This full-blooded story of The Wailers puts the life, music and death of the legendary Bob Marley into a razor-sharp new perspective. The Wailers played with Marley on all of the hit singles and albums that made him a legend, yet their story since his death is a little-known saga of betrayal, greed and murder that is told here in its entirety for the first time. Written in collaboration with Aston 'Family Man' Barrett and other surviving band members, the book explores Marley's colourful journey from downtown Kingston onto the world stage. It covers the assassination attempt on Marley's life, his exile in London, the kidnapping and decapitation of the Barretts' father, and the death by gunfire of both Peter Tosh and drummer Carlton Barrett. Bitter acrimony followed Marley's own death from cancer as the iconic singer's legacy was parlayed into a multi-million dollar industry.

Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.

We the Young Fighters is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible. When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio's transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship. Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and-especially-Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

All across the US in the last few years, there has been a resurgence of Black protest against structural racism and other forms of racial injustice. Black Resistance in the Americas draws attention to this renewed energy and how this theme of resistance intersects with other communities of Black people around the world. This edited collection examines in depth stories of resistance against slavery, narratives of resistance in African American, Afro-Caribbean, and Afro-Latin American Literature, resistance in politics, education, religion, music, dance, and film, exploring a range of new perspectives from established and emerging researchers on Black communities. The essays in this pivotal book discuss some of the mechanisms that Black communities have used to resist bondage, domination, disempowerment, inequality, and injustices resulting from their encounters with the West, from colonization to forced migration.

The late 1970s brought us an eclectic mix of popular music--everything from big hits (and even bigger hair) to cult favorites, along with the dawn of disco and punk, the coming of corporate rock, the rise of reggae and new wave, and some of the most progressive, inventive songwriting of the century. Whether you cranked up your radio for Bruce Springsteen, Stevie Wonder, Supertramp, the Bee Gees, Talking Heads, Rickie Lee Jones, or Earth, Wind and Fire, you'll relive those heady days with this compulsively readable, behind-the-scenes account of the "Frampton years," an era when pop became very big business. It's all here, from ABBA to Zevon. Night Moves by Don Breithaupt and Jeff Breithaupt is a feisty, funny volume that will leave pop fans of every stripe feeling Reunited, Afternoon Delight-ed, and Still Crazy After All These Years.

First published in 1979, this book makes a detailed study of Rastafarianism. It traces the expansion of Rastafarian culture from its origins and development in Jamaica through to the growth of Rastafarian life in Britain. It looks at Rastafarian culture in England in the late 1970s based on the author’s intimate experiences and communications with followers of the movement.

A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae. Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this reference book traces the relationship between two intertwined aspects of Jamaican culture: Rastafari and reggae music. As important voices in the ongoing dialogue concerning Jamaica's search for a national identity, Rastafari and reggae have had a significant impact on international music and culture. This work is the first to document and describe these areas for researchers, providing a comprehensive dictionary of terms, people, places, and concepts relevant to Rastafari, reggae music, and their related histories. In a unique collaboration from the American and Jamaican perspectives, Mulvaney and Nelson have supplied annotated references and cross references for written materials, audio recordings, videocassettes, and films that cover the first sixty years of Rastafari and over twenty years of reggae music. The book is comprised of four main sections. The dictionary serves as the focal point for the cross referencing of the entire book and offers entries that are either directly related to Rastafari and reggae or provide a historical context. The discography, which includes 200 entries, represents a cross section of reggae music from 1968 to 1990 and is organized by musician or band name. A small, representative sample of documentary, concert, and narrative fiction videocassettes that address aspects of Rastafari or reggae music are catalogued in the videography, along with selected films. Finally, the bibliography, prepared by Carlos I.H. Nelson, provides a thorough overview of journal and magazine articles, creative works, dissertations, books, interviews, parts of books, reviews, and theses written by and about Rastafarians and reggae musicians. It covers the past importance, present significance, and future legacies of the movement and the music. The work also includes two appendices that list relevant periodicals and representative musicians and bands. Music students and researchers will find Rastafari and Reggae to be a valuable reference source, as will students in Caribbean and cultural studies, communication, history, and anthropology courses. For academic, public, and music library collections, the book will be an important addition.

This is the original book which is widely cited and given inspiration to other media around the world. It is free to read on google books, if you like the content, consider supporting the author by visiting arooka.com for other titles.