Believing that African American religious studies has reached a crossroads, Cornel West and Eddie Glaude seek, in this landmark anthology, to steer the discipline into the future. Arguing that the complexity of beliefs, choices, and actions of African Americans need not be reduced to expressions of black religion, West and Glaude call for more careful reflection on the complex relationships of African American religious studies to conceptions of class, gender, sexual orientation, race, empire, and other values that continue to challenge our democratic ideals.

By scrutinizing the major Victorian political thinkers' perceptions and representations of France this book shows how comparisons with the country on the other side of the Channel, its politics, civilization, and the French 'national character' contributed to nineteenth-century Britain's self-definition. While the utterances on France of several other figures are also examined, the main focus is on Walter Bagehot, John Stuart Mill, Matthew Arnold, Lord Acton, Thomas Carlyle, Nassau William Senior, James Fitzjames Stephen, William Rathbone Greg, Thomas Babington Macaulay, John Morley, and Frederic Harrison.

George Oppen (1908–1984), born into a prosperous German Jewish family, began his career as a protégé of Ezra Pound and a member of the Objectivist circle of poets; he eventually broke with Pound and became a member of the Communist party before returning to poetry more than twenty-five years later. William Bronk (1918–1999), by contrast, a descendant of the first European families in New York, was influenced by the works of Shakespeare, the King James Bible, and the work of the New England writers of the American Renaissance. Despite differences in background and orientation, the two men formed a deep friendship and shared a similar existential outlook. As Henry Weinfield demonstrates in this searching and original study, Oppen and Bronk are extraordinary thinkers in poetry who struggled with central questions of meaning and value and whose thought acquires the resonance of music in their work. These major writers created poetry of enduring value that has exerted an increasing influence on younger generations of poets. From his careful readings of Oppen’s and Bronk’s poetry to his fascinating examination of the letters they exchanged, Weinfield provides important aesthetic, epistemological, and historical insights into their poetry and poetic careers. In bringing together for the first time the work of two of the most important poets of the postwar generation, The Music of Thought not only illuminates their poetry but also raises important questions about American literary history and the categories in terms of which it has generally been interpreted.

DIVIn Vichy, a dead mistress points to an assassination plot/divDIV/divDIVAt the Battle of Verdun, Marshal Philippe Pétain’s heroic leadership won him the respect and admiration of all of France. In the decades that follow the Great War, his ambition is boundless, but not until Hitler arrives does he claim the job he’s always wanted. When the Wehrmacht subdue the French army, Pétain takes the reins of his conquered nation, becoming World War II’s most infamous collaborator./divDIV /divDIVIn February 1943, as the war turns against Germany, Pétain administers his puppet state from the spa town of Vichy. In his eighties, but still able to admire a pretty face, he asks to borrow the mistress of one of his subordinates. Before she arrives, the girl is murdered. Fearing a plot against his life, Pétain calls in inspectors Jean-Louis St-Cyr and Hermann Kohler. But they find something far more sinister than a conspiracy against the war hero who became a war criminal./div

First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.