Kelsey Taps for Something Much Deadlier Than Sap March on Barton Farm can only mean one thing: maple sugar season. To combat the winter slump, resilient director Kelsey Cambridge organizes a Maple Sugar Festival, complete with school visits, pancake breakfasts, and a tree-tapping class. She hires curmudgeonly maple sugar expert Dr. Conrad Beeson to teach the workshop, despite misgivings over his unpleasant demeanor. It's a decision Kelsey ends up regretting when, before the first tree can be tapped for sap, Dr. Beeson turns up dead. His death threatens to shut down not only the festival, but also Barton Farm itself. Kelsey has no choice but to tap for the truth and solve the murder to escape an increasingly sticky situation. Praise: "[Flower's] a prolific, and facile, author...In addition to interesting characters and a seamless plot, there's plenty of fascinating lore about the whole process of converting sugar-maple sap into the syrup that is so highly valued."—Alfred Hitchcock Mystery Magazine "A very entertaining murder mystery."—Suspense Magazine "As series protagonists go, Kelsey's role as the director of a niche nonprofit in northern Ohio is certainly unusual, but Flower makes it appealing by focusing on a close-knit community of people who care about their work and each other."—Booklist

This fascinating and important book uses a wealth of contemporary sources to reconstruct the mental world of medieval farmers and, by doing so, argues that these key figures in the Middle Ages have been unfairly stereotyped. David Stone overturns the traditional view of medieval countrymen as economically backward and instead reveals that agricultural decision-making was as rational in the fouteenth century as in modern times. Investigating agricultural mentalities first at a local level and then for England as a whole, Dr Stone argues that human action shaped the course of the rural economy to a much greater extent than has hitherto been appreciated, and challenges the commonly held view that the medieval period was dominated by ecological and economic crises. Focusing in particular on responses to commercial forces and the adoption of agricultural technology, this book has significant implications for our understanding of agricultural development throughout the last thousand years.

Born in Boston of immigrant parents, Thomas A. Judge, CM (1868-1933) preached up and down the east coast on the Vincentian mission band between 1903 and 1915. Disturbed by the “leakage” of the immigrant poor from the church, he enlisted and organized lay women he met on the missions to work for the “preservation of the faith,” his watchword. His work grew apace with, and in some ways anticipated, the growing body of papal teaching on the lay apostolate. When he became superior of the godforsaken Vincentian Alabama mission in 1915, he invited the lay apostles to come south to help. “This is the layman’s hour,” he wrote in 1919. By then, however, many of his lay apostles had evolved in the direction of vowed communal life. This pioneer of the lay apostle founded two religious communities, one of women and one of men. With the indispensable help of his co-founder, Mother Boniface Keasey, he spent the last decade of his life trying to gain canonical approval for these groups, organizing them, and helping them learn “to train the work-a-day man and woman into an apostle, to cause each to be alert to the interests of the Church, to be the Church.” The roaring twenties saw the work expanded beyond the Alabama missions as far as Puerto Rico, which Judge viewed as a gateway to Latin America. The Great Depression ended this expansive mood and time and put agonizing pressure on Judge, his disciples, and their work. In 1932, the year before Judge’s death, the apostolic delegate, upon being appraised of Judge’s financial straits, described his work as “the only organized movement of its kind in the Church today that so completely meets the wishes of the Holy Father with reference to the Lay Apostolate.”

This book examines the role of comics in the perpetuation of the myth of the American West. In particular, it looks at the ways in which lone central characters, and their acts of violence, are posited as heroic. In doing so, the book raises questions both about the role of women in a supposedly male space, in addition to the portrayal of Native Americans within the context of this violence. Various adaptations of historical figures, such as Buffalo Bill and Billy the Kid, as well as film and television stars such as The Lone Ranger and Dale Evans are examined in detail. Although concentrating on American comics, examples both from Britain and France are also analyzed.