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Poetry is therapy for the one who writes it, and also for the one who reads it. Who would ever think it - a numbers guy writing poetry. How it all began is unclear, the motivation and inspiration seemed to come out of nowhere, but I enjoyed it. It was my therapy in a troublesome and uncertain world. My Christian faith was ignited and uplifted as I would ponder topics and words for another poem. God's love and grace became a central theme, and trials, blessings, silence, hope, kindness, patience, peace and Joy - is like dancing daffodils, in your garden or window sills. Silent with glee, jubilant and free, sharing with all intimate thrills. Real joy you have deep inside you can't contain, you cannot hide. What's there internal shows up external like a secret - reverent - pride. It glows like sunshine in your eye, seen by those who walk nearby. If you have some today - give it away. It will spread like a summer sky.

The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

We all have our take on what is divine and what makes things divine. As we get older we tend to spend more time contemplating the divine. When the author, Michael Thomas, first saw a picture of this fresco, he was stricken with feelings of identification. For him, this picture was a wonderful representation of the divine, so he has chosen to share it with his readers as a personal expression of divinity. In his fifth volume of poetry, Michael Thomas becomes more philosophical and begins to plum the depths of humanity, looking for the goodness that he can attach himself to . As readers, we have the chance to attach ourselves to divinity through his words.

“Poetry for all Seasons" accomplishes four goals, all in one neat package. It serves as: 1. A textbook for teaching traditional and modern poetic genres 2. A resource book for all teachers 3. A poetic guide for emerging poets 4. Pleasure reading for ALL members of the family. Poetry is one of the ways teachers have at their disposal for integrating concepts across Language Arts, Social Studies, Business Studies, Natural Sciences, Natural History, Mathematics, Home Economics, Health and Family Life, Movement and Dance. In this book, teachers are sure to find themes easily extracted from poems as listed below: Aging Animals Birds Celebrations Communications Death Entertainment Exploration Food Friendships Horticulture Health Heroism Hurricanes Insects Leadership Leisure Legends Marketing Myths

Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95.

Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as “the beginning of a new era, where the ‘women’ in women’s studies will no longer mean ‘white.’” Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney C. Cooper is a professor of Women's and Gender Studies and Africana Studies at Rutgers University. She is the author of several books, including Eloquent Rage, named by Emma Watson as an Our Shared Shelf read for November/December 2018.

Loving offers a sharp focus of the man who is generally considered America's greatest poet. This splendid work reveals him as fully as anything can, except his poems.

These articles are mainly concerned with medieval French literature, particularly those areas in which the honorand of the volume, Rupert T. Pickens, has distinguished himself: Old French Arthurian romance, Marie de France, chanson de geste, later poetry (including Villon), and the Occitan troubadour lyric. Among the contributors are some of the most significant scholars from the U.S.A., Canada, France, Switzerland, and the U.K. working in Old French studies today. The volume will be of interest to specialists in Old French, Occitan, and medieval literature generally. Some of the articles deal with relatively unknown works, and all are informed by current developments in medieval literary studies