Jane Austen’s novels are read all over the globe, and adaptations of her works have graced both film and TV screens. Although sometimes criticised for being detached from the real world, providing nothing more than light-hearted plot-driven story lines, the reality is very different. Jane was aware of the evils of society, of the problems faced by women whether single or married. Underneath the entertaining story lines are much darker aspects of Regency and Georgian life. Staying single resulted in serious problems for young women; there were very few alternatives open to them, while marriage itself resulted in other risks. The threats of poverty or becoming a victim of crime were also an issue. Indeed, Jane’s aunt spent months in prison and faced the threat of transportation for theft. Other problems society faced included those posed by opium addiction, poor medical standards, and a lack of property leaving young men and women struggling to survive. Many sought solutions in India, leading to the creation of ‘fishing fleets’ with girls sent to marry total unknowns. Meanwhile, the issues of slavery brought more problems, and social disorder was rife. Jane Austen created classic stories that have endured the test of time, reflecting society in all its aspects, faults, values both good and bad. This is Jane Austen as you have never seen her before.

In 'The Complete Works of E. Phillips Oppenheim: 109 Novels & 200+ Short Stories (Illustrated Edition)', readers are immersed in the thrilling world of espionage, mystery, and adventure through Oppenheim's diverse collection of novels and short stories. Oppenheim's literary style seamlessly blends suspenseful plotlines with vivid character development, making each story a captivating and engaging read. Set against the backdrop of early 20th-century Europe, Oppenheim's works provide a glimpse into the social and political climate of the time. E. Phillips Oppenheim, a prolific British author, was known for his contributions to the spy and detective fiction genres. His own experiences working for British intelligence during World War I undoubtedly influenced his writing, adding an air of authenticity to his espionage tales. Oppenheim's attention to detail and intricate plotting showcase his expertise in crafting gripping narratives that keep readers on the edge of their seats. I highly recommend 'The Complete Works of E. Phillips Oppenheim' to readers who enjoy riveting mysteries, intricate plots, and compelling characters. Oppenheim's collection offers a diverse range of stories that will appeal to fans of classic espionage fiction and anyone looking for an entertaining and immersive read.

Barron’s PSAT/NMSQT Study Guide Premium, 2025 includes everything you need to be prepared for exam day with comprehensive review and practice that reflects the new digital PSAT/NMSQT! All the Review You Need from an SAT Expert An expert overview of the digital PSAT/NMSQT, including answers to frequently asked questions, advice on curbing test anxiety, techniques for the digital interface, and information about the National Merit Scholarship program In-depth subject review and practice questions covering the each section of the test for Reading and Writing and Math The latest strategies for success for all question types on the digital SAT, such as Command of Evidence, Words in Context, Rhetorical Synthesis, and Transitions Tips throughout from the author--an experienced SAT tutor and test prep professional Practice with Confidence 2 full-length digital PSAT practice tests in the book- 1 diagnostic test to assess your skills and target your studying plus 1 fully adaptive Additional practice questions on each subject throughout the review chapters Advanced skill-building practice drills for students seeking National Merit Scholarship recognition Detailed answer explanations for all practice questions Online Practice 200 online practice drills Detailed answer explanations Scoring to check your learning progress An online vocabulary appendix for extra review

Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.

To mark the tercentenary of Samuel Johnson's birth in 2009, the specially-commissioned essays contained here review his scholarly reputation. An international team of experts reflects authoritatively on the various dimensions of literary, historical, critical and ethical life touched by Johnson's extraordinary achievement. The volume distinctively casts its net widely and combines consistently innovative thinking on Johnson's historical role with a fresh sense of present criticism. Chapters cover subjects as diverse as Johnson's moral philosophy, his legal thought, his influence on Jane Austen, and the question of the Johnson canon. The contributors examine the larger theoretical and scholarly contexts in which it is now possible to situate his work, and from which it may often be necessary to differentiate it. All the contributors have a distinguished record of scholarship in eighteenth-century studies, Johnson scholarship, and cultural history and theory.

“An intelligent and generous companion to Pride and Prejudice: its author and her era, characters, language, reception, [and] adaptations.” —Sydney Morning Herald Pride and Prejudice has a fair claim to being the world’s favorite novel. Read and studied from Cheltenham to China, it’s been translated into many languages and made into countless films. This book, from longtime Jane Austen Society of Australia president Susannah Fullerton, describes how Austen wrote her masterpiece, its lukewarm initial reception, and its evolving popularity. As well as discussing sex-symbol Mr. Darcy, charming heroine Elizabeth Bennet, and the superb range of comic characters, she discusses the novel’s style: its wicked irony, brilliant structuring, and revolutionary use of the technique known as “free indirect speech.” Readers through the years have both loved the book and hated it, and the reactions of writers, politicians, artists, and explorers can tell us as much about the reader as they do about the book itself. Pride and Prejudice has morphed into many strange and interesting forms: screen adaptations, sequels, prequels, and updates. Happily Ever After explores these—and the wilder shores of zombies, porn, dating manuals, T-shirts, tourism, and therapy. “[The illustrations are] as much fun as the text.” —Star-Tribune “An enjoyable and loyally enthusiastic tribute . . . contains thoughtful plot and character summaries useful for orienting the school student, and is full of trivia for Austen enthusiasts (the term ‘Janeites’ was coined in 1884).” —Times Literary Supplement

The first detailed account of Austen's characters' reading experience to date, this book explores both what her characters read and what their literary choices would have meant to Austen's own readership, both during her life and today. Jane Austen was a voracious and extensive reader, so it's perhaps no surprise that many of her characters are also readers-from Mr. Collins in Pride and Prejudice to Fanny Price in Mansfield Park. Beginning by looking at Austen's own reading as well as her interest in readers' responses to her work, the book then focuses on each of her novels, looking at the particulars of her characters' reading and unpacking the multiple (and often surprising) ways in which what they read informs our reading. What Jane Austen's Characters Read (and Why) uses Austen's own love of reading to invite us to rethink the ways in which she imagined her characters and their lives beyond the novels.

Austen's Pride and Prejudice has been adapted, transformed and translated into numerous languages. Thus the classic today constitutes an international, transcultural, transmedial and iconic phenomenon of pop culture that transcends genre boundaries as easily as centuries. The vitality of the book at the crossroads of the literary canon and pop culture is analysed by contributions focusing on its translations, Bollywood adaptations, iconic TV versions or vlog adaptations, on erotic rewritings or generic transformations into Chick-Lit, crime fiction or the Gothic mode, on teaching contexts or on a diachronic analysis of its illustrations. Complemented by a compilation of student essays, this volume affirms and celebrates Pride and Prejudice being perhaps more alive than ever before.

This book examines Austen's novels in relation to her philosophical and religious context, demonstrating that the combination of the classical and theological traditions of the virtues is central to her work. Austen's heroines learn to confront the fundamental ethical question of how to live their lives. Instead of defining virtue only in the narrow sense of female sexual virtue, Austen opens up questions about a plurality of virtues. In fresh readings of the six completed novels, plus Lady Susan, Emsley shows how Austen's complex imaginative representations of the tensions among the virtues engage with and expand on classical and Christian ethical thought.