Conrad Veidt, a native of Berlin, began acting in small parts as an extra until called into service during World War I. After his discharge he began a theater career that subsequently led to films and more than one turn as a director. This work thoroughly details Veidt's film career. It lists all movies that he was involved in and provides a synopsis, cast and crew, and reviews of each film. There are many photographs, a list of films that he is thought possibly to have been involved in, and an extensive bibliography.

This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts.

Ayn Rand remains a truly significant figure of modern philosophy. Her unique vision of a world in which man, relying on reason, acts wholly for his own good is skillfully developed and illustrated in her most famous novels, Atlas Shrugged and The Fountainhead. But Rand's first novel, We the Living, a lesser-known but no less important book, offers an early form of the author's nascent philosophy--the philosophy Rand later called Objectivism. In the second edition, Robert Mayhew once again brings together pre-eminent scholars of Rand's writing. The edition includes three new chapters, as well as an epilogue by renowned Rand-scholar Leonard Peikoff. In part a history of We the Living, from its earliest drafts to the Italian film later based upon it, Mayhew's collection goes on to explore the enduring significance of Rand's first novel as a work both of philosophy and of literature. For Ayn Rand scholars and fans alike, this enhanced second edition is a compelling examination of a novel that set the tone for some of the most influential philosophical literature to follow.

Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.

In this sexy installment of the Miles High Club series from bestselling author T L Swan, a billionaire playboy goes incognito on a backpacking trip in Europe. But how long can he hide from love? I'm wealthy, powerful, and able to get any woman I want. So why do I feel so empty inside? In search of a deeper me, I take a sabbatical from my privileged life. One year of backpacking around Europe: a new identity, no contacts, and no money. Not a bad plan, I think. Until I get there. A crowded hostel room, body odor, and beer bongs--there are no words for the fresh hell I've landed in. But amid the chaos, I meet my new roommate, Hayden Whitmore. She sleeps in the bed opposite me, and I openly admit to staring at her more than I sleep. Beautiful, innocent, and smart. Not my usual type but perhaps the perfect woman. There's just one small problem with the divine Miss Hayden. She's totally unaffected by my charm. Nothing is working, and now, I've been friend zoned. What? But the good thing about me is that I'm an incredible problem solver, and I've come up with a diabolical plan. I'm going to slide right in under her friend zone. Be the best damn friend she ever had, hold her hand, make her laugh, and spoon with her in bed. But now there's another problem. Hayden is the one who is sliding under my skin, and maybe friendship isn't enough.

Fourth volume of plays in the reissued Arthur Miller Collection Arthur Miller's two early plays, The Golden Years, an historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck, a fable about human freedom and individual responsibility, are brought together in this volume together with two of his contemporary shorter plays, I Can't Remember Anything and Clara, first presented on a double bill as Danger! Memory. The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that has been one of the most distinguished in dramatic history. Miller writes an Introduction to this volume.

Magnetism is the attraction force for men and women to begin and consummate a relationship with Marriage. Guilt-free is the way couples should view their relationship with or without having sex before marriage. The author explores the entire premarital relationship stages from dating to the honeymoon and provides a practical approach to understanding the nature of modern relationships.