Dionysius the Areopagite (or Pseudo-Dionysius the Areopagite) remains one of the most enigmatic figures of the early Christianity. He was a Greek author, Christian theologian and Neoplatonic philosopher of the late 5th to early 6th century, who wrote a set of works known as the Corpus Areopagiticum or Corpus Dionysiacum. The author pseudonymously identifies himself in the corpus as "Dionysios", portraying himself as Dionysius the Areopagite, the Athenian convert of Paul the Apostle mentioned in Acts 17:34. This attribution to the earliest decades of Christianity resulted in the work being given great authority in subsequent theological writing in both the East and the West. The Dionysian writings and their mystical teaching were universally accepted throughout the East, amongst both Chalcedonians and non-Chalcedonians, and also had a strong impact in later medieval western mysticism, most notably Meister Eckhart. Its influence decreased in the West with the fifteenth-century demonstration of its later dating, but in recent decades, interest has increased again in the Corpus Areopagiticum.

Drawing from ancient, medieval, modern, and contemporary sources, this textbook offers a comprehensive and systematic historical overview of aesthetic theory.

Dionysius the Areopagite (or Pseudo-Dionysius the Areopagite) remains one of the most enigmatic figures of the early Christianity. He was a Greek author, Christian theologian and Neoplatonic philosopher of the late 5th to early 6th century, who wrote a set of works known as the Corpus Areopagiticum or Corpus Dionysiacum. The author pseudonymously identifies himself in the corpus as "Dionysios", portraying himself as Dionysius the Areopagite, the Athenian convert of Paul the Apostle mentioned in Acts 17:34. This attribution to the earliest decades of Christianity resulted in the work being given great authority in subsequent theological writing in both the East and the West. The Dionysian writings and their mystical teaching were universally accepted throughout the East, amongst both Chalcedonians and non-Chalcedonians, and also had a strong impact in later medieval western mysticism, most notably Meister Eckhart. Its influence decreased in the West with the fifteenth-century demonstration of its later dating, but in recent decades, interest has increased again in the Corpus Areopagiticum.

Oscar Wilde's 'OSCAR WILDE Ultimate Collection: 250+ Titles in One Edition' is a comprehensive collection of the Irish author's works, spanning from plays to essays to novels. Wilde's literary style is characterized by his wit, humor, and cleverly crafted dialogues, which are evident in each of the 250+ titles included in this edition. The book provides a glimpse into the decadent and aesthetic movement of the late 19th century, where Wilde was a prominent figure. Readers will appreciate the timeless themes of love, morality, and social class explored in Wilde's works, as well as his sharp commentary on society. This collection is a treasure trove for literary enthusiasts and fans of Wilde's unique writing style. Oscar Wilde's own life, marked by scandal and tragedy, undoubtedly influenced his writing. His experiences as a playwright, poet, and critic are reflected in the diverse range of works included in this collection. Wilde's sharp wit and penchant for satire shine through in his plays and essays, making him a beloved and controversial figure in the literary world. I highly recommend 'OSCAR WILDE Ultimate Collection: 250+ Titles in One Edition' to anyone interested in delving into the works of a literary genius. Wilde's writing is both entertaining and thought-provoking, capturing the essence of his time while remaining relevant to contemporary readers.

Maieusis pays tribute to the highly influential work of Myles Burnyeat, whose contributions to the study of ancient philosophy have done much to enhance the profile of the subject around the world. What is distinctive about his work is his capacity to deepen our understanding of the relation between ancient and modern thought, and to combine the best of contemporary philosophy - its insights as well as its rigour - with a deep sensitivity to classical texts. Nineteen of the world's leading experts in the field examine a wide range of topics in ancient philosophy, with a particular focus on Plato. Topics include Socrates and the nature of philosophy, the different aspects of eros in the Symposium, Republic and Phaedrus, the Phaedo's arguments for immortality, wars and warriors in Plato, and the different aspects of the cave allegory in the Republic. .

