Forty-six historic tales of murder and mayhem on a global scale: This book contains true stories, authenticated through the use of both modern and contemporary sources. They range from the year 1337 BCE through 2006 CE, from the United States and Europe to the Mid-east and the Orient. The murderers range from incompetent to highly competent and from despicable to glorious. The victims were prominent politically and, in some cases, financially. Some deserved to die, most did not. All four assassinations of US Presidents are included, as are three attempted Presidential assassinations. Although the stories make interesting reading by themselves, the grouping of them in a single volume gives breadth and allows the reader to understand the scope of the assassination phenomenon, to see trends and to assess their value.

Republication of the Principles and Acts of the Revolution in America or, an attempt to collect and preserve some of the speeches, orations, & proceedings, with sketches and remarks on men and things, and other fugitive or neglected pieces, belonging to the men of the revolutionary period in the United States.

When America learns that Islamic jihadists have destroyed oil sites in Saudi Arabia, inflation hits the world's financial markets, which causes Congress to adopt a bill that allows one hundred specialists to seek and destroy the terrorists.

Named One of the 10 Best Books of the Year by The New York Times Book Review Named one of the Best Books of the Year by The Washington Post Book World, The Boston Globe, Chicago Tribune, TheSan Francisco Chronicle Book Review, Los Angeles Times Book Review, USA Today, Time, and New York magazine. Winner of the Overseas Press Club’s Cornelius Ryan Award for Best Nonfiction Book on International Affairs Winner of the New York Public Library Helen Bernstein Book Award for Excellence in Journalism The Assassins' Gate: America in Iraq recounts how the United States set about changing the history of the Middle East and became ensnared in a guerrilla war in Iraq. It brings to life the people and ideas that created the Bush administration's war policy and led America to the Assassins' Gate—the main point of entry into the American zone in Baghdad. The Assassins' Gate also describes the place of the war in American life: the ideological battles in Washington that led to chaos in Iraq, the ordeal of a fallen soldier's family, and the political culture of a country too bitterly polarized to realize such a vast and morally complex undertaking. George Packer's best-selling first-person narrative combines the scope of an epic history with the depth and intimacy of a novel, creating a masterful account of America's most controversial foreign venture since Vietnam.

Includes called, adjourned and extraordinary sessions.

From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.

This was the first of a number of seminars dealing with one of the most complex of the new challenges in the 21st century, which call for the participation of a broad range of experts. Eminent economists, decision-makers, defence specialists, political analysts and sociologists presented their views and participated in the debates. In the wake of the dramatic event of 11 September 2001, the Afghanistan war and the resurgence of terrorist acts on all the continents, a host of issues were reconsidered and the role of science and technology was reassessed. The 27th Session was primarily oriented toward the definition of the new types of confrontation, and the identification of various factors and issues that gave rise to them and global trends.The proceedings have been selected for coverage in:• Index to Scientific & Technical Proceedings (ISTP CDROM version / ISI Proceedings)• Index to Social Sciences & Humanities Proceedings® (ISSHP® / ISI Proceedings)• Index to Social Sciences & Humanities Proceedings (ISSHP CDROM version / ISI Proceedings)