Justice Performed: Courtroom TV Shows and the Theaters of Popular Law is the first study of the reality TV genre to trace its theatrical legacy, connecting the phenomenon of the daytime TV shows to a long history of theatrical trials staged to educate audiences in pedagogies of citizenship. It examines how judge TV fulfills part of law's performative function: that of providing a participatory spectacle the public can recognize as justice. Since it debuted in 1981 with The People's Court, which made famous its star jurist, Judge Joseph A. Wapner, dozens of judges have made the move to television. Unlike the demographics in actual courts, most TV judges are non-white men and women hailing from diverse cultural and racial backgrounds. These judges charge their decisions with personal preferences and cultural innuendos, painting a very different picture of what justice looks like. Drawing on interviews with TV judges, producers and production staff, as well as the author's experience as a studio audience member, the book scrutinizes the performativity of the genre, the needs it meets and the inherent ideological biases about race, gender and civic instruction.

Mkhuzelwa – The Creed Of Epistles, is the most eccentric, explicit and literally ground quacking, nerve pampering and mind lolling book ever written in English. The grammar contained mixes modern levels of understanding with verbs of old, jelling into a nectar juice for both literati and casual reader! The Series is portyioned in tow separate books, whilst the contents of this one book feature poems covering romance, sexual ecstasy, politics, creation, religion and social spans, the other features a stream of eye-charming and lip-licking stories in tragedy, drama and comedy, addendum to contents are songs in various genres and jokes. All contents are of the highest adrenalin pump and erotic/ noble drive, leaving your mind and its imagination elements aroused! Mkhuzelwa – the trade title is a three books apartment. Also see Mkhuzelwa – Word Of Genuia (Motivation) and Mkhuzelwa – Meet Your Living God (Gospel), The Identity Document Of God, The Black Pimpernel - Nelson Mandela And David Motsamayi, I Am A Black Man, Lovely Lyla, Wife Of Me I mean Of You, The Despair Of God, The Epic and, Faith Of The Faithfull books.

Victorian Ethical Optics asks how artists and authors in the Victorian period answer the ethical question of how one should live with others by turning to a more specific one: how should one look at others? Looking would seem to necessarily lead to interpretation and judgment, but this book shows how Victorian artists and authors imagined other ethical and optical relations. In an era in which aberrant, deformed, and disabled bodies proliferated—particularly those bodies ravaged by industrial labor and poverty—the ideological and economic stakes of looking at such bodies peaked; moreover, as work became a gospel and the question of deservingness became central, looking at aberrant bodies was always a matter of ethics and politics. The aesthetic thinking of John Ruskin animates the visual ethics at the center of this book, as he advocates for "innocence of the eye," which calls for a return to infantile sight of a kind that precedes judgment or classification. Although Ruskin understands such innocence to be an asymptote, optical innocence remains an ethical demand, and it is to this demand that this book attends. Among the authors and artists included are Charles Dickens, George Eliot, Wilkie Collins, Henry Mayhew, Ford Madox Brown, John Everett Millais, and other members of the Pre-Raphaelite Brotherhood. Encounters between normative and aberrant characters or figures within a text or visual object shape the encounter that the external reader or viewer has with those same aberrant bodies. The category of the aberrant draws on ideas from queer and disability studies but makes a case for a broader understanding of strange bodies; in this book, aberrant bodies are those whose visible forms lead to a breakdown in cognition, a breakdown that makes space for the innocent eye to move. In thinking about such bodies, this book introduces the term extranormative to explain the complex and often complicit relationship these figures exemplify in relation to a (surprisingly expansive) Victorian norm. Thinking in terms of extranormativity as an essential feature of Victorian life disrupts tired notions of the period as one in which a narrow definition of bourgeois normativity took hold.

In this groundbreaking and deeply personal book, Ron Cooper—a leading voice in the artisanal mezcal movement, and the person largely responsible for popularizing the spirit in the United States—shares everything he knows about this storied, culturally rich, and now hugely in-demand spirit, along with 40 recipes. In 1990, artist Ron Cooper was collaborating with craftspeople in Oaxaca, Mexico, when he found mezcal—or, as he likes to say, mezcal found him. This traditional spirit was virtually unknown in the United States at the time, and Cooper founded Del Maguey Single Village Mezcal in order to import it. Finding Mezcal recounts Cooper's love affair with the spirit and the people who make it; its meteoric rise in popularity; and the delicate balance between sharing mezcal with the world and facilitating its preservation. Each chapter introduces a new mezcal, its producer, and its place of origin, while also covering mezcal production methods and the botany of the maguey (aka agave) plant, from which mezcal is distilled. Featuring 40 recipes developed for Del Maguey by chefs and bartenders from around the world, the book is copiously illustrated with photographs, as well as Cooper's artwork and that of his friend Ken Price, who illustrated Del Maguey's now-iconic labels.

NEW YORK TIMES BESTSELLER • An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family “Insightful . . . an impressively industrious and comprehensive account of Lynch’s career.”—The New York Times Book Review In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened. Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists. With insights into . . . Eraserhead The Elephant Man Dune Blue Velvet Wild at Heart Twin Peaks Twin Peaks: Fire Walk with Me Lost Highway The Straight Story Mulholland Drive INLAND EMPIRE Twin Peaks: The Return Praise for Room to Dream “A memorable portrait of one of cinema’s great auteurs . . . provides a remarkable insight into [David] Lynch’s intense commitment to the ‘art life.’ ”—The Guardian “This is the best book by and about a movie director since Elia Kazan’s A Life (1988) and Michael Powell’s A Life in Movies (1986). But Room to Dream is more enchanting or appealing than those classics. . . . What makes this book endearing is its chatty, calm account of how genius in America can be a matter-of-fact defiance of reality that won’t alarm your dog or save mankind. It’s the only way to dream in so disturbed a country.”—San Francisco Chronicle