Rarely has a subject been served by a book of this stature. Five years in the making, it covers all aspects of Art Nouveau in France in 624 authoritative pages and 740 illustrations. Arwas traces the evolution of the movement as it developed, primarily in Nancy and Paris, with the help of carefully chosen illustrations, many never published before. Ranging from the 1900 Paris exhibition to paintings, graphics and posters and such collecting fields as furniture, jewellery, ceramics, book bindings and sculpture, the informative, witty text ranges over architecture, haute couture, and the role of women in Art Nouveau with a particular look at such theatrical icons as Sarah Bernhardt, Loïe Fuller and the Grandes Horizontales. Destined to become the standard book on the subject, both content and design will appeal widely to the connoisseur, the specialist and the collector, as well as to the novice who will be introduced to the magical wonders of the style.

First published in 1998. Design reform in the fields of architecture and the decorative or applied arts became objectified through writings published during the period of 1885 to 1910. This investigation includes, but is not limited to, Art Nouveau in France and Belgium, and the arts and crafts movement in England and the United States. Even though the similar processes of creativity and shared goals of Art Nouveau and the arts and crafts movement have long been recognized, attempts to explore their origins and their points of interrelation with the broader scope of art history have been largely unsuccessful—until now.

This critical survey of the Art Nouveau movement reveals the diversity of this style across the breadth of the European continent. With the inclusion of Eastern Europe and the full range of artistic media, the book shows how this movement changed the face of European art and design from Paris to Prague. Clearly structured by country, it traces the emergence of Art Nouveau, highlighting the particular interpretations of the style in each country. Countries covered include: Belgium; Spain; Britain; Austria; Hungary; and Russia. Each chapter contains sections on political and cultural contexts, specific visual characteristics and key artists and designers. It analyzes the contribution of both well-known artists and designers such as Gaudi; Van de Velde; Mackintosh; and Mucha, and brings to light many others whose contributions have been largely inaccessible. With a bibliography and glossary, this text should provide a useful introduction to this subject.

Art Nouveau gives a name to the decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a “renaissance” in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. In order to achieve this, artists such as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms. After its triumph at the Paris Universal Exposition in 1900, the trend continued and has inspired many artists ever since. Art Deco, the successor of Art Nouveau, appeared after World War II.

DIVAbsorbing, exceptionally detailed study examines early trends, posters, and book illustrations, stylistic influences in architecture; furniture, jewelry, and other applied arts; plus perceptive discussions of artists associated with the movement. /div

Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.

This handbook provides comprehensive treatment of the current state of glass science from the leading experts in the field. Opening with an enlightening contribution on the history of glass, the volume is then divided into eight parts. The first part covers fundamental properties, from the current understanding of the thermodynamics of the amorphous state, kinetics, and linear and nonlinear optical properties through colors, photosensitivity, and chemical durability. The second part provides dedicated chapters on each individual glass type, covering traditional systems like silicates and other oxide systems, as well as novel hybrid amorphous materials and spin glasses. The third part features detailed descriptions of modern characterization techniques for understanding this complex state of matter. The fourth part covers modeling, from first-principles calculations through molecular dynamics simulations, and statistical modeling. The fifth part presents a range of laboratory and industrial glass processing methods. The remaining parts cover a wide and representative range of applications areas from optics and photonics through environment, energy, architecture, and sensing. Written by the leading international experts in the field, the Springer Handbook of Glass represents an invaluable resource for graduate students through academic and industry researchers working in photonics, optoelectronics, materials science, energy, architecture, and more.

Daring designers such as Louis Comfort Tiffany and Reneacute Lalique are remembered for their intricate pattern creations with glass that pushed the evolution of design. These entrancingly beautiful masterpieces of yesterday are commanding high prices in today's antiques and collectibles marketplace. Author John Shuman Ill gives art glass collectors the helpful advice they need - from bidding techniques at auctions and detecting fakes and frauds, to protecting valuable. With the aid of this identification and price guide they'll obtain a collection they can be proud to display. Valuable information and current market prices are included for Baccarat, Custard Glass, Durand Art Glass, Fairy Lamps, Kimball Glass, Lalique, Loetz, Tiffany, and much more. Readers will confidently identify collectible pieces with more than 300 color images, illustrations, and vintage advertisements. They'll peruse original advertisements from sale catalogues and marvel at the progression of some of the most highly sought after art glass pieces from popular manufactures.

The definitive, all-color guide for any Art Deco enthusiast. Showcasing over 1,000 individually priced items and with up-to-date tips and advice from bestselling expert Judith Miller, this glorious guide will show you all you need to know about Art Deco. Art Deco contains affordable collectables and classic pieces, and showcases popular Art Deco collecting fields. From Clarice Cliff to Chanel, an array of styles are covered here, with historical information, collectors' tips and price guides. A must-have for all Art Deco collectors.

"The Glasmuseum Hentrich in Dusseldorf's museum kunst palast, one of the world's most wide-ranging glass collections, is the basis for this generously illustrated exploration of glass art from prehistory to the present, written by the collection's longtime director, Helmut Ricke." "Glass was the first man-made material, and nearly every civilization made use of its flexibility, resilience, and variety. Brimming with colorful images from the collection as well as maps and drawings, this book covers all periods of glassmaking from pre-Roman, Roman, Islamic, Mediaeval, Renaissance and Baroque times, the nineteenth century and up to the 1990s. It includes stunning examples of enameled and cut glass, as well as elaborate works from Persia, India and China, all of which influenced the Art Nouveau period, widely considered the hey-day of decorative glass. A detailed appendix provides background information on the mechanics of glass, including smelting, refining, and manufacturing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved