Contemporary American horror literature for children and young adults has two bold messages for readers: adults are untrustworthy, unreliable and often dangerous; and the monster always wins (as it must if there is to be a sequel). Examining the young adult horror series and the religious horror series for children (Left Behind: The Kids) for the first time, and tracing the unstoppable monster to Seuss's Cat in the Hat, this book sheds new light on the problematic message produced by the combination of marketing and books for contemporary American young readers.

The new geological epoch we call the Anthropocene is not just a scientific classification. It marks a radical transformation in the background conditions of life on Earth, one taken for granted by much of who we are and what we hope for. Never before has a species possessed both a geological-scale grasp of the history of the Earth and a sober understanding of its own likely fate. Our situation forces us to confront questions both philosophical and of real practical urgency. We need to rethink who “we” are, what agency means today, how to deal with the passions stirred by our circumstances, whether our manner of dwelling on Earth is open to change, and, ultimately, “What is to be done?” Our future, that of our species, and of all the fellow travelers on the planet depend on it. The real-world consequences of climate change bring new significance to some very traditional philosophical questions about reason, agency, responsibility, community, and man’s place in nature. The focus is shifting from imagining and promoting the “good life” to the survival of the species. Deep Time, Dark Times challenges us to reimagine ourselves as a species, taking on a geological consciousness. Drawing promiscuously on the work of Nietzsche, Heidegger, Foucault, Derrida, Deleuze, and other contemporary French thinkers, as well as the science of climate change, David Wood reflects on the historical series of displacements and de-centerings of both the privilege of the Earth, and of the human, from Copernicus through Darwin and Freud to the declaration of the age of the Anthropocene. He argues for the need to develop a new temporal phronesis and to radically rethink who “we” are in respect to solidarity with other humans, and responsibility for the nonhuman stakeholders with which we share the planet. In these brief, lively chapters, Wood poses a range of questions centered on our individual and collective political agency. Might not human exceptionalism be reborn as a sort of hyperbolic responsibility rather than privilege?

A murder in the night Machine men with machine Hearts Monsters and manipulation Who will save the Dales from such Darkness?

A major study of the major and minor fiction, poetry, and children's books of SF and fantasy writer Ursula K. Le Guin. As Le Guin herself writes, "It is written in English, not academese, and will be of interest to a wide spectrum of students, scholars, and interested readers."

For people drawn to a life of contemplation, the dawning of luminous awareness in a mind full of clutter is deeply liberating. In the third of his best-selling books on Christian contemplative life, Martin Laird turns his attention to those who are well settled in their contemplative practice. An Ocean of Light speaks both to those just entering the contemplative path and to those with a maturing practice of contemplation. Gradually, the practice of contemplation lifts the soul, freeing it from the blockages that introduce confusion into our identity and thus confusion about the mystery we call God. In the course of a lifetime of inner silencing, the flower of awareness emerges: a living realization that we have never been separate from God or from the rest of humanity while we each fully become what each of us is created to be. In contemplation we become so silent before God that the "before" drops away. Those whose lives have led them deeply into the silent land realize this, but not in the way that we realize that the square root of 144 is 12. Laird draws from a wide and diverse range of writers--from St. Augustine, Evagrius Ponticus, and St. Teresa of Avila to David Foster Wallace, Flannery O'Connor, Virginia Woolf, and Franz Wright--to ground his insight in an ancient practice and give it a voice in contemporary language. With his characteristic lyricism and gentleness, Laird guides readers through new challenges of contemplative life, such as making ourselves the focus of our own contemplative project; dealing with old pain; transforming the isolation of loneliness and depression into a liberating solidarity with all who suffer; and the danger of using a spiritual practice as a strategy to acquire and control.

Bob Mizon, one of the world’s best known campaigners against the veil of light pollution that has taken away the starry sky from most of the world’s population, takes readers to a hundred places in the UK and the USA where the wonders of the night sky might still be enjoyed in perfect or near-perfect night skies. Visiting small hotels and simple campsites, and savoring vast dark-sky reserves where the night sky is actively protected, The Million-Star Hotel celebrates the black skies of yesteryear – which may become a reality for more and more of us as modern technology reins in lighting and puts it only where needed. How can you prepare for your stay beneath the stars? What astronomy can you do during the daytime? What kind of equipment will you need? Questions such as these are answered, and if town dwellers return inspired – and, Bob hopes, also inspired to look with fresh eyes at their own local lighting – there is enough information here for them to equip themselves for some urban astronomy too.