In a book of keen perception and vast sweep, a foremost scholar examines one hundred years of Russian revolutionary thought and the men who shaped and were caught up in it. Adam Ulam displays an unusual ability to penetrate the core of the Soviet mind as it evolved and was encapsulated in history. Why did the Russians sign a treaty with Hitler? Why did they build a Berlin Wall, rattle missiles, and then sign a nuclear-test-ban treaty with President Kennedy? Why do they fear Titoism? Why was detente fostered when Nixon was president? By reflecting on the psychology, ideology, and frenetic activity of revolutionary Russians, Ulam leads us to answers. Ulam's ability to explain events by tracing the continuities in the Russian mentality makes this work a special achievement in Soviet studies and intellectual history.

In this tightly organized collection of essays, sixteen distinguished political theorists explore Shklar's intellectual legacy, focusing both on her own ideas and on the broad range of issues that most intrigued her. The volume opens with a series of varied and illuminating assessments of Shklar's conception of liberal politics. The second part, with essays on Descartes and Racine, Hobbes, Rousseau, and Laski, emphasizes the relation between individual freedom and moral psychology in modern political thought. The third part addresses contemporary issues, such as the role of hypocrisy, offensive speech, and constitutional courts in liberal democracies. The book concludes with an autobiographical essay by Shklar that provides a vivid sense of her singular voice and personality.

First Published in 1988. Pessimism is a peculiar idea. It is either seen as a psychological problem or as a metaphysical issue, but in neither sense is it treated as useful or illuminating or in any way relevant to our understanding of the world. It is the thesis of this book that pessimism and optimism are unavoidable kinds of social judgment of the future which we all display and act upon.

A collection of critical writings on politics from the Nobel Prize – winning playwright behind Saint Joan and Man and Superman. The Critical Shaw: On Politics is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s opinions on a wide range of political movements, ideologies, and events that helped shape the international landscape of the late nineteenth and early twentieth centuries. With unwavering conviction, and in many cases openly courting controversy and calumny, Shaw spoke his mind on the big “-isms” of his time: Socialism, Capitalism, Communism, and Fascism. He championed Socialism in its formative years, he condemned all combatants in the First World War, he berated America’s embrace of Capitalism, he praised Russia’s choice of Communism, he lauded Stalin, he rejected the notion that Hitler was responsible for the Second World War, and he scorned Democracy. Persistently provocative, sometimes outrageous, always the political iconoclast, Shaw's political convictions—as soapbox orator or world-famous pundit—challenge us to face the political issues and dilemmas of our own time with similar rigor and integrity. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

This is a book about what it meant to be a socialist in Western Europe for the generation which came to maturity after World War I. It attempts to capture the subjective aspect of the socialist experience through interviews conducted with socialist leaders who held a significant place in the movement from the 1930s on.

A contemporary account of the traumas, dialects and dynamics of Nigeria's distinctive political economy. With an analysis located in Nigeria's pre-colonial, colonial and neo-colonial history, the authors examine the dynamics of the various pre-capitalistic communities of modern day Nigeria emphasising the autonomy, creativity, and alignments of social and political forces in the processes of market consolidation, state and class formation.

A new collection of Shaw's major political writings presents an opportunity to reflect on his influential role as a public intellectual. At the forefront of economic and political debate from the 1880s to the 1950s, George Bernard Shaw was once the most widely read socialist writer in the English language, and his lifelong crusade against inequality and exploitation is far from irrelevant today. The thorough interpenetration of Shaw's literary and political engagements is an unusual story in modern literature, and this volume offers a portrait of Shaw as a political artist in the purest possible sense: that is, as a writer of essays, articles, pamphlets, and books with explicitly and expressly political aims. The selected writings in this volume showcase Shaw's most influential and most accomplished political work, but also provide a cross-section that is representative of the whole of his long career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume highlights the specific experiences and challenges of modernity in twentieth-century Eastern and Central Europe. Contributors ask how spatial and temporal conditions shaped the region’s transformation from a rural to an urban, industrialized society in this period and investigate the state’s role in the mastery of space, particularly in the context of state socialism. The volume also sheds light on the ruralization of cities and mutual perceptions of the rural and urban populations in this region.

This book looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On subjects as varied as the vogue for fairy plays to the representation of economics to the work of a parliamentary committee in regulating theatres, the authors redefine what theatre and performance in the Nineteenth century might be.