This work offers buyers, sellers, and collectors an easy-to-use, one-volume source of information for these bird and quadruped prints of John James Audubon. It contains obscure references, where the author, Bill Steiner, has surveyed the contemporary market-place. Addressing one of the more complex aspects of print collection, the text clarifies the task of distinguishing the octavio prints of the successive editions of Audubon's Birds of America (1840-1871) and Quadrupeds of North America (1849-1870). It describes the publication histories of each edition since the first, offers information about printers, engravers, and subscribers, and provides practical information on price histories, accessibility, and preservation.

It saves its owners a projected $100,000 dollars annually in operating expenses, and supports an extraordinarily practical, healthy, and handsome office environment.

Do you know what your John James Audubon bird and mammal prints are worth? Do you even know if they are authentic or cheap reproductions? Noted Audubon expert, Ron Flynn, has researched and compiled this important reference resource for the Audubon collector. Information about each Audubon edition is given in individual chapters, along with detailed Price Guide tables with market values for every print in the following original antique Audubon editions: Havell, Bien, Imperial Folio, Octavo Birds and Octavo Quads, plus the modern Amsterdam, Abbeville, Leipzig and Loates Editions. Realized eBay auction prices are included in the Price Guides for those editions commonly sold on that Internet site. Other chapters deal with: identifying and authenticating prints, buying and selling Audubon prints, and buying and selling on eBay. Mr. Flynn provides a list of his recommended Audubon dealers. Finally, there are chapters covering: matting and framing, print storage and care, and print conservation and restoration.

John James Audubon's The Birds of America stands as an unparalleled achievement in American art, a huge book that puts nature dramatically on the page. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. In this fresh approach to Audubon's art and science, Gregory Nobles shows us that Audubon's greatest creation was himself. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description. He sought status with the "gentlemen of science" on both sides of the Atlantic, but he also embraced the ornithology of ordinary people. In pursuit of popular acclaim in art and science, Audubon crafted an expressive, audacious, and decidedly masculine identity as the "American Woodsman," a larger-than-life symbol of the new nation, a role he perfected in his quest for transatlantic fame. Audubon didn't just live his life; he performed it. In exploring that performance, Nobles pays special attention to Audubon's stories, some of which—the murky circumstances of his birth, a Kentucky hunting trip with Daniel Boone, an armed encounter with a runaway slave—Audubon embellished with evasions and outright lies. Nobles argues that we cannot take all of Audubon's stories literally, but we must take them seriously. By doing so, we come to terms with the central irony of Audubon's true nature: the man who took so much time and trouble to depict birds so accurately left us a bold but deceptive picture of himself.

An artist’s uniquely personal journey across Audubon’s America In the nineteenth century, ornithologist and painter John James Audubon set out to create a complete pictorial record of North American birdlife, traveling from Louisiana and the Florida Keys to the Gulf of Saint Lawrence and the cliffs of the Yellowstone River. The resulting work, The Birds of America, stands as a monumental achievement in American art. Over a period of sixteen years, recording his own journey in journals and hundreds of original paintings, renowned French watercolorist Denis Clavreul followed in the legendary naturalist’s footsteps. In the Footsteps of Audubon brings together some 250 of Clavreul’s stunning watercolors along with illuminating selections from Audubon’s journals and several of his paintings. With pencil and brush in hand, Clavreul turns his naturalist’s eye and painterly skill to the landscapes that Audubon encountered on his travels, and to the animals and plants that Audubon depicted in his art. A passionate ornithologist, Clavreul sketches birds in the wild with rare dexterity, bringing them vividly to life on the page. He documents his encounters along the way with people who live with nature, many of whom are passionately engaged in preserving it, drawing on his insights as both a biologist and an artist to connect the past, present, and future. A spellbinding, richly evocative journey, In the Footsteps of Audubon is an invitation to see the natural world as Audubon saw it—and to see with new eyes what it has become today.

Featuring the snowy egret, wild turkey, brown pelican, screech owl, and many others, this new collection gathers 130 select plates from Audubon's octavo edition. Includes an informative introduction to the artist and his work.

A magnificent new printing of this classic edition of John James Audubon’s masterwork In this latest printing of the Baby Elephant Folio edition of Audubon’s Birds of America, the thumbnail images accompanying the descriptive captions are printed in full color for the convenience of the reader. This printing also features an attractive new binding cloth, in a sumptuous teal color. The Baby Elephant Folio presents all 435 of Audubon’s brilliant hand-colored engravings in exquisite reproductions derived from the original plates of the National Audubon Society’s archival copy of the rare Double Elephant Folio. Although many attempts have been made to re-create the splendid illustrations in Audubon’s masterpiece, nothing has ever equaled the level of fidelity achieved in this luxurious edition. Organized and annotated by Roger Tory Peterson and Virginia Marie Peterson, and issued with the full endorsement and cooperation of the Audubon Society, this volume is as informative as it is beautiful. Its fascinating introduction places Audubon in the context of the history of American ornithological art and also reproduces a wide sampling of the work of his notable predecessors and disciples, including Roger Tory Peterson’s own rightfully famous paintings. A new systematic arrangement of the prints, following the modern classification of species, and descriptive captions about each bird allow us to appreciate Audubon's achievement in the light of modern ornithology.

National Audubon Society sanctuaries across the United States preserve the unique combinations of plants, climates, soils, and water that endangered birds and other animals require to survive. Their success stories include the recovery of the common and snowy egrets, wood storks, Everglade kites, puffins, and sandhill cranes, to name only a few. In this book, Frosty Anderson describes the development of fifteen NAS sanctuaries from Maine to California and from the Texas coast to North Dakota. Drawn from the newsletter "Places to Hide and Seek," which he edited during his tenure as Director/Vice President of the Wildlife Sanctuary Department of the NAS, these profiles offer a personal, often humorous look at the daily and longer-term activities involved in protecting bird habitats. Collectively, they record an era in conservation history in which ordinary people, without benefit of Ph.Ds, became stewards of the habitats in which they had lived all their lives. It's a story worth preserving, and it's entertainingly told here by the man who knows it best.