"This volume is the result of collaboration between SPMA and the Association des archeologues du Quebec (AAQ); its guest editor is William Moss, Chief Archaeologist for the City of Quebec. The publication has arisen from the celebration of the 400th anniversary of the city's founding by Samuel de Champlain in 1608, an occasion which gave momentum to a number of important archaeological projects in the city and surrounding region, and provided an excellent opportunity to present their results. It contains sixteen papers, all translated from French, the language of Quebec City. They include accounts of exciting discoveries relating to the port, the great chateau on the crag above it, the defences, and the newly discovered remains of the short-lived colony of the 1540s. The papers underline Quebec's status as one of the leading centres of urban research in North America. The volume provides the only modern overview of archaeological work in the city in the English language."

Annotation A history of the discovery and interpretation of medieval burials in Gaul (what would eventually become France).

This fourth volume in the Archaeology of Anatolia series offers reports on the most recent discoveries from across the Anatolian peninsula. Periods covered span the Epipalaeolithic to the Medieval Age, and sites and regions range from the western Anatolian coast to Van, and on to the southeast. The breadth and depth of work reported within these pages testifies to the contributors’ dedication and love of their work even during a global pandemic period. The volume includes reviews of recent work at on-going excavations and data retrieved from the last several years of survey projects. In addition, a “State of the Field” section offers up-to-the-moment data on specialized fields in Anatolian archaeology.

The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.