In a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations. In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared. Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.

Legends say when the skies grow dark and scourge starves the land, a star will fall in order to save humanity. Only when the star is sacrificed at the end of their journey will light return. It's a cycle—one humanity refuses to break because stars are plentiful and their sacrifices easier than learning the true nature of the scourge. When Sol finally falls, it's not because of humanity. It's because he's had enough of watching his brethren be sacrificed. He has one goal: end humanity and end the cycle. Unfortunately, he has to pretend he cares before humans get wise. It doesn't matter how soft the princess who catches him is—Celena will be dead by the time his journey ends. Nor how kind his assigned companions are—the outgoing Mira with her ballads, the brave Nebora with her axe, and the hero Loren with his soft voice and friendly smile. For centuries, humanity has lied and their kindness is a ruse to bring about Sol's own destruction at the end of his tale. He will not be fooled. No one cares about the cries of the stars they've destroyed over and over again and Sol will make sure this time, humanity is the one sacrificed. At least, that's the plan until his traitorous heart begins to care for the humans he sought to eradicate.

The author of the Pulitzer Prize-winning Battle Cry of Freedom and the New York Times bestsellers Crossroads of Freedom and Tried by War, among many other award-winning books, James M. McPherson is America's preeminent Civil War historian. In this collection of provocative and illuminating essays, McPherson offers fresh insight into many of the enduring questions about one of the defining moments in our nation's history. McPherson sheds light on topics large and small, from the average soldier's avid love of newspapers to the postwar creation of the mystique of a Lost Cause in the South. Readers will find insightful pieces on such intriguing figures as Harriet Tubman, John Brown, Jesse James, and William Tecumseh Sherman, and on such vital issues as Confederate military strategy, the failure of peace negotiations to end the war, and the realities and myths of the Confederacy. This Mighty Scourge includes several never-before-published essays--pieces on General Robert E. Lee's goals in the Gettysburg campaign, on Lincoln and Grant in the Vicksburg campaign, and on Lincoln as Commander-in-Chief. All of the essays have been updated and revised to give the volume greater thematic coherence and continuity, so that it can be read in sequence as an interpretive history of the war and its meaning for America and the world. Combining the finest scholarship with luminous prose, and packed with new information and fresh ideas, this book brings together the most recent thinking by the nation's leading authority on the Civil War.

divA critical reexamination of the work of J. David Singer's influential Correlates of War project /DIV

The Scourge of Genocide collects essays, reviews, and reportage on the subjects of genocide and crimes against humanity by Adam Jones, recently selected as one of "Fifty Key Thinkers on the Holocaust and Genocide." The volume includes a number of previously-unpublished essays, and explores a range of debates and approaches in comparative genocide studies, such as: Genocide, pedagogy, and visual representation. Gender and "gendercide." The role of media and communications in genocide. The historiography of genocide studies. "Subaltern genocide," or genocides by the oppressed. Strategies of genocide prevention and intervention. Covering a broad spectrum of theoretical perspectives, as well as case studies from the former Yugoslavia, Rwanda, Guatemala, Afghanistan, Iraq, and Israel/Palestine, this book is essential reading for all scholars and students of genocide studies, political violence, and international relations.

It is often assumed that cultural identity is determined in a country’s metropolitan centres. Given Russia’s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia’s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance. Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia’s border regions profoundly influenced the nation’s literature, posing challenges to stereotypical or territorially based conceptions of Russia’s imperial, military, and cultural identity. A highly canonical text such as Pushkin’s Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy’s The Cossacks (1863), which is explicitly set on Russia’s border and has become central to the Russian canon. Hokanson cites the influence of these and other ‘peripheral’ texts as proof that Russia’s national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities. Writing at Russia’s Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature.

A history of one of the world's deadliest diseases traces the influence of the smallpox plague on the course of human civilization, describes Jenner's creation of a vaccine against it and the World Health Organization's global efforts to eradicate it, and examines the dangers it still poses today as