What happens when we communicate with other people? The topic has been much studied in sociolinguistics, as well as by philosophers, sociologists, and communication theorists; but it is also one of the main concerns of novelists, and it is a major source of comedy, intrigue, and pathos in many novels. To illustrate this, R.A. York studies eight classics from nineteenth-century England - Emma, Wuthering Heights, Jane Eyre, North and South, Barchester Towers, The Woman in White, Great Expectations, and Middlemarch - showing that literature is not only a celebration of the power to communicate, but also a celebration of the need to discipline communication.

What did it feel like to be an openly Jewish soldier fighting alongside German troops in WWII? Could a Jewish nurse work safely in a field hospital operating theater under the supervision of German army doctors? Several hundred members of Finland’s tiny Jewish community found themselves in absurd situations like this, yet not a single one was harmed by the Germans or deported to concentration or extermination camps. In fact, Finland was the only European country fighting on either side in WWII that lost not a single Jewish citizen to the Nazi’s “Final Solution.” Strangers in a Stranger Land explores the unique dilemma of Finland’s Jews in the form of a meticulously researched novel. Where did these immigrant Jews—the last in Europe to achieve citizenship status—come from? What was life like from their arrival in Finland in the early nineteenth century to the time when their grandchildren perversely found themselves on “the wrong side” of WWII? And how could young lovers plan for the future when not only their enemies but also their country’s allies threatened their very existence? Seven years researching Finland’s National Archives plus numerous in-depth interviews with surviving Finnish Jewish war veterans provide the background for a narrative exploration of love, friendship, and commitment but also uncertainty and terror under circumstances that were unique in the annals of “The Good War.” The novel’s protagonists—Benjamin, David and Rachel—adopt varying survival strategies as they struggle with involvement in a brutal conflict and questions posed by their dual loyalty as Finnish citizens and Zionists committed to the creation of a Jewish homeland. Tensions mount as the three young adults painfully work through a relationship love triangle and try to fulfill their commitments as both Jews and Finns while their country desperately seeks to extricate itself from an unwinnable war.

»Houses, Secrets, and the Closet« investigates the literary production of masculinities and their relation to secrets and sexualities in 18th and 19th century fiction. It focusses on close readings of Gothic fiction, Sensation Novels, and tales by Horace Walpole, Ann Radcliffe, William Godwin, Mary Elizabeth Braddon, Wilkie Collins, and Henry James. The study approaches these texts through the lens of domestic space, gender, knowledge, and power. This approach serves to investigate the cultural roots of the ›closet‹ - the male homosexual secret - which reveals a more general notion of male secrecy in modern society. The study thus contributes to a better understanding of the cultural history of masculinities and sexualities.

Author Dr. Nelly Maseda often wonders how she became successful, but her brothers didn't. She wonders how she survived a childhood raised by a single Dominican mother on public assistance who suffered from severe mood swings, rage, promiscuous sexual behavior, and cycles of depression. While Maseda pursued her degree at Cornell University, her brothers and cousins entered into a world of substance abuse and its related criminal activities and violence. In Strangers in the Night, Maseda looks inside the dynamics of a family and describes the life of her mother, Nena her early years in the Dominican Republic, immigration to the United States in 1959, her new life in New York City, and raising her children against the backdrop of rage, depression, and a questionable home life. She also shares the trajectory of her two brothers' lives to show that lessons can be learned from their experiences. Maseda tells her mother's story from the perspective of her profession as a pediatrician to communicate to patients and others that we now live in a time where help exists to undo the damage that negative, early life experiences can do to minds and lives.

In The Holy Intimacy of Strangers Sarah York explores our common yearning for deeper and more meaningful connection with one another. The book presents the paradox we often observe: how our seemingly casual interactions with strangers can unlock the door to our hearts and help us discover how we need (and yet often resist) true intimacy in our relationships. This provocative book gives us a new way to look at the qualities of our exchanges with strangers. Once we begin this journey we can trace the outlines of our lives together in community-our expressions of caring and hospitality, the costs of prejudice and judgment, our fears and defensiveness, the tension between being inclusive or exclusive, our expectations and assumptions about one another.

Maria Tatar analyses the many forms the tale of Bluebeard's wife has taken over time, showing how artists have taken the Bluebeard theme and revived it with their own signature twists.

In 1930 nine-year-old Miriam travels by train from Brooklyn to her grandparents' farm in upstate New York. Her grandparents are kind, generous people, but they aren't exactly ideal playmates for a lonely girl. When Miriam is not doing homework in the kitchen with Bubby or helping prepare meals for the migrant workers that Zayde hires to help out on the farm, she plays with the barn kittens born just before she arrived. Those kittens are her only friends, until the day Miriam discovers a young girl hiding in the barn. Cissy and her brother, Joe, who's one of Zayde's farm hands, are on the run from an abusive uncle back in Mississippi. Miriam and Cissy hit it off immediately. But their friendship is tested when Miriam is forced to choose between keeping a promise and doing the right thing.

Anyone can turn their life around. Anyone can significantly transform the way people respond to them. I know they can because I did. I thought it might be fun to share some of my wonderful, wacky, and weird interactions with random people. I talk to strangers because they talk to me, and bus-related stories have inspired my third book. Enjoy!

Geoffrey Gordon, a young widower under dubious circumstances lives in London. A father to two children he takes a marriage of convenience so that he can leave his children and join up to fi ght in the Second World War. He fi ghts through Dunkirk, N. Africa and Italy where his experiences will at times make you laugh uproariously, and at others bring you close to tears. Gradually Geoffrey sinks into madness due to his personal loss and war, made worse by the dark secret that he has carried with him since the death of his fi rst wife.