L’Hymnaire manichéen chinois offre un ensemble de 25 hymnes destinées à la pratique de la religion manichéenne par la Section des Auditeurs. Mis au jour à Dunhuang (actuel Gansu) au début du 20ème siècle, après être resté enfoui dans une cache pendant quelque douze siècles, ce rouleau écrit en langue chinoise, comprend plusieurs hymnes transcrites de diverses langues courantes en Asie centrale à l’époque de sa rédaction. Cette traduction apporte une vision nouvelle de la Religion de Lumière, telle qu’elle se vit adoptée par les Chinois, ainsi que de l’ampleur du message du prophète iranien Mani (216-276), aspirant à une portée universelle et destiné à relier entre eux les hommes de tous horizons de par le monde, quelque soit leur origine, leur langue ou leur histoire. L’Hymnaire manichéen chinois presents a collection of twenty-five hymns that were intended for the Manichean religious practice of the class of Auditors. The scroll, which came to light in the early twentieth century in the province of Dunhuang (modern Ganzu) after lying buried for around twelve centuries, contains several hymns transcribed from a variety of languages that were current in Central Asia during the epoch of its redaction. This translation provides a new perspective on the Religion of Light as it was adopted in China, and on the wide reach of the message of the Iranian prophet Mani (216-276) that aimed at universal scope and was meant to unite people from all parts of the world, of whatever origin, language and history.

Ensemble de contributions qui porte sur les vicissitudes de la traduction du chinois dans les langues européennes depuis trois siècles, sur la diversité des idiomes et des personnages impliqués. Variation aussi, de la proximité du traducteur au texte d’origine, de son empreinte propre, de son époque, du genre choisi et, bien sûr, de la langue cible – ou des langues intermédiaires. Ce parcours à travers un choix de textes littéraires, philosophiques et scientifiques illustre les enjeux réels et fantasmatiques de la relation de la Chine et de l’Europe. Il ne s’agit pas de confrontation, mais bien plutôt, à travers le processus de traduction, d’approfondissement mutuel – ce qui s’observe par exemple quand plusieurs interprétations traditionnelles du texte de départ sont prises en compte.

Greg Anderson and Elizabeth Joy Roe are perhaps the most thrilling young duo performing today, offering adrenalized classical concerts that are revolutionizing the piano duo experience for the 21st century. Described as "Fred Astaire and Ginger Rogers transposed from the dance floor to the keyboard" (The Southampton Press) and "the intense synchronization of genius" (ThirdCoast Digest), Greg and Liz bring their joyous camaraderie and refined artistry to the concert stage, dazzling audiences around the world as a four-hand and two-piano team. The Anderson & Roe Duos & Duets series features inspiring arrangements as performed by the duo---from settings of treasured opera melodies to medleys of popular movie music. The pieces are edited with fingering and other directions that facilitate rehearsal and performance, making them accessible for advancing students as well as for concert performers. Regarded as one of the greatest violinists of all time, Fritz Kreisler composed dozens of short works for violin and piano to perform on his recitals. Tambourin Chinois is a joyous and delightful musical gem, a celebration of imagined worlds and faraway lands. An acrobatic arrangement, the pianists are asked to recreate the playfulness of the music through dance-like interaction.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.