Like many empires whose borders were carved by the edge of the sword, so too-by the labor of war-was this empire born!In an age when the people of Mediterane forsook our gracious Lord and demons offered their powers to be used by the people of the land, an endless Goblin horde, led by their demon-possessed warlord, invades the realm. This demon, the awful Prince Kraten, is evil personified and unmatched in the arts of war; however, the greater the evil that seeks to devour the land, the greater the heroes who emerge to fight it. Join these courageous heroes in Apollos: The Dark Age as they dare to challenge the might of this Goblin horde, choosing rather to die defending their ramparts than live as subjects to this dark master.However, in such a time as war, there are other battles being fought in the realms of the supernatural...greater battles not seen by the eyes of men. Standing with our heroes are their angelic allies locked in a fantastic struggle against their dark and sinister counterparts as each side wields dynamic powers one could only describe as magic.In the middle of this swirling tempest of chaos stands Apollos, struggling to follow God's will in the midst of wizardry and war with his guardian angel, Mythose, determined to defend him to the bitter end.Apollos: The Dark Ages reveals the truth about magic and casts light on the awesome power of God as He uses one Christian to break evil's hold on an empire.Can one Christian truly make a difference?

PenCraft 2019 Best Book of the Year Award A Celtic warrior princess is torn between her forbidden love for the enemy and duty to her people. AWARD-WINNING APOLLO'S RAVEN sweeps you into an epic Celtic tale of forbidden love, mythological adventure, and political intrigue in Ancient Rome and Britannia. In 24 AD British kings hand-picked by Rome to rule are fighting each other for power. King Amren's former queen, a powerful Druid, has cast a curse that Blood Wolf and the Raven will rise and destroy him. The king's daughter, Catrin, learns to her dismay that she is the Raven and her banished half-brother is Blood Wolf. Trained as a warrior, Catrin must find a way to break the curse, but she is torn between her forbidden love for her father's enemy, Marcellus, and loyalty to her people. She must summon the magic of the Ancient Druids to alter the dark prophecy that threatens the fates of everyone in her kingdom. Will Catrin overcome and eradicate the ancient curse. Will she be able to embrace her forbidden love for Marcellus? Will she cease the war between Blood Wolf and King Amren and save her kingdom?

The Roman elegiac poet Propertius was one such author. This final published collection, issued in 16 BCE, has been traditionally read as an abandonment by Propertius of his earlier flippant love poems for a more mature engagement with Roman public life or else a comical send-up of imperial policies as embodied in Rome's public buildings. The Elegiac Cityscape explores Propertius' Rome and the various ways his poetry about the city illuminates the dynamic relationship between one individual and his environment. The relationship between poet and city is complicated at every turn by the presence in the background of the emperor Augustus, whose sustained artistic patronage of Roman monuments brought about the most pervasive transformation that the city had yet seen. Combining the approaches of archaeology and literary criticism, Tara S. Welch examines how Propertius' poems on Roman places scrutinize the monumentalization of various ideological positions in Rome, as they poke and prod Rome's monuments to see what further meanings they might admit. The result is a poetic book rife with different perspectives on the eternal city, perspectives that often call into question any sleepy or complacent adherence to Rome's traditional values. Book jacket.

Published to coincide with the quincentenary of Buchanan's birth in 2006, this book presents a selection of his work, translated and accompanied by the work of Arthur Johnston, a great admirer and contemporary of Buchanan's, and a fellow Scot.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Focusing on Algernon Charles Swinburne's poems on Apollo, Yisrael Levin calls for a re-examination of the poet's place in Victorian studies in light of his contributions to nineteenth-century intellectual history. Swinburne's Apollonian poetry, Levin argues, shows the poet's active participation in late-Victorian debates about the nature and function of faith in an age of changing religious attitudes. Levin traces the shifts that took place in Swinburne's conception of Apollo over a period of four decades, from Swinburne's attempt to define Apollo as an alternative to the Judeo-Christian deity to Swinburne's formation of a theological system revolving around Apollo and finally to the ways in which Swinburne's view of Apollo led to his agnostic view of spirituality. Even though Swinburne had lost his faith and rejected institutional religion by his early twenties, he retained a distinct interest in spiritual issues and paid careful attention to developments in religious thought. Levin persuasively shows that Swinburne was not simply a poet provocateur who enjoyed controversy but failed to provide valid cultural commentary, but was rather a profound thinker whose insights into nineteenth-century spirituality are expressed throughout his Apollonian poetry.

What does it mean to be a hero? The ancient Greeks who gave us Achilles and Odysseus had a very different understanding of the term than we do today. Based on the legendary Harvard course that Gregory Nagy has taught for well over thirty years, The Ancient Greek Hero in 24 Hours explores the roots of Western civilization and offers a masterclass in classical Greek literature. We meet the epic heroes of Homer’s Iliad and Odyssey, but Nagy also considers the tragedies of Aeschylus, Sophocles, and Euripides, the songs of Sappho and Pindar, and the dialogues of Plato. Herodotus once said that to read Homer was to be a civilized person. To discover Nagy’s Homer is to be twice civilized. “Fascinating, often ingenious... A valuable synthesis of research finessed over thirty years.” —Times Literary Supplement “Nagy exuberantly reminds his readers that heroes—mortal strivers against fate, against monsters, and...against death itself—form the heart of Greek literature... [He brings] in every variation on the Greek hero, from the wily Theseus to the brawny Hercules to the ‘monolithic’ Achilles to the valiantly conflicted Oedipus.” —Steve Donoghue, Open Letters Monthly

Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren

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