Poems written with clarity and craftsmanship, this collection contemplates what is real and observable versus what is not. The verses are like asterisks that refer to somewhere else, and they strike with meditative depth and spiritual strength. Drawn from experiences in Burma, England, Spain, and the United States, these words depict moments in time and step back into silence.

Using delicate prose and intense imagery, this translation explores the relationship and struggle of the human body and its inner being. Completely paralyzed by Lou Gehrig’s disease, Magali is imprisoned in her own body, able to communicate only by blinking her eyes. Feeling mentally free but physically trapped, she reflects on her past and regards her present physical existence as a prison. A relationship formed between Magali and her doctor gives one of them the hope to live and the other the grace to die.

Echos of Frederico García Lorca, Yiannis Ritsons, and Rumi add exoticism to this poet's deceptively simple style. Combining confession with analytical rigor, most of these poems are variations on classic themes, but they are driven by the particulars of politics, love, and family life. As the poems progress, repeated symbols--such as cars, coats, cups, rooms, bees, and roses--begin to hint that the poet has a secret recipe for contentment: home and hearth, travel, warm weather, and a belief in human growth.

Written with the verve of the uninhibited artist but with a clarity of thought and expression more akin to the scientist or scholar, these poems investigate the emotional and philosophical struggles of contemporary life. Often sparked by the horrors depicted in today's news, the poems combine surrealist images with spare and lyrical language to grapple with an increasingly absurd world. The most ambitious piece in the collection is a radical, post-9/11 translation of the Anglo-Saxon elegy The Wanderer, and other poems include "Don Quixote, You Sure Can Take One Helluva Beating," "Film Version of My Hatred," "Never Held a Gun," and "The Romantic Impulse Hits the Schoolyard."

A unique collaboration that explores themes of love and family, this collection features poems that are based on works of art placed alongside the very works that inspired them. It includes paintings by Natalka Husar; drawings, monotypes, and lithographs by Claire Weissman Wilks; and photographs by Goran Petkovsky.

This compelling story explores the motley crew of characters--including mother-turned-stripper Gloria, alcoholic Tim, frequent jailbird Charlie, and the suicidal wife of a rich doctor--who call the rundown Hôtel des Voyageurs home. Mesmerizing in its passion and humility, the narrative evokes the despair and innocence present in modern urban surroundings.

It was the fabulous summer of 1929 when the literary capital of North America moved to La Rive Gauche—the Left Bank of the Seine River—in Paris. Ernest Hemingway was reading proofs of A Farewell to Arms, and a few blocks away F. Scott Fitzgerald was struggling with Tender Is the Night. As his first published book rose to fame in New York, Morley Callaghan arrived in Paris to share the felicities of literary life, not just with his two friends, Hemingway and Fitzgerald, but also with fellow writers James Joyce, Ford Madox Ford, and Robert McAlmon. Amidst these tangled relations, some friendships flourished while others failed. This tragic and unforgettable story comes to vivid life in Callaghan's lucid, compassionate prose.

Ranging widely in subject matter--from a musician's destructive narcissism to the strange effects a persistent Norwegian has on a bachelor's love life--the stories in this collection also vary in style. Both elegantly insightful and highly adventurous, these tales are inventive, deeply comic, sometimes very unsettling, and completely engaging.

Dishonesty and deceit: consorting with djinn corrupts the truest of hearts. The Three Realms are in turmoil. Amid the chaos of war, the indigo djinn is scheming to raise the dark god. Humanity’s one hope is to find the Eye of Mahktos, an broken relic lost in the mists of time. It alone can suppress the djinn before he unleashes Sothmak’s devastating power on the world. But the royals act alone and unless they unite, the Eye of Mahktos will remain strewn across the land, powerless to do good, a weapon for harm. In Terlaan, Prince Vinsant fights to prevent Majoria Levi usurping the crown. In Myklaan, Lady Jordayne dabbles in black magic to keep the mahktashaan from seizing control. In Verdaan, Princess Kordahla struggles to protect her unborn child from a shah with ambitions to all three thrones. Steeped in magic and mystery, Eternal Eye concludes The Three Realm’s heroic battle against the armies of darkness.