After a nomadic childhood, Charles Siringo signed on as a teenage cowboy for the noted Texas cattle king, Shanghai Pierce, and began a life that embraced all the hard work, excitement, and adventure readers today associate with the cowboy era. He "rid the Chisholm trail," driving 2,500 heads of cattle from Austin to Kansas; knew Tascosa—now a historic monument—when it was home to raucous saloons, red light districts, and a fair share of violence; and led a posse of cowboys in pursuit of Billy the Kid and his gang. First published in 1885, Siringo's chronicle of his life as a itchy-footed boy, cowhand, range detective, and adventurer was one the first classics about the Old West and helped to romanticize the West and its myth of the American cowboy. Will Rogers declared, "That was the Cowboy's Bible when I was growing up." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Life on the western range in the second half of the nineteenth century is depicted in the reminiscences of a cowhand.

Growing up along the gulf coast of Texas, a young boy learns to ride horses and rope steers, and at an early age, he finds employment with a local rancher. Soon he is driving cattle all over the untamed West and landing in precarious, yet amusing, situations. Based upon the author�s life, A Texas Cow Boy is truly a classic of the Old West. From his days as a young troublemaker to the capture of Billy the Kid, Chas. A. Siringo, with humor and honesty, brings to life the rough and exciting stories of the men and women who tamed the wild country.

From the sixteenth century through the twentieth, Texans have had interesting things to say about themselves, their home, and the rest of the world. People beyond its borders have had interesting things to say about Texas and Texans for almost as long. This book brings together some 700 noteworthy quotations from or about Texas. Collectively they form a portrait of this unique place in the words of the people who have lived and created the Texas experience

Billy the Kid, Wild Bill Hickok, Belle Starr, Wyatt Earp, the Younger Gang, the Dalton-Doolin Gang and Bat Masterson--these real-life lawmen and lawbreakers have been the basis of so many Hollywood Westerns that it has become difficult to discover where the truth ends and the legend begins. All actually became larger-than-life characters during their lifetimes, as contemporary newspapers and books embellished their deeds for their own purposes. But it was in Hollywood that the line between reality and myth was completely blurred. Each chapter-length entry here first focuses on the known facts of the people's lives and how each became truly legendary during their lifetimes. The reality is then compared to how they have been portrayed in the movies.

Settlers in the frontier West were often easy prey for criminals. Policing efforts were scattered at best and often amounted to vigilante retaliation. To create a semblance of order, freelance enforcers of the law known as man-hunters undertook the search for fugitives. These pursuers have often been portrayed as ruthless bounty hunters, no better than the felons they pursued. Robert K. DeArment’s detailed account of their careers redeems their reputations and reveals the truth behind their fascinating legends. As DeArment shows, man-hunters were far more likely to capture felons alive than their popular image suggests. Although “Wanted: Dead or Alive” reward notices were posted during this period, they were reserved for the most murderous desperadoes. Man-hunters also came from a variety of backgrounds in the East and the West: of the eight men whose stories DeArment tells, one began as an officer for an express company, and another was the head of an organization of local lawmen. Others included a railroad detective, a Texas Ranger, a Pinkerton operative, and a shotgun messenger for a stagecoach line. All were tough survivors, living through gunshot wounds, snakebites, disease, buffalo stampedes, and every other hazard of life in the Wild West. They also crossed paths with famous criminals and sheriffs, from John Wesley Hardin and Sam Bass to Wyatt Earp, Butch Cassidy, and the Sundance Kid. Telling the true stories of famous men who risked their lives to bring western outlaws to justice, Man-Hunters of the Old West dispels long-held myths of their cold-blooded vigilantism and brings fresh nuance to the lives and legends that made the West wild.

Authoritative guide to everything in print about lawmen and the lawless—from Billy the Kid to the painted ladies of frontier cow towns. Nearly 2,500 entries, taken from newspapers, court records, and more.

Ever since the region's first inhabitants chiseled petroglyphs and scratched pictographs on canyon walls, westerners have celebrated and recovered their history. Foremost among Colorado institutions to collect, preserve, exhibit, and publish has been the 125-year-old Colorado Historical Society. The Colorado Historical Society is home to a mother lode of the West's literary legends. This commemorative collection of the best of the best in Colorado writing includes noted essayists and writers such as Louis L'Amour, Wallace Stegner, Patricia Nelson Limerick, Thomas J. Noel, and many, many more. Book jacket.

Westward expansion in the United States was deeply intertwined with the technological revolutions of the nineteenth century, from telegraphy to railroads. Among the most important of these, if often forgotten, was the lithograph. Before photography became a dominant medium, lithography—and later, chromolithography—enabled inexpensive reproduction of color illustrations, transforming journalism and marketing and nurturing, for the first time, a global visual culture. One of the great subjects of the lithography boom was an emerging Euro-American colony in the Americas: Texas. The most complete collection of its kind—and quite possibly the most complete visual record of nineteenth-century Texas, period—Texas Lithographs is a gateway to the history of the Lone Star State in its most formative period. Ron Tyler assembles works from 1818 to 1900, many created by outsiders and newcomers promoting investment and settlement in Texas. Whether they depict the early French colony of Champ d’Asile, the Republic of Texas, and the war with Mexico, or urban growth, frontier exploration, and the key figures of a nascent Euro-American empire, the images collected here reflect an Eden of opportunity—a fairy-tale dream that remains foundational to Texans’ sense of self and to the world’s sense of Texas.