According to this book, the United States is currently in a moment of crisis, fomented by anxieties around race and gender politics. Unlike fear, which is usually focused on a particular object, anxiety is indeterminate and uncertain. It is also the emotion that led to the election and continued support of President Trump. But Caron Gentry says that we can deal with this anxiety in a productive way. To do so, she turns to Reinhold Niebuhr, whose philosophy of Christian realism has been an abiding influence on foreign policy since the Cold War. According to Niebuhr "Man's capacity for justice makes democracy possible; but man's inclination to injustice makes democracy necessary." Anxiety is central to Niebuhr's ideas: an emotion that is abiding because we lack control over the circumstances of our lives. In turn, anxiety prompts a desire for unity, but also an intolerance for difference. Niebuhr suggests that anxiety can be dealt with destructively or creatively, and that power must be balanced to prevent destructive action. Gentry is critical of Niebuhr, saying that he gives in to destructive tendencies in humans by elevating power above other, more creative solutions. In This American Moment, she offers feminist Christian realism as an alternate approach to anxiety in international politics. Gentry's feminist Christian realism differentiates itself from Niebuhr's Christian realism by re-engaging the importance of love and relationships over power. It suggests that we can arrive at creative solutions to anxiety through a conversation about the imago dei and the inherent commitments to community borne of one's relationship with God, including the recognition of obligation in the face of vulnerability. Throughout Gentry applies her ideas to the problems of police brutality, women's reproductive health, and the rise in fascist politics.

From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.

The shift in international relations towards multipolarity has had profound implications across the world, but particularly in highly penetrated regions, such as the Middle East. This book explores the rivalry between the United States, Russia, and China in the region, investigating its effects and assessing the influence of regional actors and issues. Each chapter offers a comprehensive analysis of three core questions: how does global power competition manifest itself?; how does it impact regional political, economic, and security dynamics?; and how do regional actors and issues influence the trajectory and dynamics of global power competition? Expert international contributors take a country case study approach to consider these questions and investigate the most pressing contemporary events, issues, and trends in Middle Eastern politics. Tackling transregional and global issues and themes they analyse the convergence, divergence, and competition between global powers in managing threats and interests such as terrorism, energy and cyber security, nuclear non-proliferation, conflict resolution, and warfare. This volume will appeal to scholars and students of international relations, great power competition, China, Russia, the USA, and the Middle East.

In Mission Manifest, Matthew Shannon argues that American evangelicals were central to American-Iranian relations during the decades leading up to the 1979 revolution. These Presbyterian missionaries and other Americans with ideals worked with US government officials, nongovernmental organizations, and their Iranian counterparts as cultural and political brokers—the living sinews of a binational relationship during the Second World War and early Cold War. As US global hegemony peaked between the 1940s and the 1960s, the religious authority of the Presbyterian Mission merged with the material power of the American state to infuse US foreign relations with the messianic ideals of Christian evangelicalism. In Tehran, the missions of American evangelicals became manifest in the realms of religion, development programs, international education, and cultural associations. Americans who lived in Iran also returned to the United States to inform the growth of the national security state, higher education, and evangelical culture. The literal and figurative missions of American evangelicals in late Pahlavi Iran had consequences for the binational relationship, the global evangelical movement, and individual Americans and Iranians. Mission Manifest offers a history of living, breathing people who shared personal, professional, and political aims in Iran at the height of American global power.

As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice Black internationalism. He uncovers how their strategies for challenging Manifest Destiny's white nationalist ideology and expansionist political agenda constituted a form of disidentification—a deconstructing and reassembling of this discourse that marshals Black experiences as racialized subjects to imagine novel geopolitical mythologies and projects to compete with Manifest Destiny. Employing Black internationalist, hemispheric, and diasporic frameworks to examine the emigrationist and solidarity projects that African Americans proposed as alternatives to Manifest Destiny, Boutelle attends to sites integral to US aspirations of hemispheric dominion: Liberia, Nicaragua, Canada, and Cuba. In doing so, Boutelle offers a searing history of how internalized fantasies of American exceptionalism burdened the Black geopolitical imagination that encouraged settler-colonial and imperialist projects in the Americas and West Africa.

This book provides a comprehensive historical overview of US foreign policy in the Middle East using the theoretical framework of offensive realism and highlighting the role of geography and regional power distribution in guiding foreign policy. It argues that the US has been pursuing the same geostrategic interests from President Truman’s policy of containment to President Obama’s speak softly and carry a big stick policy, and contends that the US-Iran relationship has been largely characterized by continued cooperation due to shared geostrategic interests. The book highlights the continuity in US foreign policy over the last seven decades and offers a prediction for US foreign policy in reaction to current and future global events. As such, it will serve as a reference guide for not only scholars but also policy analysts and practitioners.

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On the two-hundredth anniversary of George Washington's 1796 Farewell Address - one of the most influential but misunderstood expressions of American political thought - this book places the Address in the full context of American history and explains its enduring relevance for the next century. Generations of American political leaders have invoked the authority of the Address to shape foreign and domestic policy. With discussions about national character and personal responsibility dominating the current political landscape, there has been a resurgence of interest in the character of the nation's founders, particularly Washington's. The authors show how the Address expressed Washington's ideas for forming a national character that would cultivate the habits, morals, and civic virtues essential for stable republican self-government. An insightful and provocative analysis of the past, present, and future of American democracy and its most important citizen, this book will be of value to anyone concerned about the current state of American citizenship and the future role of the federal government.

This book investigates the normalisation of blame-shifting within ideological discourse as a broad feature of history, working from Churchill’s truism that history is written by the victors. To that end, it explores historical episodes of political persecution carried out under cover of moral panic, highlighting the process of ‘Othering’ common to each and theorising a historical model of panic-driven scapegoating from the results. Building this model from case studies in witch panic, communist panic and terrorist panic respectively, The Oldest Trick in the Book builds an argument that features common to each case study reflect broader historical patterning consistent with Churchill’s maxim. On this basis it argues that the periodic construction of bogeymen or ‘folk demons’ is a useful device for enabling the kind of victim-playing and victim-blaming critical to protecting elite privilege during periods of crisis and that in being a recurring theme historically, panic-driven scapegoating retains great ongoing value to the privileged and powerful, and thus conspicuously remains an ongoing feature of world politics.