The summons to live a radical life for God has led us away from doing the very basic things he has commanded. Instead of changing the world, our Lord Jesus calls us to change the way we approach relationships. Specifically, he challenges us to pursue reconciliation. Unreconciled: The New Norm invites Christians, especially those who are busy seeking to do great things for a great God, to remember the command “to go and be reconciled” and to renew their commitment to live in obedience to the things God has revealed. Perhaps by pursuing the seemingly ordinary, we will see God do extraordinary things in our pursuit to create cultures of reconciliation.

The fourth book in the thrilling Donovan sci-fi series returns to a treacherous alien planet where corporate threats and dangerous creatures imperil the lives of the colonists. Where does one put a messianic cult of practicing cannibals? That becomes the question when Ashanti appears in Donovan's skies. She was designed for no more than four years in space. It's taken ten. The crew has sealed the transportees onto a single deck--and over the years, the few survivors down there have become monsters. Led by the messiah, Batuhan, they call themselves the Unreconciled. Supervisor Kalico Aguila settles them at remote Tyson Station. With the discovery of a wasting disease among the Unreconciled, it's up to Kalico, Dya Simonov, and Mark Talbot to try and deal with the epidemic. Only Batuhan has plans of his own--and Kalico and her people are to be the main course. Talina Perez has brokered an uneasy truce with the quetzal molecules that float in her blood. Now, she, young Kylee Simonov, a quetzal named Flute, and a clueless nobleman named Taglioni rush to save Kalico's vanished party. But as always, Donovan is playing its own deadly game. Lurking in the forest outside Tyson Base is an old and previously unknown terror that even quetzals fear. And it has already begun to hunt.

Selected poems from the critically acclaimed author of Submission and The Elementary Particles A shimmering selection of poems chosen from four collections of one of France’s most exciting authors, Unreconciled shines a fresh light on Michel Houellebecq and reveals the radical singularity of his work. Drawing on themes that are similar to the ones in his novels, these poems are a journey into the depths of individual experience and universal passions. Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe, dedication, and—ultimately—redemption. In a world of supermarkets and public transportation, indifferent landscapes and lonely nights, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos. Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Unreconciled stands in the tradition of Baudelaire while making a bold new claim on contemporary verse. It reveals that in addition to his work as an incisive novelist, Houellebecq is one of our most perceptive poets with a vision of our era that brims with tensions that cannot—and will not—be reconciled.

How do well-meaning people help a community move beyond its past when confronted by those who hold ingrained stereotypes, profit from maintaining the status quo, or are filled with antipathy toward others? This book tells the story of how a Black university president tried to do just that when he led the first non-court ordered merger of an historically Black university with an historically white two-year college in Albany, Georgia. Arthur “Art” N. Dunning came of age in the Black Belt of Alabama during the Jim Crow era. Among many pivotal experiences, he was part of a group of student athletes who helped to integrate Bear Bryant’s University of Alabama football team in 1967. The values instilled in him by his family and those in his close-knit community, together with life experiences through education and from living, working, and traveling abroad over more than forty years as an educator, shaped his approach to leading Albany State University, an HBCU, through its 2016 merger with all-white Darton State College. The community’s reaction to the merger proved to be an extreme example of what our nation is experiencing today. The perceived threat of embracing change while racially integrating two institutions brought out painful stereotypes, racial orthodoxy, tribalism, suspicion, and conspiracy theories. It peeled away a veneer of racial harmony and exposed unhealthy patterns of behavior and entrenched beliefs held by community members of both races. Dunning shares here the hard but valuable leadership lessons learned when his race and his personal southern history intersected with a university and city that were abruptly forced to acknowledge their own history—and were challenged to envision a different future.

A Caliph rules America after the Christian Holocaust. Denisa Graceon, archeologist, is employed by an enigmatic Cardinal to locate Christian relics there. Beginning her search at the University of Virginia, where Jefferson’s dream has become an oppressive nightmare, Denisa meets the Imam’s debonair son, who, abhorring the radical Islamic vision, leads a clandestine rebellion and, hypnotized by her intellectual exuberance, aids her quest. Searching deep in Appalachia’s wilderness she discovers the Unreconciled, the last American Christians. Immersed in Christianity, she is born again and becomes enamored by “Hawkeye”, the swarthy, Adonis, who guards the very relic she had come to steal. When she learns the Caliph plans to annihilate them, she realizes only she can save them.

NATIONAL BESTSELLER SHORTLISTED for the 2022 Rakuten Kobo Emerging Writer Prize A GLOBE AND MAIL BEST BOOK OF THE YEAR "Unreconciled is one hell of a good book. Jesse Wente’s narrative moves effortlessly from the personal to the historical to the contemporary. Very powerful, and a joy to read." —Thomas King, author of The Inconvenient Indian and Sufferance A prominent Indigenous voice uncovers the lies and myths that affect relations between white and Indigenous peoples and the power of narrative to emphasize truth over comfort. Part memoir and part manifesto, Unreconciled is a stirring call to arms to put truth over the flawed concept of reconciliation, and to build a new, respectful relationship between the nation of Canada and Indigenous peoples. Jesse Wente remembers the exact moment he realized that he was a certain kind of Indian--a stereotypical cartoon Indian. He was playing softball as a child when the opposing team began to war-whoop when he was at bat. It was just one of many incidents that formed Wente's understanding of what it means to be a modern Indigenous person in a society still overwhelmingly colonial in its attitudes and institutions. As the child of an American father and an Anishinaabe mother, Wente grew up in Toronto with frequent visits to the reserve where his maternal relations lived. By exploring his family's history, including his grandmother's experience in residential school, and citing his own frequent incidents of racial profiling by police who'd stop him on the streets, Wente unpacks the discrepancies between his personal identity and how non-Indigenous people view him. Wente analyzes and gives voice to the differences between Hollywood portrayals of Indigenous peoples and lived culture. Through the lens of art, pop culture, and personal stories, and with disarming humour, he links his love of baseball and movies to such issues as cultural appropriation, Indigenous representation and identity, and Indigenous narrative sovereignty. Indeed, he argues that storytelling in all its forms is one of Indigenous peoples' best weapons in the fight to reclaim their rightful place. Wente explores and exposes the lies that Canada tells itself, unravels "the two founding nations" myth, and insists that the notion of "reconciliation" is not a realistic path forward. Peace between First Nations and the state of Canada can't be recovered through reconciliation--because no such relationship ever existed.

In the 1990s, many evangelical Christian organizations and church leaders began to acknowledge their long history of racism and launched efforts at becoming more inclusive of people of color. While much of this racial reconciliation movement has not directly confronted systemic racism's structural causes, there exists a smaller countermovement within evangelicalism, primarily led by women of color who are actively engaged in antiracism and social justice struggles. In Unreconciled Andrea Smith examines these movements through a critical ethnic studies lens, evaluating the varying degrees to which evangelical communities that were founded on white supremacy have addressed racism. Drawing on evangelical publications, sermons, and organization statements, as well as ethnographic fieldwork and participation in evangelical events, Smith shows how evangelicalism is largely unable to effectively challenge white supremacy due to its reliance upon discourses of whiteness. At the same time, the work of progressive evangelical women of color not only demonstrates that evangelical Christianity can be an unexpected place in which to find theoretical critique and social justice organizing but also shows how critical ethnic studies' interventions can be applied broadly across political and religious divides outside the academy.