Your Words Echo in Hearts and Minds Long After They Are Spoken Have you listened to yourself lately? Did you know that your words are shaping other people’s lives? That they are the mirrors in which others see themselves? Every day you can speak life into their souls or suck the life right out of them. The choice is yours. In The Power of a Woman’s Words, bestselling author Sharon Jaynes will show you how to exchange careless words that hurt for intentional words that help others succeed recognize words that tear down confidence and replace them with words that build others up overcome the negativity that pushes people away and become a well of positivity that draws others in tame your tongue by practicing practical principles that help you think before you speak stop being disappointed in your lack of control by taking hold of the power of the Holy Spirit Words are one of the most powerful forces in the universe, and God has entrusted them to you! How will you use this gift? Your words can change the course of someone’s day…even someone’s life.

This book is a poetic tribute to a beautiful woman. The poems tell the story of the effect that Karen, the beautiful woman, has had on the poet's life. The poems offer a chronological look at the bitter-sweet make-up of love. They express the elation, the sadness, the pain, the depression, the joy, the hope that a great love can evoke. The poems proclaim to Karen and to the world the poet's eternal love! If you have ever been in love-- or if you plan to be-- your heart and mind will understand these poems.

Bhabani Bhatacharya Is Unquestionably One Of The Celebrated Indo English Fiction Writers. Notwithstanding His Rather Scanty Literary Output, He Has Caught The Fancy Of Quite A Large Reading Public And Academics Both At Home And Abroad. No Wonder, Then, If His Latest Novel, Shadow From Ladakh, Has Won For Him The Much Coveted Sahitya Akademi Award For 1967. Besides, He Is A Much-Translated Indian Novelist Writing In English. His Books Have Been Translated Into Twenty-Six Languages Including Fourteen European Languages. In Spite Of The Global Fame That Has Come To Him Spontaneously, He Has Not Yet Been Explored And Evaluated Thoroughly Well With The Empathy Of A Scholar. Only Two Full Length Studies And A Few Articles In Journals And Books Have Appeared On Him, And These, Too, Are Just An Introduction To His Writings, And Do Not Examine Comprehensively Either The Thematic Or The Technical Side Of His Fiction. Hence The Need And Justification For A Book Such As This. The Present Book Undertakes To Make A Thorough And Objective Study Of Bhabani Bhattacharya S Vision, His Dominant Themes And His Concept Of A Creative Writer S Concern With Social Reality. It Has Been My Sincere Endeavour To Make This Study Really Useful And Interesting For Scholars In General And For University Students In Particular. Since There Is A Paucity Of Critical Works On The Contemporary Indian Novelists Writing In English, The Book, It Is Hoped, Will Surely Help The Reader To Understand, And Develop Genuine Interest In, Bhabani Bhattacharya As Well As The Indo English Fiction Of The Recent Decades.

This collection has one central theoretical focus, viz. stock-taking essays on the present and future status of postcolonialism, transculturalism, nationalism, and globalization. These are complemented by ‘special’ angles of entry (e.g. ‘dharmic ethics’) and by considerations of the global impress of technology (African literary studies and the Internet). Further essays have a focus on literary-cultural studies in Australia (the South Asian experience) and New Zealand (ecopoetics; a Central European émigrée perspective on the nation; the unravelling of literary nationalism; transplantation and the trope of translation). The thematic umbrella, finally, covers studies of such topics as translation and interculturalism (the transcendental in Australian and Indian fiction; African Shakespeares; Canadian narrative and First-Nations story templates); anglophone / francophone relations (the writing and rewriting of crime fiction in Africa and the USA; utopian fiction in Quebec); and syncretism in post-apartheid South African theatre. Some of the authors treated in detail are: Janet Frame; Kapka Kassabova; Elizabeth Knox; Annamarie Jagose; Denys Trussell; David Malouf; Patrick White; Yasmine Gooneratne; Raja Rao; Robert Kroetsch; Thomas King; Chester Himes; Julius Nyerere; Ayi Kwei Armah; Léopold Sédar Senghor; Simon Njami; Abourahman Waberi; Lueen Conning; Nuruddin Farah; Athol Fugard; Frantz Fanon; Julia Kristeva; Shakespeare. The collection is rounded off by creative writing (prose, poetry, and drama) by Bernard Cohen, Jan Kemp, Vincent O’Sullivan, Andrew Sant, and Sujay Sood.

The question “What is human nature?” is in vogue today. Like everything else, this concept is being deconstructed in the context of the reigning ideology of individualistic materialism. Is there a fixed human nature, or is this simply a manipulatable social construct with no objective reference? This book says: “Yes, there is: the imago Dei: man/woman created in the image of God.” Hobson argues that this text from Genesis 1:26–28 is a God-given anthropological revelation that establishes the relational bond of human beings with their Creator and also with his creation, for which the imago equips us to be responsible stewards. Many of Hobson’s essays were delivered as talks in parishes. They explore from multiple angles the import of the imago Dei for theological and sacramental reflection, apologetics, aesthetics, art, and, at a hands-on practical level, for pastoral counseling and inner healing. His texts, one of which opens with a discussion of genocide, contain incisive critiques of the dark side of modernity alongside wide-ranging demonstrations of the pertinence of the imago Dei to the current debates about human dignity and rights. His book is a ringing call to the church to take the measure of the value of this anthropological revelation for its proclamation of the gospel.