DigiCat Publishing presents to you this special edition of "A Commonplace Book of Thoughts, Memories, and Fancies" (2nd ed) by Mrs. Jameson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Delve into the rich tapestry of human experience with "Commonplace Book of Thoughts, Memories, and Fancies" by Anna Jameson. This enchanting collection invites you to explore the musings and reflections of a brilliant mind, weaving together thoughts that resonate across time. What if a single thought could spark a journey through the heart of creativity and introspection? Could these memories and fancies change your perspective on life? Jameson’s writing is a treasure trove of insights, filled with wisdom that transcends the ordinary. Each entry is a glimpse into her soul, offering readers a chance to reflect on their own thoughts and experiences. Are you ready to embark on a journey of self-discovery and inspiration? This commonplace book serves not just as a reflection of Jameson’s life, but also as a mirror for your own. It encourages you to think deeply, dream boldly, and embrace the beauty of your unique experiences. Don’t miss the opportunity to enrich your mind and spirit! Will you join Anna Jameson on this literary adventure? Grab your copy of "Commonplace Book of Thoughts, Memories, and Fancies" now and immerse yourself in the art of reflection and creativity!

Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The format of the book is a little unusual because I decided to use the structure of a commonplace book, in which commonplace items that one comes across in one's life are jotted down for future reference in a journal. The idea is to let the quotations set up discussions about various aspects of learning. My intent was to end up with a loosely coupled but reasonably coherent set of ideas within each chapter. This goal was pursued by seeing to it that a substantial number of quotations within a chapter are at least somewhat related. One advantage of this format is that the reader can open the book nearly anywhere and find an idea that can be considered independently of other parts of the book. The intent is to provide on every page stepping stones that allow the reader to go a bit further by mulling over an idea

Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and 'post-natural' community. The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward. "McPhee's drawing, extended to and infiltrated with digital video, seems to outline a different and stranger project: that of creating as yet unknown material composites by aligning the rapid time-processing of our nervous systems with the emergent natures at actual sites of energy production or extraction." Ina Blom Christina McPhee's work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. She lives and works in California, and you can see more of her work at: http: //www.christinamcphee.net/.

Reprint of the original.