind covers all the key areas and concepts of Schopenhauer’s philosophy, including fields omitted in previous studies. It is essential reading for students of nineteenth-century philosophy, Continental philosophy and philosophy of art and aesthetics, and also of interest to those in related disciplines such as literature and religion.

Herbert Marcuse (1898–1979) was a member of the Frankfurt School, a leading figure of 1960s counterculture, and a fundamental character for the New Left. His ideas and theories, inspired by a rich fusion of Marxian and Freudian thought, exert a strong influence on contemporary thinking about activism, emancipation, and political resistance. He was also a student of Martin Heidegger in the late 1920s and engaged deeply with philosophy throughout his career. The Marcusean Mind is an outstanding survey and assessment of Marcuse's thought. Beginning with a thorough introduction to Marcuse's life and work, 39 chapters by an international and interdisciplinary team of contributors are organized into five clear parts: Intellectual Ecosystems of Marcuse Reason and Sensibilities Futures and Utopias Contemporary Movements Counterrevolutions, Neoliberalism, and Fascism These sections each contain a short introduction, after which Marcusean ideas are brought to bear on many key contemporary debates and issues across the humanities, social sciences, and science and technology. Including a Foreword by Craig Calhoun and an Afterword by Douglas Kellner, The Marcusean Mind is a superb resource for anyone interested in Marcuse's thought and its legacy. It is valuable reading for students of contemporary political theory, activism, philosophy, sociology, media and cultural studies, critical legal studies, and race and gender studies.

Plato is one of the most widely read and studied philosophers of all time. A pivotal figure in the history of philosophy, his work is foundational to the Western philosophical tradition. The Platonic Mind provides an extensive survey of his work, not only placing it in its historical context but also exploring its contemporary significance. Comprising over 30 specially commissioned chapters by an international team of contributors, the volume is divided into three clear parts: Reading Plato’s Dialogues Themes From Plato Plato’s Influences and Significance Within these sections key topics are addressed including the nature of reality and the physical world; human cognition, including knowledge, sense perception, and affective states; society, politics, and law; his method of inquiry and literary style; his influence on subsequent thinkers and traditions; and studies on a wide range of individual Platonic dialogues. Plato’s work is central to the study of ancient philosophy, Greek philosophy, history of philosophy, metaphysics, philosophy of mind, political philosophy, epistemology, philosophy of science, ethics, philosophy of language, legal philosophy, and philosophy of religion. As such The Platonic Mind is essential reading for all students and researchers in philosophy. It will also be of interest to those studying Plato in related disciplines such as politics, law, ancient history, literature, and religious studies.

Spinoza in Germany presents fifteen newly commissioned essays by a distinguished set of international experts examining the legacy and influence of Spinoza on German thought in the long nineteenth century. The focus on Spinoza's influence illuminates both the nature of his philosophical contribution, as well as novel aspects of the philosophical lineage from idealism to Marxism, psychoanalysis, and beyond. The chapters are at the cutting edge of research on modern German thought, not only concerning canonical figures like Herder, Kant, and Marx, but also thinkers whose importance has since been neglected such as Salomon Maimon and Lou Salom?.

According to Heidegger, naturalistic thinking is naive and unable to deal with its own essence and limitations. It can only serve the veiled interests of modern Western technology in its inherent inclination to attain global dominance. But these eight thematically intertwined essays face Heidegger’s critique of naturalistic thinking habits. The author develops a holistic and antirealistic version of naturalism. This ‘holistic naturalism’ does not approach nature as a set of entities or things which can be used for technological purposes. Instead, nature is approached as human experience which originally lacks conceptual structure and which can therefore not be fully controlled by a rational subject. (Series A)

This volume brings together internationally recognised Schopenhauer scholars to develop new perspectives on his moral philosophy. Despite anticipating and engaging with many of the arguments now recognisable in Anglophone moral philosophy, Arthur Schopenhauer has often been overlooked as a potential contributor to contemporary discourse within this domain. Not only was he one of the most important 19th-century critics of Kantian deontology, Schopenhauer also developed a plausible moral system of his own grounded in compassion. While interesting parallels can be drawn between his system and the sentimentalist tradition familiar from the likes of Hume and Hutcheson, Schopenhauer’s idiosyncratic metaphysics provide a unique approach to standard questions in moral psychology, the philosophy of action, axiology, and moral epistemology. The chapters in this book draw out the relevance and influence of Schopenhauer’s ethical program, attempting to demonstrate the as yet untapped wealth of conceptual resources for pressing moral problems. They address a wide range of topics, including: the moral status of animals; the moral permissibility of suicide; the possibility of altruistic action; the nature of virtue and asceticism; how Schopenhauer integrated Western influences with various Indian traditions of moral thinking, and more. Schopenhauer’s Moral Philosophy will be of interest to scholars and advanced students interested in Schopenhauer, 19th-century philosophy, and the history of ethics.

