Reprint of the original, first published in 1874.

Vols. for 1898-1968 include a directory of publishers.

When he wants to get away from things, away from his mum and Uncle Tuck, away from the shouting and the sound of the TV, Merton Browne hides in his cupboard with a torch and a Tintin book and pretends he's going to space. As he gets older things don't change much. He thinks secondary school will be about learning, but mainly it's about staying out of trouble. Disenchanted and desperate to avoid the attentions of Savage and his posse, Merton finds refuge among the forgotten history books in a dusty basement, remnants of another regime. Inspired by what he reads he comes up with a plan to earn protection for him and his friend, and soon finds himself appointed consigliere by Savage's increasingly ambitious gang. Fifteen and fired up by the discovery of sex, drugs and power, Merton is convinced he's on the brink of causing a revolution. But the repercussions of one night present Merton with a choice. He needs to decide who he is, who he wants to be and where his loyalties lie.

The education of Harris continues as he encounters the trials and joys of life as a teacher in small private schools.

Combining literary theory and history with detailed textual analysis, Melehy examines a series of events at the outset of modernity involving both literature and philosophy. Through the work of Michel de Montaigne and Rene Descartes, Melehy considers the question of the foundation of the human subject, in the context of contemporary debates in literature and philosophy. Montaigne, through writing, examines the many possibilities of subjective experience, and finds that the subject takes shape in writing. Descartes comes to the subject in search of a principle to circumvent the uncertainty of language--"I think, therefore I am," the cogito. But Descartes, Melehy shows, must continually depend on literary devices, on the properties of language whose effects he is so eager to escape--also deploying the devices to disguise the fact that they permeate his work.