Theology and Spider-Man provides a look at the religious themes present in one of the most popular heroes of the past half-century, Spider-Man. In order to create a systematic theology of Spider-Man, the contributors delve into themes of sin, salvation, and creedal theology, while also addressing liberation theology, Black theology, bioethics, and hermeneutics. This volume balances theological depth with discussion of the comics and films, which makes it a perfect collection for those interested in theology, Spider-Man, or both.

In Theology and the Marvel Universe, fourteen contributors examine theological themes and ideas in the comic books, television shows, and films that make up the grand narrative of the Marvel Universe. Engaging in dialogue with theological thinkers such as Willie James Jennings, Franz Rosenzweig, Søren Kierkegaard, René Girard, Kelly Brown Douglas, and many others, the chapters explore a wide variety of topics, including violence, sacrifice, colonialism, Israeli-Palestinian relations, virtue ethics, character formation, identity formation, and mythic reinvention. This book demonstrates that the stories of Thor, Daredevil, Sabra, Spider-Man, Jessica Jones, Thanos, Luke Cage, and others engage not just our imagination, but our theological imagination as well.

Scholars have been arguing for years that Star Wars is more than light sabers, Wookies, Millennium Falcons, and troubling familial relationships. Star Wars is an exciting space fantasy that we can explore from multiple academic perspectives, such as philosophy and psychology. This volume adds to that conversation by asking, “what would it look like if we analyzed the Star Wars universe theologically?” In Theology and the Star Wars Universe, contributors from various theological traditions take on this task by exploring the nature of the Force, the spiritual role of the Jedi, nonviolent and liberationist readings of the Franchise, and the enduring power of hope. Written for the restless, curious academic but accessible to diehard fans, Theology and the Star Wars Universe is an exciting foray into the study of theology and popular culture.

Batman is one of the most recognized and popular pop culture icons. Appearing on the page of Detective Comics #27 in 1939, the character has inspired numerous characters, franchises, and spin-offs over his 80+ year history. The character has displayed versatility, appearing in stories from multiple genres, including science fiction, noir, and fantasy and mediums far beyond his comic book origins. While there are volumes analyzing Batman through literary, philosophical, and psychological lenses, this volume is one of the first academic monographs to examine Batman through a theological and religious lens. Theology and Batman analyzes Batman and his world, specifically exploring the themes of theodicy and evil, ethics and morality, justice and vengeance, and the Divine Nature. Scholars will appreciate the breadth of material covered while Batman fans will appreciate the love for the character expressed through each chapter.

The Lord of the Rings and other works of J.R.R. Tolkien have had a far-reaching impact on culture in the late twentieth and early twenty-first centuries. In print and on film, Tolkien’s works seem to be incredible epics, but religious aspects are less obvious. Yet Tolkien himself stated in his letters that the chief conflicts of his epic works were “about God, and His sole right to divine Honour,” and whether Sauron can wrest and destroy all that is good in Middle-earth. It is from this that readers awaken to the theological truths that imbue Tolkien’s works. In Theology and Tolkien: Constructive Theology, an international group of scholars consider how Tolkien’s works (and Jackson’s interpretations) can help us build better theologies for use in our world today. From essays on the music of creation in the Ainulindalë, to angels, demons, and Balrogs, to Tolkien’s theology of God, providence, evil, and love, to the eschatology of the Final Chord of the Great Music, this book invites the reader to journey through Middle-earth as the contributors engage the theology of Tolkien’s works and its impact on the world.

Marveling Religion: Critical Discourses, Religion, and the Marvel Cinematic Universe is an edited volume that explores the intersection of religion and cinema through the lenses of critical discourse. The focus of the shared inquiry are various films comprising the first three phases of the Marvel Cinematic Universe (MCU) and corresponding Netflix series. The contributors explore various religious themes and how they intersect with culture through the canon on the MCU. The first part focuses on responses to the societal, governmental, and cultural context that solidified with clarity during the 2016 Presidential Election cycle in the United States and in the following administration. Additionally, it provides lenses and resources for engaging in productive public actions. Part two explores cultural resources of sustaining activism and resistance as well as some of the key issues at stake in public action. The third part centers on militarization and resistance to state violence. Taken in concert, these three sections work together to provide frames for understanding while also keeping us engaged in the concrete action to mobilize social change. The overarching aim of the volume is to promote critical discourse regarding the dynamics of activism and political resistance.

Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.

After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.

Dystopia, from the Greek dus and topos “bad place,” is a revelatory genre and concept that has experienced a meteoric rise in popularity at the start of the twenty-first century. This book addresses approaches to the study of dystopia from the academic fields of theology and religious studies. Following a co-written chapter where Scott Donahue-Martens and Brandon Simonson argue that dystopia can be understood as demythologized apocalyptic, ten unique contributions each engage a work of popular culture, such as a book, movie, or television show. Topics across chapters range from the critical function of dystopia, social location and identity, violence, apocalypse and the end of everything, sacrifice, catharsis, and dystopian existentialism. This volume responds to the need for theological and religious reflection on dystopia in a world increasingly threatened by climate change, pandemics, and global war.

Untangle the complex web of philosophical dilemmas of Spidey and his world—in time for the release of The Amazing Spider-Man movie Since Stan Lee and Marvel introduced Spider-Man in Amazing Fantasy #15 in 1962, everyone’s favorite webslinger has had a long career in comics, graphic novels, cartoons, movies, and even on Broadway. In this book some of history’s most powerful philosophers help us explore the enduring questions and issues surrounding this beloved superhero: Is Peter Parker to blame for the death of his uncle? Does great power really bring great responsibility? Can Spidey champion justice and be with Mary Jane at the same time? Finding your way through this web of inquiry, you’ll discover answers to these and many other thought-provoking questions. Gives you a fresh perspective and insights on Peter Parker and Spider-Man’s story lines and ideas Examines important philosophical issues and questions, such as: What is it to live a good life? Do our particular talents come with obligations? What role should friendship play in life? Is there any meaning to life? Views Spider-Man through the lens of some of history’s most influential thinkers, from Aristotle, Thomas Aquinas, and Immanuel Kant to Nietszche, William James, Ayn Rand, and Alasdair MacIntyre