Scientific Essay from the year 2010 in the subject Philosophy - Philosophy of the 20th century, , language: English, abstract: the present study engages with the questions of subject and the activity of truth-telling in the context of the problem of language that frequently appears in Foucault since his appearance in French academics. It asks the questions: what is the mode of existence of language and being in Foucault and how are they related? What is a sign? Can one actually understand a sign in itself? If neither the cogito (I think) can lead to an affirmation of being, nor the affirmation “I speak” has it the autonomy to stand on its own, how one can relate oneself to truth?

People who have lived through authoritarian rule have stories to tell, truths that have been silenced. But how do individuals begin to speak about a political past that was too horrible for words? How is truth best voiced in a society moving out of authoritarianism? This generously illustrated volume examines the creation of stories, accounts, images, songs, street theater, paintings, and ideas that pay witness to authoritarian pasts in Nigeria, South Africa, Argentina, Chile, Guatemala, Cambodia, Indonesia, the Philippines, Thailand, Bosnia, Serbia, and Croatia. This theme is explored with contributions by scholars, activists, and artists. By examining the past, they hope to teach us to avoid repeating these atrocities.

The Art Firm explores the seemingly unorthodox alliance of the arts, management, and marketing. Art firms—as avant-garde enterprises and arts corporations—have existed for at least two hundred years, using texts, images, and other types of art to create corporate wealth. This book investigates how to apply the methods artists use in creating value to the methods more traditional managers use in running their businesses. Guillet de Monthoux offers a crash course in aesthetics from Kant to Gadamer, showing how aesthetic management and metaphysical marketing can create value. Using case studies of successful art managers from Richard Wagner to Robert Wilson, the author illustrates the creative role—so central to value-making in contemporary economies—performed by aesthetic play in art firms. Along the way, Guillet de Monthoux points out how responsible aesthetic management and marketing can eradicate the problems of banality and totality, the two capital sins of an art-based economy.

Collected talks, lectures, and conversations spanning 1975-1995.

R. G. Collingwood’s disquisition is a pioneering academic work on the philosophy of art. The Principles of Art was first published in 1923. This prolific philosophical essay argues various theories regarding the doctrine of art, the meaning and uses of the word itself, and the psychological theories behind artistic practices. R. G. Collingwood addresses Plato’s Republic, which is often thought of as a renunciation of art, and he suggests that the work is nothing of the sort. Read & Co. Books is proudly republishing this volume for artists, art critics, and philosophical thinkers, complete with a specially-commissioned biography of the author.

SKYHOOK deals with the spirituality of man, as well as with hidden mind content that influences him daily, often adversely. When Art Painter, the inventor of Nuon - a gas lighter than hydrogen - discovers that he has schizophrenic tendencies, he follows the malady's cause back to prehistoric times when the Earth was colonized by inhabitants of a strange planet. Art's journey takes him from the dim reaches of a dangerous past into an unsavory present, where he has to work out his own salvation, and that of those dear to him. Part One of SKYHOOK - Creator's Fate - is set in ancient Earth times. For Part Two - Embodiment's Consequences - and Part Three - Duality's Dilemma - today's South Africa is the setting.