The chapters in this contributed volume explore new results and existing problems in algebra, analysis, and related topics. This broad coverage will help generate new ideas to solve various challenges that face researchers in pure mathematics. Specific topics covered include maximal rotational hypersurfaces, k-Horadam sequences, quantum dynamical semigroups, and more. Additionally, several applications of algebraic number theory and analysis are presented. Algebra, Analysis, and Associated Topics will appeal to researchers, graduate students, and engineers interested in learning more about the impact pure mathematics has on various fields.

This book examines the origins of d'Alembert's philosophical ideas, and shows how abstract concepts such as force and mass were clarified and assimilated into the structure of classical mechanics. But more than this, the book is a study of the relations between science and philosophy during the Enlightenment, as reflected in the life and work of Jean d'Alembert, one of that period's most prominent spokesmen. By showing the interactions of one "philosophe" with the scientific, social and philosophical communities of the eighteenth century, Professor Hankins reveals how Enlightenment philosophy borrowed heavily from the methods and goals of science.

Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a 'science' of form, whether as lines in a painting, twinned characters in a novel, or wavelike stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll's children's books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.

In Greek geometry, there is an arithmetic of magnitudes in which, in terms of numbers, only integers are involved. This theory of measure is limited to exact measure. Operations on magnitudes cannot be actually numerically calculated, except if those magnitudes are exactly measured by a certain unit. The theory of proportions does not have access to such operations. It cannot be seen as an "arithmetic" of ratios. Even if Euclidean geometry is done in a highly theoretical context, its axioms are essentially semantic. This is contrary to Mahoney's second characteristic. This cannot be said of the theory of proportions, which is less semantic. Only synthetic proofs are considered rigorous in Greek geometry. Arithmetic reasoning is also synthetic, going from the known to the unknown. Finally, analysis is an approach to geometrical problems that has some algebraic characteristics and involves a method for solving problems that is different from the arithmetical approach. 3. GEOMETRIC PROOFS OF ALGEBRAIC RULES Until the second half of the 19th century, Euclid's Elements was considered a model of a mathematical theory. This may be one reason why geometry was used by algebraists as a tool to demonstrate the accuracy of rules otherwise given as numerical algorithms. It may also be that geometry was one way to represent general reasoning without involving specific magnitudes. To go a bit deeper into this, here are three geometric proofs of algebraic rules, the frrst by Al-Khwarizmi, the other two by Cardano.

Outstanding undergraduate text, suitable for non-mathematics majors, introduces fundamentals of linear algebra and theory of convex sets. Includes 150 worked examples and over 1,200 exercises. Answers to selected exercises. Bibliography. 1969 edition.

This indispensable reference source contains a wealth of information on lattice theory. The book presents a survey of virtually everything published in the fields of partially ordered sets, semilattices, lattices, and Boolean algebras that was reviewed in Referativnyi Zhurnal Matematika from mid-1982 to the end of 1985. A continuation of a previous volume (the English translation of which was published by the AMS in 1989, as volume 141 in Translations - Series 2), this comprehensive work contains more than 2200 references. Many of the papers covered here were originally published in virtually inaccessible places. The compilation of the volume was directed by Milan Kolibiar of Comenius University at Bratislava and Lev A. Skornyakov of Moscow University. Of interest to mathematicians, as well as to philosophers and computer scientists in certain areas, this unique compendium is a must for any mathematical library.

The fullest and most complete survey of the development of science in the eighteenth century.