This excellently translated collection of witty, sarcastic, and expressive works includes the complete version of Rimbaud's autobiographical A Season in Hell, his entire Illuminations, a large selection of early verse poems, and "The Drunken Boat," considered by many to be his masterpiece.

Although he abandoned poetry before he was twenty-one years old, and wrote for only five or six years in all, Arthur Rimbaud has had an extraordinary influence on modern poetry. His work helped inspire poetic Symbolism, Dadaism, and Surrealism. Rimbaud dreamed of re-creating life through his words. Not content merely to describe the world, he longed to reorder it through his revolutionary poetry. He rebelled against all forms of hypocrisy, as well as against conventional concepts of love, morality, religion, and art. He even dreamed of liberating women from "endless servitude." Written a century ago, A Season in Hell and The Illuminations read like the works of an avant-garde poet of today. In her Introduction dealing with Rimbaud's life and work, Enid Rhodes Peschel discusses his concept of the voyant, the poet-visionary he dreamed of becoming through a "reasoned deranging of all his senses." A Season in Hell, which combines autobiography with self-appraisal, vision and hallucination, reflects Rimbaud's tortures in trying to be a voyant. The forty-two poems of The Illuminations, kaleidoscopic evocations of a universe in continual evolution, are further evidence of his attempts to reach this transcendent state. Enid Rhodes Peschel has succeeded in not only translating these works but in recreating them. Eye, ear, mind, and heart have all been engaged in her effort to capture the tone and rhythm of Rimbaud's language as well as the quality of his thought. Book jacket.

This volume highlights the work of Canadian editor Douglas Gibson, currently working at McClelland & Stewart. It covers a broad spectrum of topics including the difference between publishing fiction and non-fiction and an analysis of the book industry today.

These 22 essays explore how poets, artists, and writers have addressed the physical essence of Canada.

Since the appearance of the second edition of Sydney A. Asdell's widely used Patterns of Mammalian Reproduction in 1964, the field of reproductive physiology has expanded dramatically. Accordingly, this revision adopts a different structure from previous editions, substituting empirical delineations for physiological interpretations. With the emphases now on a presentation of the published facts of mammalian reproduction, it provides a thorough compilation of what is known about the basic reproductive biology of each of the 4300 mammalian species.To gather information, the authors examined more than 20,000 publications, dating up to 1992. They used primary sources as much as possible, supplementing them with English translations of Russian, Finnish, Chinese, and Japanese journals. The data are presented in taxonomic order. Each familial account summarizes the pattern of reproduction for the family and provides lists of citations arranged by topic of the literature on the endocrinology, reproductive anatomy, and reproductive physiology of the family. Following each account is a tabular listing of species-specific data for neonatal mass and size, weaning mass and size, litter size, age at sexual maturity, estrous cycle length, gestation length, lactation length, number of litters per year, and seasonality of reproduction. For each of these reproductive variables, the range of data gleaned from the literature is given, together with the source of each value listed.Virginia Hayssen is Assistant Professor of Biology at Smith College. Ari Van Tienhoven is Professor of Animal Physiology, Emeritus, at Cornell University. Ans Van Tienhoven assisted in the compilation of data for the book.