A stunning new full-length biography of Queen Catherine of Aragon, Henry VIII's wife of over twenty years. The first ever written by a female historian and to concentrate on Catherine as a Tudor woman, rather than a pawn of in the dynastic power plays of men.

The image of Catherine of Aragon has always suffered in comparison to the heir-providing Jane Seymour or the vivacious eroticism of Anne Boleyn. But when Henry VIII married Catherine, she was an auburn-haired beauty in her twenties with a passion she had inherited from her parents, Isabella and Ferdinand, the joint-rulers of Spain who had driven the Moors from their country. This daughter of conquistadors showed the same steel and sense of command when organising the defeat of the Scots at the Battle of Flodden and Henry was to learn, to his cost, that he had not met a tougher opponent on or off the battlefield when he tried to divorce her. Henry VIII introduced four remarkable women into the tumultuous flow of England's history: Catherine of Aragon and her daughter 'Bloody' Queen Mary; and Anne Boleyn and her daughter, the Virgin Queen Elizabeth. 'From this contest, between two mothers and two daughters, was born the religious passion and violence that inflamed England for centuries,' says David Starkey. Reformation, revolution and Tudor history would all have been vastly different without Catherine of Aragon. Giles Tremlett's new biography is the first in more than four decades to be dedicated entirely and uniquely to the tenacious woman whose marriage lasted twice as long as those of Henry's five other wives put together. It draws on fresh material from Spain to trace the dramatic events of her life through Catherine of Aragon's own eyes. 'Enthralling biography . . . this lively and richly detailed book . . . describing the queen's fierce battle to retain her crown, Tremlett brilliantly breathes life into the shadowy figure of a stubborn and finally heroic woman.' Daily Telegraph

Menon introduces rhetoric into the largely medico-juridical realm of studies on Renaissance sexuality. In doing so, she suggests that rhetoric allows us to think through the erotics of language in ways that pay most attention to the frisson of English Renaissance drama.

This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII’s most infamous queen. Since her execution on 19 May 1536, Anne’s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.

The family of Anne Boleyn, the infamous wife of Henry VIII, appeared from nowhere at the end of the fourteenth century and rose to prominence at the beginning of a century that would end with a Boleyn woman, Elizabeth I, on the throne.

First published in 1968, Jack Scarisbrick's Henry VIII is a book which focuses on the personality of this flamboyant and forceful monarch, exploring an impulsive interventionist king whose impact on the government, society and religion of England is felt more than four centuries on.

In 1588, the Spanish Jesuit Pedro de Ribadeneyra published a history of the English Reformation, which he continued to revise until his death in 1611. Spencer J. Weinreich’s translation is the first English edition of the History, one fully alive to its metamorphoses over two decades. Weinreich’s introduction explores the text’s many dimensions—propaganda for the Spanish Armada, anti-Protestant polemic, Jesuit hagiography, consolation amid tribulation—and assesses Ribadeneyra as a historian. The extensive annotations anchor Ribadeneyra’s narrative in the historical record and reconstruct his sources, methods, and revisions. The History, long derided as mere propaganda, emerges as remarkable evidence of the centrality of historiography to the intellectual, theological, and political battles of early modern Europe.

The first account of the dissolution of the monasteries for fifty years--exploring its profound impact on the people of Tudor England "This is a book about people, though, not ideas, and as a detailed account of an extraordinary human drama with a cast of thousands, it is an exceptional piece of historical writing."--Lucy Wooding, Times Literary Supplement Shortly before Easter, 1540 saw the end of almost a millennium of monastic life in England. Until then religious houses had acted as a focus for education, literary, and artistic expression and even the creation of regional and national identity. Their closure, carried out in just four years between 1536 and 1540, caused a dislocation of people and a disruption of life not seen in England since the Norman Conquest. Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England's monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII's subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.