When Marcel Proust started to work on In Search of Lost Time in 1908, he wrote this question in his notebook: ‘Should I make it a novel, a philosophical study, am I a novelist?’ Throughout his famous multi-volume work, Proust directly engages several philosophers, and few novels are as thoroughly saturated with philosophical themes and concepts as In Search of Lost Time. The Proustian Mind is an outstanding reference source to the rich philosophical range of Proust’s work and the first major volume of its kind. Including 31 chapters by an international team of contributors, the volume is divided into seven clear parts: Proust’s life and works metaphysics and epistemology mind and language aesthetics ethics gender and sexuality predecessors, contemporaries and successors. Within these sections, key Proustian themes are explored from a philosophical standpoint, including time, the self, memory, imagination, jealousy, beauty, love, subjectivity and desire. The final section considers Proust in relation to important philosophers such as Schopenhauer, Nietzsche, Bergson, Merleau-Ponty, Sartre, de Beauvoir and Deleuze. The Proustian Mind is essential reading for those studying aesthetics, philosophy of literature, phenomenology and ethics, and will also be of interest to those in literature studying modernism, French literature and the relationship between literature and philosophy.

Nietzsche’s thought has been of renewed interest to philosophers in both the Anglo- American and the phenomenological and hermeneutic traditions. Nietzsche on Consciousness and the Embodied Mind presents 16 essays from analytic and continental perspectives. Appealing to both international communities of scholars, the volume seeks to deepen the appreciation of Nietzsche’s contribution to our understanding of consciousness and the mind. Over the past decades, a variety of disciplines have engaged with Nietzsche’s thought, including anthropology, biology, history, linguistics, neuroscience, and psychology, to name just a few. His rich and perspicacious treatment of consciousness, mind, and body cannot be reduced to any single discipline, and has the potential to speak to many. And, as several contributors make clear, Nietzsche’s investigations into consciousness and the embodied mind are integral to his wider ethical concerns. This volume contains contributions by international experts such as Christa Davis Acampora (Emory University), Keith Ansell-Pearson (Warwick University), João Constâncio (Universidade Nova de Lisboa), Frank Chouraqui (Leiden University), Manuel Dries (The Open University; Oxford University), Christian J. Emden (Rice University), Maria Cristina Fornari (University of Salento), Anthony K. Jensen (Providence College), Helmut Heit (Tongji University), Charlie Huenemann (Utah State University), Vanessa Lemm (Flinders University), Lawrence J. Hatab (Old Dominion University), Mattia Riccardi (University of Porto), Friedrich Ulfers and Mark Daniel Cohen (New York University and EGS), and Benedetta Zavatta (CNRS).

Conrad's Models of Mind was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a new approach to understanding the psychological assumptions that lie behind the creation of a work of fiction, Professor Johnson analyzes a number of Joseph Conrad's novels and short stories, identifying and explaining Conrad's changing conceptions or models of mind. As he points out in his introduction: "Every writer makes assumptions about the nature of the mind, whether they may be elaborate theories, metaphors that seem simple but imply a great deal, downright beliefs, or vague gestalten. And such assumptions color his whole creation, the way his characters think and feel and react, possibly even his choice of subject matter." The author traces Conrad's steady progression away from deductive psychology, involving such entities as will, passion, ego, or sympathy, toward a flexible, and, for the period, new psychology that had implications for his entire development as a writer. Professor Johnson finds certain affinities between Conrad's models of mind and those of a number of other writers, among them, Schopenhauer, Sartre, and Pascal. He shows that one aspect of Conrad's psychology was closely allied to the Schopenhauerian concept of will but that when he wrote Lord Jim, Heart of Darkness, and Nostromo Conrad moved toward an existential concept of self-image and self-creation similar to Sartre's psychology in Being and Nothingness. Finally, Professor Johnson examines Conrad's novel The Rescue and shows how hopeless it was for Conrad to return to earlier conceptions of mind after he had explored the new existential models.

During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.