By applying a comparative approach the volume focuses on a select group of „empires“ which are generally not in the focus of empires studies. They are studied in detail and analyzed due to a strict concept that takes into account real history and reception history as well. Reception history becomes more and more an important element in empire studies although this topic is still often more or less underdeveloped. The volume singles out a series of such “forgotten empires”. It aims to provide a methodologically clearly structured as well as a uniform and consistent approach. It develops a general set of questions that help to compare and distinguish these entities. This way the volume intends to examine and to illuminate empires that are generally ignored by modern scholarship.

From the accliamed authority on Russia and the Russian Revolution—the final volume in his magisterial history of the Russian Revolution, covering the period from the outbreak of the Civil War in 1918 to Lenin's death in 1924 "Offers a penetrating analysis of the making of the Soviet system.... [It is] a passionate book whose outstanding scholarship is rooted in universal values like truth, honor, responsibility and the sacredness of human life." —Philadelphia Inquirer "Timely.... The work is enriched in intriguing ways by the author's access to the once-secret archives of the Soviet Union." —Los Angeles Times

These two volumes cover the entire period of Macedonia’s written history. Volume 1 moves from the Temenid kingdom in the Fifth Century BC, through Hellenistic, Roman, Byzantine, Bulgarian and Serbian rule, to the overthrow of Christian rule by the Ottoman Turks. Many of the highlights in ancient Macedonian history were created by King Philip II and his son Alexander, and by the struggles of the Antigonid regime to withstand the ambitions of the Romans. High points in the Byzantine rule were achieved under Emperor Justinian in the 6th Century, and again under Basil II in the 11th. Geography made Macedonia a transit territory for the Crusades, but their passage was marked nevertheless by wanton brutality. By the beginning of the 13th Century, Byzantine power had passed its apogee, and it suffered the sack of Constantinople by the Fourth Crusade. The ensuing establishment of the Latin Empire exposed Macedonia to repeated rounds of devastation by Latin, Bulgarian and Greek warlords. Despite the recovery of Constantinople by Michael Palaeologus, the much-weakened Byzantine Empire could no longer withstand its foes. Despite the transient displacement of Greek power by Serbian rule, Macedonia was destined to succumb to the Ottomans. The emphasis in Volume 1 is weighted geographically towards Aegean Macedonia – northwestern Greece – where the ancient kingdom was rooted. Vardar Macedonia – the lands that now comprise the Macedonian Republic – only emerged as a civilised historical entity during the Middle Ages. This voyage through history not only documents the Macedonian past, but also discovers its cultural heritage. This includes the mosaics and sculptures of the Alexandrine era, and its Christian churches, for Christianity left its indelible mark on Macedonian civilisation. The book follows the emergence of early Christianity from the time of St. Paul, but gives emphasis to the artistic culture of late antiquity. A further chapter is devoted to Orthodox mysticism and its fourteenth century role in the creation of the secret churches in the lakes of Ohrid and Prespa. Another charts the strange history of Athos, Macedonia’s Holy Mountain peninsula, in its formative period.

This new collection views Russian music through the Greek triad ofÊÒthe Good, the True, and the BeautifulÓ to investigateÊhow the idea of "nation" embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, postÐCold War, and now postÐ9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much ofÊthe volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; andÊto the tension between the compelling artistic quality of works such as StravinskyÕs Sacre du Printemps or ProkofieffÕs Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating TaruskinÕs authority and ability toÊbring living history out of the shadows.

This comprehensive overview of the history of Bulgaria covers events in this important Balkan nation from its 9th-century origins in the first Bulgarian Empire through the present day. Now an Eastern European leader in the fields of science and technology, a nation with impressive renewable energy production capabilities and an extensive communication infrastructure, as well as a top exporter of minerals and metals, Bulgaria has grown both economically and politically over the past two decades. The History of Bulgaria examines the country's development, describing its cultural, political, and social history and development over 13 centuries. The modern era is particularly emphasized, including Bulgaria's role in World War II, the long tenure of Communist leader Todor Zhivkov, the role of Aleksandur Stamboliiski and the Bulgarian Agrarian National Union, and the myriad changes in Bulgaria's post-Communist period. The author also highlights significant individuals in Bulgarian history, such as Dimitur Peshev, the Deputy Speaker whose actions saved 50,000 Jews from the Holocaust.

