Presents a collection of ten critical essays on Williams's play "A Streetcar Named Desire" arranged in chronological order of publication.

From the author of the Books Like · A Streetcar Named Desire By Tennessee Williams · The Glass Menagerie · Cat on a Hot Tin Roof · Suddenly Last Summer · The Night of the Iguana · A Streetcar Named Desire and Other Plays · Summer and Smoke · Sweet Bird of Youth · The Rose Tattoo · Orpheus Descending ♥♥ A Streetcar Named Desire By Tennessee Williams♥♥ Glimpse of the Book: The exterior of a two-story corner building on a street in New Orleans which is named Elysian Fields and runs between the L&N traces and the river. The section is poor but, unlike corresponding sections in other American cities, it has a raffish charm. The houses are mostly white frame, weathered grey, with rickety outside stairs and galleries and quaintly ornamented gables. This building contains two flats, upstairs and down. Faded white stairs ascend to the entrances of both. It is first dark, of an evening early in May. The sky that shows around the dim white building is a peculiarly tender blue, almost a turquoise, which invests the scene with a kind of lyricism and gracefully attenuates the atmosphere of decay. You can almost feel the warm breath of the brown river beyond the river warehouses with their faint redolences of bananas and coffee. A corresponding air is evoked by the music of Negro entertainers at a barroom around the corner. In this part of New Orleans you are practically always just around the corner, or a few doors down the street, from a tinny piano being played with the infatuated fluency of brown fingers. This “blue piano” expresses the spirit of the life which goes on here……. ♥♥ A Streetcar Named Desire By Tennessee Williams♥♥ About the Author: Thomas Lanier Williams III, better known by the nickname Tennessee Williams, was a major American playwright of the twentieth century who received many of the top theatrical awards for his work. He moved to New Orleans in 1939 and changed his name to "Tennessee," the state of his father's birth. Raised in St. Louis, Missouri, after years of obscurity, at age 33 he became famous with the success of The Glass Menagerie (1944) in New York City. This play closely reflected his own unhappy family background. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), and The Night of the Iguana (1961). With his later work, he attempted a new style that did not appeal to audiences. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century, alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman. Much of Williams' most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame. ♥♥ A Streetcar Named Desire By Tennessee Williams♥♥ Summary of the Book: Tennessee Williams’s A Streetcar Named Desire takes place in a vibrant, lower-class neighborhood in New Orleans. Blanche DuBois, an aging southern belle from a plantation in Laurel, Alabama, arrives to visit her pregnant sister, Stella. Upon meeting her sister, Blanche claims that she has lost the mansion in which she and her sister grew up, and she has been making ends meet as a schoolteacher. She also claims that she is visiting to calm her nerves. Stella’s husband, Stanley, is suspicious of Blanche, and as a result of Blanche’s genteel behavior, Stanley believes that she thinks of herself as above them. He hates her flirtatious and pretentious manner, and he insists that she share any money from the proceeds of the mansion with Stella and himself, but Blanche shows him that she lost the house to the bank and that she is nearly broke. One evening, Stella and Blanche return from a night out while Stanley and his friends are playing poker. One of Stanley’s friends, Mitch, finds himself sexually and emotionally attracted to Blanche and attempts several times to speak with her. He tells her about how he is taking care of his sick mother, and they share a cigarette. When Blanche turns on a radio and begins dancing with Mitch, Stanley becomes enraged at the interruptions to the poker game and Blanche’s flirtatious attitude, and he throws the radio out the window. Stella, seeing Stanley’s drunken and inappropriate reaction, insists that they end the poker game, but Stanley takes her offstage and beats her. Stella forgives him while Blanche shares a cigarette with Mitch and their interest in one another grows. The next day, Blanche tries to convince Stella to leave Stanley, but Stella claims that Blanche is overreacting. As Blanche begins explaining how vulgar and brutish Stanley is, he walks into the next room and overhears Blanche denigrating him. After she is finished, Stanley pretends not to have heard them talking, but when Stella runs to his arms to hug him, he stares at Blanche challengingly. After this interaction, Blanche begins writing a letter to a former boyfriend, Shep Huntleigh, who has made millions in the oil business. She believes he will help them escape, but Stella refuses and Blanche stops writing the letter. Stanley comes back home and mentions that he spoke to his auto-parts supplier, Shaw, who regularly travels through Laurel. Shaw has told him that Blanche used to stay in the ill-reputed Flamingo Hotel. Banche is shaken by this but denies it. Blanche plans to go on a date with Mitch, and she reveals to Stella that she feels insecure about her age and hopes that Mitch will not judge her because she does not plan to have sex with him. Stella and Stanley go on a date while Blanche is waiting for Mitch to arrive. As she is waiting alone, a young boy comes collecting money for the local paper. Blanche does not have any money, but she flirts with him and kisses him on the mouth before sending him away. Mitch arrives with a bouquet of flowers, and they go on their date. After several more dates, Mitch is concerned that he has not been entertaining to Blanche, but her mind is elsewhere. She has been thinking about her late husband, who killed himself after Blanche discovered him having sex with another man. Mitch tells Blanche that his mother is dying, and they decide that they are meant to be together because they both understand loneliness. After this date ends, it is Blanche’s birthday, and Stella is setting up decorations while Blanche bathes. Stanley comes home from the auto shop and tells Stella that he has learned about Blanche’s past: she had a reputation for being a loose woman in Laurel, and she was fired for having an affair with one of her students. He has informed Mitch and also purchased Blanche a birthday present: a one-way bus ticket back to Laurel. During the birthday party, conversation around the table is awkward, and Mitch does not arrive. When Stella criticizes Stanley’s eating habits, he throws his plates to the floor and leaves. When he comes back, he gives Stella the bus ticket back to laurel, and she becomes sick, running to the bathroom gagging. Stella is angry with Stanley for his insensitive treatment of Blanche. Stella begins to go into labor, and Stanley takes her to the hospital. Later that night, Blanche is drunk, and Mitch arrives to break up with her. She admits to the fact that she was promiscuous in Laurel and was fired from her teaching job for seducing one of her students. Mitch, though disgusted that she has lied to him, attempts to have sex with her. She screams “fire” as a way to draw attention to the flat, and Mitch runs out the door. Stanley comes back from the hospital, saying that Stella will be at the hospital until morning. He is in high spirits because of his son’s birth. Blanche, drunk, tells him that she will be leaving soon because Shep, her former suitor, has agreed to go travelling with her. She also tells him that she has broken up with Mitch. Stanley knows that she is lying about Shep, and he knows that Mitch broke up with her. In light of these lies, he begins insulting Blanche for her holier-than-thou attitude and makes fun of her appearance. He advances toward her, and when Blanche attempts to defend herself with a broken bottle, he grabs her arms and rapes her. In the final scene of the play, Blanche is preparing to leave, having convinced herself that Shep is going to come to take her away. In reality, she is to be sent to a psychiatric institution. Stella admits that Blanche told her about the rape, but Stella refuses to believe her sister, thinking it an imagined story brought on by her sister’s insanity. When the doctor and nurse come to take Blanche away, she initially resists but eventually accepts defeat. Though Stella has doubts about her sister’s fate and begins crying, she holds her newborn child as Stanley comforts her. ♥♥ A Streetcar Named Desire By Tennessee Williams♥♥

