The period 800-1200 saw many changes in attitude towards death, sin and salvation. Visual sources can provide a valuable complement to written sources, often modifying or adding another dimension to what scholars and theologians expressed in words. Taking miniatures showing the Fall of Man and those with personifications of death, this study looks at the ideas they express and the relationship between them. It examines both the general tendencies and specific manuscripts, relating them to their contexts and to the writings of the time. This book shows the shifts in ideas as to what constitutes sin, the merging of eschatological death with sin and a new emphasis on physical death, thereby giving new insights into medieval thought and culture.

This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.

The Banshee and the Wraith. They have the power to save the world—or destroy it. In a place unlike any other, two brothers set off an ancient, epic, and never-ending battle. This world is controlled by the Necromancers and Reapers—one side pulls people back up through the earth, and the other cuts them down again. One ancient family, the Laheys, have been tasked again and again with keeping the balance between the worlds. And Nyx Lahey, born a Necromancer, but raised a Reaper, is on the front lines. Lately, though, Nyx is wrestling with her identity as she’s thrown into an adventure filled with prophecies and the kind of danger you can cut down with a giant scythe. While chasing a creature that’s killing young girls, Nyx runs headlong—and gun drawn—into Erebus Salem. A hunter who has the ability to turn into a raven to escape danger, Erebus also harbors a secret: he’s not alive. He lives in Dewmort, a world in-between, where the souls of the dead reside, and where memory is all but erased. With no memory of who he is, his only connection to the past is a locket which ends up in Nyx’s hands. Determined to get it back, Erebus and his friends set watch on the Laheys, but they aren’t the only ones. Other beings are lurking in the shadows. They know the truth about Erebus and Nyx. They know that the pair are the Relics, the only two powerful beings in the world capable of taking down the greatest evils known to any kind. Soon, Nyx and Erebus become the hunted, and must try and escape the evil plans of the war lord, Bellum. Bellum wants the Relics for his own purposes. He needs them to raise his father, the original Necromancer, Neco. With his father by his side, Bellum believes he can rule the world—all of them—and destroy the Reapers once and for all. Can Nyx and Erebus master their new found powers, and even if they do, can they survive?

Three page-turning, exhilarating thrillers from Richard Blake: CONSPIRACIES OF ROME, THE TERROR OF CONSTANTINOPLE AND THE BLOOD OF ALEXANDRIA. Available together as a digital-only package for the first time. Perfect for fans of Simon Scarrow.

As a major advance in the study of medieval piety the interrelationship between the veneration of relics and of the Eucharistic Host is presented here for the first time. Traced through Christian Antiquity and the early Middle Ages, the veneration of the Host proves to be closely associated with the piety focused on relics of the Saints. Both were kept in the sleeping area of private homes, carried on journeys and placed in graves. They were buried together in altar tables and monks called on both for help in threatening circumstances. Like the relics, the sacred Host was later carried in procession, shown to the people for veneration and used to give blessings. This book offers a rich account of one of the most revealing dimensions of medieval belief and practice.