This book provides an interpretive narrative of the wars fought by Bulgaria against the Byzantine Empire for dominant control of the Balkan Peninsula during the early medieval era. Over a span of two centuries, from the early ninth through the early eleventh, and under the leadership of the Bulgarian rulers Krum, Simeon I, and Samuil, those conflicts evolved from simple confrontations for territorial possession into a life-or-death struggle for imperial precedence within the Orthodox world then emerging in Eastern Europe—a struggle that the Bulgarians ultimately lost. The primary focus is on Bulgaria, rather than Byzantium, and an effort is made to provide a historically reliable chronology of the assorted campaigns. The various belligerents’ military organizations, defensive technologies, armaments, and tactics are surveyed in an introduction to the main narrative. A prelude chapter sets the stage for the hegemonic conflict, which was divided into three distinct phases by interludes of relative peace between the contending parties, during which Bulgaria’s domestic, foreign, and cultural developments shaped the nature and conduct of the fighting in each successive phase.

In this second volume of his major work on Ivan Bunin, the neglected master of Russian letters, Thomas Marullo recreates the writer's life in exile, chiefly in Paris, after escaping from his newly bolshevized country in 1920. Drawing from Bunin's correspondence, his diaries, and his stories, and translating most of these materials into English for the first time, Mr. Marullo gives us a vivid picture of a man suddenly and agonizingly without a country. Bunin's life and art, which depended so heavily on traditional Russian values, seemed to be overthrown in a moment, and the writer found himself marooned amidst western culture, clinging to his old ideals. Though he was still able to write and publish - indeed, his work and its attendant criticism continued to be available in the Soviet Union - Bunin was despondent and frequently bitter about the course of his native country and about his own position in the literary galaxy. He struggled to have his work read and his ideas accepted. Through Bunin's writings we are also provided a window on the lively but despairing and often fractious community of Russian emigres in Paris in the 1920s, which included Stravinsky, Rachmaninoff, Chaliapin, Prokofiev, Chagall, Kandinsky, Pavlova, Diaghilev, and Zamyatin. The volume ends in 1933, when Bunin became the first Russian to receive the Nobel Prize in literature.

In the second half of the tenth century, Byzantium embarked on a series of spectacular conquests: first in the southeast against the Arabs, then in Bulgaria, and finally in the Georgian and Armenian lands. By the early eleventh century, the empire was the most powerful state in the Mediterranean. It was also expanding economically, demographically, and, in time, intellectually as well. Yet this imperial project came to a crashing collapse fifty years later, when political disunity, fiscal mismanagement, and defeat at the hands of the Seljuks in the east and the Normans in the west brought an end to Byzantine hegemony. By 1081, not only was its dominance of southern Italy, the Balkans, Caucasus, and northern Mesopotamia over but Byzantium's very existence was threatened. How did this dramatic transformation happen? Based on a close examination of the relevant sources, this history-the first of its kind in over a century-offers a new reconstruction of the key events and crucial reigns as well as a different model for understanding imperial politics and wars, both civil and foreign. In addition to providing a badly needed narrative of this critical period of Byzantine history, Streams of Gold, Rivers of Blood offers new interpretations of key topics relevant to the medieval era. The narrative unfolds in three parts: the first covers the years 955-1025, a period of imperial conquest and consolidation of authority under the great emperor Basil "the Bulgar-Slayer." The second (1025-1059) examines the dispersal of centralized authority in Constantinople as well as the emergence of new foreign enemies (Pechenegs, Seljuks, and Normans). The last section chronicles the spectacular collapse of the empire during the second half of the eleventh century, concluding with a look at the First Crusade and its consequences for Byzantine relations with the powers of Western Europe. This briskly paced and thoroughly investigated narrative vividly brings to life one of the most exciting and transformative eras of medieval history.

Musical theatre is an international form, not just an American one. It can take root anywhere. Few people would realise that such hit standards as "The Glow Worm", "Brazil", "Mack the Knife", "I Will Wait for You" and "El Condor Pasa" came from foreign language musicals. ""His research is monumental... This is an important book on a previously undocumented area of musical theatre."" -- Peter Pinne, Stage Whispers ""There's never been a better book for the armchair-traveler-theatergoer."" -- Peter Filichia