One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.

Discusses the writing of A streetcar named Desire by Tennessee Williams. Includes critical essays on the work and a brief biography of the author.

A Streetcar Named Desire (1947) and Cat on a Hot Tin Roof (1955) are major plays by Tennessee Williams, one of America's most significant dramatists. They both received landmark productions and are widely-studied and performed around the world. The plays have also inspired popular screen adaptations and have generated a body of important and lasting scholarship. In this indispensable Reader's Guide, Thomas P. Adler: - Charts the development of the criticism surrounding both works, from the mid-twentieth century through to the present day - Provides a readable assessment of the key debates and issues - Examines a range of theoretical approaches from biographical and New Criticism to feminist and queer theory In so doing, Adler helps us to appreciate why these plays continue to fascinate readers, theatregoers and directors alike.

Inhaltsangabe:Abstract: This paper will compare and contrast the written form of Tennessee Williams' play A Streetcar Named Desire with the 1951 movie version. It will explain and discuss the major differences between the two, focusing on the issue of censorship as it was an important factor in the development of the play from its Broadway form into a film. As this paper will show this was due to the fact that during the 1940s and 50s the world of theater in America was much more permissive than that of film. This paper will also examine Williams' concept of a 'plastic theater', an innovative approach by him which utilized music, sound effects, movement and lighting to express abstract themes. His idea of a 'plastic theater', was closer to the world of film than to the traditional form of the stage and is evident in A Streetcar Named Desire. It influenced the adaptation of the play to the big screen. The play A Streetcar Named Desire opened at the Ethel Barrymore Theater, New York City, on December 3, 1947. Following The Glass Menagerie it was only the second of Williams' plays to be performed on Broadway. Despite his relatively short history on the New York stage Streetcar was a great success, running for 855 performances. It also became the first play to win all three major awards: the Pulitzer Prize, the New York Drama Critics' Circle Award, and the Donaldson Award. Film makers were for two years uninterested in turning the play into a motion picture despite its overwhelming popularity. This was because A Streetcar Named Desire did not fit the standard Hollywood model for movies in the 1940s which was one of clean, wholesome family entertainment. Only William Wyler, one of Hollywood's most commercially successful directors at that time, was interested. He thought that it had the potential for box-office success, given both its popularity and its critical recognition. However, later he abandoned the project because of the censorship requirements. In 1951, the film A Streetcar Named Desire was released, directed by Elia Kazan. It had grown directly out of the New York stage production, which he had also directed. Tennessee Williams wrote the screenplay for the film together with Kazan, remaining close to the original text. Virtually the entire cast was retained for the movie, including leads Marlon Brando (as Stanley Kowalski), Kim Hunter (Stella Kowalski), and Karl Malden (Harold Mitchell or Mitch). However, as Blanche DuBois, Jessica Tandy [...]

Theatre program.

A Study Guide for Tennessee Williams's "A Streetcar Named Desire," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

This is a collection of thirteen original essays from a team of leading scholars in the field. In this wide-ranging volume, the contributors cover a healthy sampling of Williams's works, from the early apprenticeship years in the 1930s through to his last play before his death in 1983, Something Cloudy, Something Clear. In addition to essays on such major plays as The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, among others, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Companion also features a chapter on selected key productions as well as a bibliographic essay surveying the major critical statements on Williams.

Unlock the more straightforward side of A Streetcar Named Desire with this concise and insightful summary and analysis! This engaging summary presents an analysis of A Streetcar Named Desire by Tennessee Williams, which tells the story of two very different sisters, Blanche and Stella, who are forced to live together after Blanche loses both her job and the family home. However, the genteel, highly strung Blanche soon clashes with Stella’s boorish husband Stanley, and their volatile relationship hastens her impending mental and emotional collapse. A Streetcar Named Desire won the Pulitzer Prize for Drama and is one of Tennessee Williams’ most celebrated plays. Williams’s other works include The Glass Menagerie, Cat on a Hot Tin Roof and Suddenly Last Summer, and he is widely considered to be one of the greatest American playwrights of all time. Find out everything you need to know about A Streetcar Named Desire in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!