Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.

Rashid al-Daif's provocative novel Who's Afraid of Meryl Streep? takes an intimate look at the life of a recently married Lebanese man. Rashoud and his wife struggle as they work to negotiate not only their personal differences but also rapidly changing attitudes toward sex and marriage in Lebanese culture. As their fragile bond disintegrates, Rashoud finds television playing a more prominent role in his life; his wife uses the presence of a television at her parents' house as an excuse to spend time away from her new home. Rashoud purchases a television in the hopes of luring his wife back home, but in a pivotal scene, he instead finds himself alone watching Kramer vs. Kramer. Without the aid of subtitles, he struggles to make sense of the film, projecting his wife's behavior onto the character played by Meryl Streep, who captivates him but also frightens him in what he sees as an effort to take women's liberation too far. Who's Afraid of Meryl Streep? offers a glimpse at evolving attitudes toward virginity, premarital sex, and abortion in Lebanon and addresses more universal concerns such as the role of love and lust in marriage. The novel has found wide success in Arabic and several European languages and has also been dramatized in both Arabic and French.

Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.

In this provocative book, writer, and cultural critic Touré explores the concept of Post-Blackness: the ability for someone to be rooted in but not restricted by their race. Touré begins his book by examining the concept of “Post-Blackness,” a term that defines artists who are proud to be Black, but don't want to be limited by identity politics and boxed in by race. He soon discovers that the desire to be rooted in but not constrained by Blackness is everywhere. In Who’s Afraid of Post-Blackness? he argues that Blackness is infinite, that any identity imaginable is Black, and that all expressions of Blackness are legitimate. Here, Touré divulges his own intimate, funny, and painful experiences of how race and racial expectations have shaped his life. He explores how the concept of Post-Blackness functions in politics, society, psychology, art, culture, and more. He knew he could not tackle this topic all on his own so he turned to 105 of the most important luminaries of our time for frank and thought-provoking opinions, including the Reverend Jesse Jackson, Cornel West, Henry Louis Gates Jr., Malcolm Gladwell, Michael Eric Dyson, Melissa Harris-Perry, Harold Ford Jr., Kara Walker, Kehinde Wiley, Glenn Ligon, Paul Mooney, New York Governor David Paterson, Greg Tate, Aaron McGruder, Soledad O'Brien, Kamala Harris, Chuck D, Mumia Abu-Jamal, and many others. By engaging this brilliant, eclectic group, and employing his signature insight, courage, and wit, Touré delivers a clarion call on race in America and how we can change our perceptions for a better future. Destroying the notion that there is a correct way of being Black, Who’s Afraid of Post-Blackness? will change how we perceive race forever.

Human cloning raises the most profound questions about human nature, our faith in ourselves, and our ability to make decisions that could significantly alter the character of humanity. In this exciting and accessible book, Gregory Pence offers a candid and sometimes humorous look at the arguments for and against human cloning. Originating a human being by cloning, Pence boldly argues, should not strike fear in our hearts but should be examined as a reasonable reproductive option for couples. Pence considers how popular culture has influenced the way we think about cloning, and he presents a lucid and non-technical examination of the scientific research and relevant moral issues in the cloning debate. This book is a must-read for anyone who is concerned about the impact of technology on human life and for those with interests in medical ethics, sociology, and public policy.

Peter has nightmares when he goes to bed. He is afraid of just about everything until one night he encounters a very special visitor who teaches Peter how to use a special gift to erase fear. A wonderful meditation is included.

An Instant Sunday Times Bestseller One of the most anticipated books of 2024 according to The Times, Guardian, Financial Times, New Statesman, The Independent, The Scotsman, Time and more Shouldn't we know what we're arguing about? From one of the most influential thinkers of our time, an enlightening, essential account of how a fear of gender is fuelling reactionary politics around the world Judith Butler, the ground-breaking philosopher whose work has redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed ‘anti-gender ideology movements’ dedicated to circulating a fantasy that gender is a dangerous threat to families, local cultures, civilization – and even ‘man’ himself. Inflamed by the rhetoric of public figures, this movement has sought to abolish reproductive justice, undermine protections against violence, and strip trans and queer people of their rights. But what, exactly, is so disturbing about gender? In this vital, courageous book, Butler carefully examines how ‘gender’ has become a phantasm for emerging authoritarian regimes, fascist formations and transexclusionary feminists, and the concrete ways in which this phantasm works. Operating in tandem with deceptive accounts of critical race theory and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality and leaves millions of people vulnerable to subjugation. An essential intervention into one of the most fraught issues of our moment, Who's Afraid of Gender? is a galvanizing call to make a broad coalition with all those who struggle for equality and fight injustice. Imagining new possibilities for freedom and solidarity, Butler offers us an essentially hopeful work that is both timely and timeless.

Democracy should enable citizens to play an informed role in determining how power is exercised for their common wellbeing, but this only works if people have the understanding, skills and confidence to engage effectively in public affairs. Otherwise, any voting system can be subverted to serve the interests of propagandists and demagogues. This book brings together leading experts on learning for democracy to explore why and how the gap in civic competence should be bridged. Drawing on research findings and case examples from the UK, the US and elsewhere, it will set out why change is necessary, what could be taught differently to ensure effective political engagement, and how a lasting impact in improving citizens’ learning for democratic participation can be made.

This text is in response to the many misinformed, often exaggerated arguments leveled against the WTO. Kent Jones explains in persuasive and engaging detail the compelling reasons for the WTO's existence and why it is a force for progress toward economic and non-economic goals worldwide.

"Who’s Afraid of ISIS?" eschews familiar debates about the status of ISIS as an existential threat to the West, with the aim of submitting those types of arguments to a reasoned examination of the political place of anxiety itself. This collection concerns itself with the doxologies that attend such arguments, or with that which, as Bourdieu wrote, "goes without saying becomes it comes without saying" and so become the unexamined points of departure for contentions about ISIS that may, for that very reason, hold entire life worlds together. This book was originally published as a special issue of Critical Studies on Security.