Plato did not create his philosophy ex nihilo, but rather drew on four centuries of literary production in epic and lyric poetry, on ethnography and historiography, tragedy and comedy, medical and mathematical research, oratory and rhetorical theory, as well as on Presocratic philosophy. Words & Ideas offers a study of Plato's philosophical language against this cultural background, retracing to their origins the history and development of the key terms of the Theory of Forms as presented in the Phaedo. 'Form' or 'idea', 'ousia' or 'being', 'participation', 'presence' and 'community' are among the concepts investigated. The aim is to determine both the connotations of Plato's philosophical terms and the precise historical and philosophical contexts on which Plato drew in the formulation of his thoughts. In tracing the roots of Plato's philosophy, Words & Ideas demarcates afresh Plato's position regarding the protagonists of pre-Socratic philosophy: Parmenides and the Eleatics, Anaxagoras and Diogenes of Apollonia, Leucippus and Democritus, Philolaus and the Pythagoreans. This identifcation of his sources allows us, in many cases for the first time, to judge what in the arguments of the dialogues is Plato's own contribution and what is there only as part of a philosophical or pre-philosophical inheritance.

Socrates had an early interest in the scientific theories of Anaxagoras, who taught the world that there are an infinite number of different kinds of elementary particles (atoms), and it is the action of the mind upon these particles that produce the objects that we see. Socrates believed that the senses of the body create difficulty for the Mind to think, and thus, he came to regard the physical world as deceptive. Socrates believed that his work, which he sought to understand through critical questioning and dialogue, was given to him as a divine mission, and hence, was his duty. His total lack of interest in material possessions was evident by his being always barefoot and wearing an old cloak the whole year around. His habit of going barefoot even in winter showed his power of endurance as well. To him, the aspiration for virtue was the highest aim anyone could have.

How Atheists rely on urban myths about religion to buttress their case against God. God, and the whole business of being dependent upon him, is being downgraded, downsized, downplayed, and most of all, just plain dismissed in the modern, cultured, educated parts of Europe and in academia. This process is powered and driven by a whole, growing series of interlocked urban myths about what is supposed to be involved in being a religious (and often specifically Christian) believer. This book examines and critiques those myths, showing how the Christian faith can be intelligent and supported by reason.

This book grew from a series of lectures presented in 1983 in the context of the Summer Program in Phenomenology at The Pennsylvania State University. For these lectures I made use of notes and short essays which I had written between 1978 and 1982 during interdisciplinary seminars on Heidegger's later philosophy in general, and on his philosophy of language and art in particular. The participants in these seminars consisted of faculty members and graduate students concerned with the sciences, the arts, literature, literary criticism, art history, art education, and philosophy. On both occasions I made a special effort to introduce those who did not yet have a specialized knowledge of Heidegger's philosophy, to his later way of thinking. In this effort I was guided by the conviction that we, as a group, had to aim for accuracy, precision, clarity, faithfulness, and depth, while at the same time taking distance, comparing Heidegger's views with ideas of other philosophers and thinkers, and cultivat ing a proper sense of criticism. Over the years it has become clear to me that among professional philoso phers, literary critics, scholars concerned with art history and art education, and scientists from various disciplines, there are many who are particularly interested in "Heidegger's philosophy of art". I have also become convinced that many of these dedicated scholars often have difficulty in understanding Heidegger's lectures on art and art works. This is understandable.

Oxford Studies in Ancient Philosophy is a volume of original articles on all aspects of ancient philosophy. The articles may be of substantial length, and include critical notices of major books. OSAP is now published twice yearly, in both hardback and paperback. "'Have you seen the latest OSAP?' is what scholars of ancient philosophy say to each other when they meet in corridors or on coffee breaks. Whether you work on Plato or Aristotle, on Presocratics or sophists, on Stoics, Epicureans, or Sceptics, on Roman philosophers or Greek Neoplatonists, you are liable to find OSAP articles now dominant in the bibliography of much serious published work in your particular subject: not safe to miss." - Malcolm Schofield, Cambridge University "OSAP was founded to provide a place for long pieces on major issues in ancient philosophy. In the years since, it has fulfilled this role with great success, over and over again publishing groundbreaking papers on what seemed to be familiar topics and others surveying new ground to break. It represents brilliantly the vigour - and the increasingly broad scope - of scholarship in ancient philosophy, and shows us all how the subject should flourish." - M.M. McCabe, King's College London